<ONIXMessage>
<Header>
	<FromSAN>219-7677</FromSAN>
	<SenderIdentifier>
		<SenderIDType>10</SenderIDType>
		<IDValue>7500817</IDValue>
	</SenderIdentifier>
	<FromCompany>John Benjamins Publishing Company</FromCompany>
	<FromPerson>Marketing Department / Karin Plijnaar, Pieter Lamers</FromPerson>
	<FromEmail>onix@benjamins.nl</FromEmail>
	<SentDate>201707062303</SentDate>
	<MessageNote>ONIX title feed</MessageNote>
	<DefaultLanguageOfText>eng</DefaultLanguageOfText>
	<DefaultPriceTypeCode>01</DefaultPriceTypeCode>
	<DefaultCurrencyCode>EUR</DefaultCurrencyCode>
</Header>

<Product>
	<RecordReference>50007090</RecordReference>
	<NotificationType>03</NotificationType>
	<RecordSourceType>01</RecordSourceType>
	<RecordSourceIdentifierType>01</RecordSourceIdentifierType>
	<RecordSourceIdentifier>JB</RecordSourceIdentifier>
	<RecordSourceName>John Benjamins Publishing Company</RecordSourceName>
	<ProductIdentifier>
		<ProductIDType>01</ProductIDType>
		<IDTypeName>JB code</IDTypeName>
		<IDValue>CHLEL XXIII Eb</IDValue>
	</ProductIdentifier>
	<ProductIdentifier>
		<ProductIDType>15</ProductIDType>
		<IDValue>9789027291646</IDValue>
	</ProductIdentifier>
	<ProductIdentifier>
		<ProductIDType>06</ProductIDType>
		<IDValue>10.1075/chlel.xxiii</IDValue>
	</ProductIdentifier>
	<ProductIdentifier>
		<ProductIDType>13</ProductIDType>
		<IDValue>2007038183</IDValue>
	</ProductIdentifier>
	<ProductForm>DG</ProductForm>
	<EpubType>002</EpubType>
	<EpubSource>02</EpubSource>
	<Series>
		<SeriesIdentifier>
			<SeriesIDType>01</SeriesIDType>
			<IDValue>CHLEL</IDValue>
		</SeriesIdentifier>
		<SeriesIdentifier>
			<SeriesIDType>02</SeriesIDType>
			<IDValue>0238-0668</IDValue>
		</SeriesIdentifier>
		<TitleOfSeries>Comparative History of Literatures in European Languages</TitleOfSeries>
		<NumberWithinSeries>XXIII</NumberWithinSeries>
		</Series>
		<Set>
			<ProductIdentifier>
				<ProductIDType>01</ProductIDType>
				<IDValue>CHLEL ROM S</IDValue>
			</ProductIdentifier>
			<TitleOfSet textformat="02">The Romanticism series</TitleOfSet>
		</Set>
	<Title>
		<TitleType>01</TitleType>
		<TitleText textformat="02">Romantic Prose Fiction</TitleText>
	</Title>
	<WorkIdentifier>
		<WorkIDType>01</WorkIDType>
		<IDValue>chlel.xxiii</IDValue>
	</WorkIdentifier>
	<Website>
		<WebsiteRole>01</WebsiteRole>
		<WebsiteLink>https://benjamins.com</WebsiteLink>
	</Website>
	<Website>
		<WebsiteRole>02</WebsiteRole>
		<WebsiteLink>https://benjamins.com/catalog/chlel.xxiii</WebsiteLink>
	</Website>
	<Contributor>
		<SequenceNumber>1</SequenceNumber>
		<ContributorRole>B01</ContributorRole>
		<PersonName>Gerald Gillespie</PersonName>
		<PersonNameInverted>Gillespie, Gerald</PersonNameInverted>
		<NamesBeforeKey>Gerald</NamesBeforeKey>
		<KeyNames>Gillespie</KeyNames>
		<ProfessionalAffiliation>
			<Affiliation>Stanford University</Affiliation>
		</ProfessionalAffiliation>
	</Contributor>
	<Contributor>
		<SequenceNumber>2</SequenceNumber>
		<ContributorRole>B01</ContributorRole>
		<PersonName>Manfred Engel</PersonName>
		<PersonNameInverted>Engel, Manfred</PersonNameInverted>
		<NamesBeforeKey>Manfred</NamesBeforeKey>
		<KeyNames>Engel</KeyNames>
		<ProfessionalAffiliation>
			<Affiliation>University of Oxford</Affiliation>
		</ProfessionalAffiliation>
	</Contributor>
	<Contributor>
		<SequenceNumber>3</SequenceNumber>
		<ContributorRole>B01</ContributorRole>
		<PersonName>Bernard Dieterle</PersonName>
		<PersonNameInverted>Dieterle, Bernard</PersonNameInverted>
		<NamesBeforeKey>Bernard</NamesBeforeKey>
		<KeyNames>Dieterle</KeyNames>
		<ProfessionalAffiliation>
			<Affiliation>Université de Haute Alsace, Mulhouse</Affiliation>
		</ProfessionalAffiliation>
	</Contributor>
	<NoEdition/>
	<Language>
		<LanguageRole>01</LanguageRole>
		<LanguageCode>eng</LanguageCode>
	</Language>
	<NumberOfPages>758</NumberOfPages>
	<PagesRoman>xxi</PagesRoman>
	<PagesArabic>733</PagesArabic>
	<BASICMainSubject>LIT004130</BASICMainSubject>
	<BASICVersion>v.2006</BASICVersion>
	<BICMainSubject>DSB</BICMainSubject>
	<BICVersion>2</BICVersion>
	<Subject>
		<SubjectSchemeIdentifier>24</SubjectSchemeIdentifier>
		<SubjectSchemeName>JB Subject Scheme</SubjectSchemeName>
		<SubjectCode>LIT.COMP</SubjectCode>
		<SubjectHeadingText>Comparative literature &amp; literary studies</SubjectHeadingText>
	</Subject>
	<Subject>
		<SubjectSchemeIdentifier>24</SubjectSchemeIdentifier>
		<SubjectSchemeName>JB Subject Scheme</SubjectSchemeName>
		<SubjectCode>LIT.THEOR</SubjectCode>
