Catalog Search
 
Advanced Search

My shopping cart cart icon
Your cart is empty

My wish list wishlist icon
Your wish list is empty



Last update:
9 February 2010

© John Benjamins
Home

Point of View in Plays

A cognitive stylistic approach to viewpoint in drama and other text-types

Dan McIntyre
University of Huddersfield

2006. xii, 203 pp.
Publishing status: Available

HardboundIn stock
978 90 272 3335 6 / EUR 99.00 / USD 149.00
Add to shopping cart

e-BookAvailable from e-book platforms
978 90 272 9333 6 / EUR 99.00 / USD 149.00
Ordering information

Add to wish list

This is the first book-length study of how point of view is manifested linguistically in dramatic texts. It examines such issues as how readers process the shifts in viewpoint that can occur within such texts. Using insights from cognitive linguistics, the book aims to explain how the analysis of point of view in drama can be undertaken, and how this is fruitful for understanding textual and discoursal effects in this genre. Following on from a consideration of existing frameworks for the analysis of point of view, a cognitive approach to deixis is suggested as being particularly profitable for explaining the viewpoint effects that can arise in dramatic texts. To expand on the large number of examples discussed throughout the book, the penultimate chapter consists of an extended analysis of a single play. This book is relevant to scholars in a range of areas, including linguistics, literary studies and cognitive science.


Table of contents

Acknowledgements

ix

Preface

xi

Point of view and plays

1–15

Narratives, narration and point of view in prose

17–56

Perspectives on point of view in drama

57–90

Deictic shifts in dramatic texts

91–121

Possible worlds, possible viewpoints

123–140
Logic, reality and mind style
141–158

Point of view in The Lady in the Van

159–185

Conclusion

187–190
References
191–198
Index
199–203


A sophisticated stylistics of drama has been a long time coming, and Dan McIntyre's book sets the agenda. This book is significant for offering principled solutions for narratology, for cognitive poetics, for literary scholars and of course for advancing a poetics of drama. It will be regarded by future stylisticians of theatre as a turning point in the field.
Peter Stockwell

The volume is an important (linguistic) stylistic contribution to the study of literary (dramatic) discourse, especially because its findings are based on empirical data.
Aleksander Čarapić, University of Belgrade, in Discourse Studies, Vol. 9:5 (2007)