		<SubjectHeadingText>Theoretical literature &amp; literary studies</SubjectHeadingText>
	</Subject>
	<AudienceCode>06</AudienceCode>
	<OtherText>
		<TextTypeCode>01</TextTypeCode>
		<Text textformat="02">In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, &lt;i&gt;Romantic Prose Fiction&lt;/i&gt; achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding “truths” by which to define the permanent “meaning” of Romanticism, but as data of cultural history that shed important light on an evolving civilization.&lt;br /&gt;This volume is part of a book set which can be ordered at a special discount:  &lt;a href="https://www.benjamins.com/series/chlel/chlel.special_offer.romanticism.pdf"&gt;https://www.benjamins.com/series/chlel/chlel.special_offer.romanticism.pdf&lt;/a&gt;</Text>
	</OtherText>
	<OtherText>
		<TextTypeCode>05</TextTypeCode>
		<Text textformat="02">[...] there are still relatively few truly comparative and collaborative studies of the kind represented by the volume at hand (and its counterparts in the ICLA'S CHLEL series). The continuing - indeed possibly even increasing - insularity of so much work in literary studies, despite all the cross-cultural name-dropping and second-hand allusion, is not worthy of an age, or a learned profession, that claims to have recognized the need for a heightened level of global awareness. That, if nothing else, is a compelling rationale for projects like &lt;i&gt;Romantic Prose Fiction&lt;/i&gt; and the other volumes in the ICLA CHLEL series, and for their widest possible distribution and circulation.</Text>
		<TextAuthor>John Boening, University of Toledo, in The Comparatist 33 (2009)</TextAuthor>
	</OtherText>
	<OtherText>
		<TextTypeCode>05</TextTypeCode>
		<Text textformat="02">This impressive volume offers a wealth of insights into the interrelationships of Romantic fictional prose throughout most of Europe and parts of the Americas, with additional glances toward Asia. Like its four predecessor volumes in the “Romanticism subseries" of the &lt;i&gt;Comparative History of Literatures in European Languages&lt;/i&gt; (devoted, respectively, to Romatic irony, drama, poetry, and non-fictional prose), it is the result of a massive team effort by international scholars whose essays constantly interweave, reflecting on many of the same authors and works yet linking them to ever new texts and contexts. [...] &lt;i&gt;Romantic Prose Fiction&lt;/i&gt; is a remarkable achievement, not only for the rich scope of materials and insights it offers, but for its valuable sub-text of self-reflection on the way a comparative study of Romanticism helps at times to clarify - and at times to problematize - our modern critical consciousness.</Text>
		<TextAuthor>Angela Esterhammer, University of Zurich, in Recherche Littéraire/Literary Research, Vol. 25 (2009).</TextAuthor>
	</OtherText>
	<OtherText>
		<TextTypeCode>05</TextTypeCode>
		<Text textformat="02">[...] das Buch bietet erstens eine gute Einführung in romantische Denk- und Darstellingsformen, und es bekommt zweitens durch das grosse Spektrum an komparatistischen Perspektiven den Charakter eines lehrreichen Handbuchs zur Romantik als internationaler Entwicklung, dessen Lektüre gerade auch jedem Germanisten empfohlen sei.</Text>
		<TextAuthor>Prof. Dr. habil. Dirl Oschmann, Friedrich-Schiller-Universität Jena, on IASLonline, May 2009.</TextAuthor>
	</OtherText>
	<OtherText>
		<TextTypeCode>05</TextTypeCode>
		<Text textformat="02">The editors of this volume are to be complimented on the comprehensive nature and quality of the studies they include. The impressive range of contributors is testimony in itself to the standard of scholarship on show, with some of the leading names in the field featuring prominently. There is also a notably international array of contributors, something crucial to but often absent from such volumes which claim comprehensive coverage and a comparative approach. In choosing such an array, the editors have managed to negotiate the potential pitfalls surrounding such comparative works, which perversely often fail to represent a truly broad range of approaches and cultural diversities. The volume ends with a full listing of the content of all five volumes in the subseries. The range of material covered is impressive and, even at a glance, it is clear what a mammoth undertaking this has been. The current volume is valuable in itself but, seen in the context of the entire subseries, it becomes clear that the editors have created an invaluable critical resource which would greatly enhance any scholarly library.</Text>
		<TextAuthor>Carol Tully, Bangor University, in Modern Language review 104.3 (2009)</TextAuthor>
	</OtherText>
	<MediaFile>
		<MediaFileTypeCode>04</MediaFileTypeCode>
		<MediaFileFormatCode>09</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/475/chlel.xxiii.png</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>04</MediaFileTypeCode>
		<MediaFileFormatCode>03</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/475_jpg/9789027234568.jpg</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>04</MediaFileTypeCode>
		<MediaFileFormatCode>03</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/475_tif/9789027234568.tif</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>06</MediaFileTypeCode>
		<MediaFileFormatCode>09</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/1200_front/chlel.xxiii.hb.png</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>07</MediaFileTypeCode>
		<MediaFileFormatCode>09</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/125/chlel.xxiii.png</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>25</MediaFileTypeCode>
		<MediaFileFormatCode>09</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/1200_back/chlel.xxiii.hb.png</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>27</MediaFileTypeCode>
		<MediaFileFormatCode>09</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/3d_web/chlel.xxiii.hb.png</MediaFileLink>
	</MediaFile>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.prelim</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>i</FirstPageNumber>
				<LastPageNumber>viii</LastPageNumber>
				<NumberOfPages>8</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Prelim pages</ComponentTypeName>
		<ComponentNumber>-1</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Prelim pages</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.01pre</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>ix</FirstPageNumber>
				<LastPageNumber>xi</LastPageNumber>
				<NumberOfPages>3</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Preface</ComponentTypeName>
		<ComponentNumber>1</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Preface</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.02gil</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>xiii</FirstPageNumber>
				<LastPageNumber>xxi</LastPageNumber>
				<NumberOfPages>9</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Miscellaneous</ComponentTypeName>
		<ComponentNumber>2</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Introduction</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Gerald Gillespie</PersonName>
				<PersonNameInverted>Gillespie, Gerald</PersonNameInverted>
				<NamesBeforeKey>Gerald</NamesBeforeKey>
				<KeyNames>Gillespie</KeyNames>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.03par</IDValue>
			</TextItemIdentifier>
		</TextItem>
		<ComponentTypeName>Section header</ComponentTypeName>
		<ComponentNumber>3</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Part I. Characteristic themes</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.04hof</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>1</FirstPageNumber>
				<LastPageNumber>21</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>4</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The French Revolution and prose fiction: Allegorization of history and its defeat by Romance</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">French Revolution and prose fiction: Allegorization of history and its defeat by Romance</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Gerhart Hoffmeister</PersonName>
				<PersonNameInverted>Hoffmeister, Gerhart</PersonNameInverted>
				<NamesBeforeKey>Gerhart</NamesBeforeKey>
				<KeyNames>Hoffmeister</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>UC Santa Barbara</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.05die</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>22</FirstPageNumber>
				<LastPageNumber>40</LastPageNumber>
				<NumberOfPages>19</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>5</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Wertherism and the Romantic &lt;i&gt;Weltanschauung&lt;/i&gt;</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Bernard Dieterle</PersonName>
				<PersonNameInverted>Dieterle, Bernard</PersonNameInverted>
				<NamesBeforeKey>Bernard</NamesBeforeKey>
				<KeyNames>Dieterle</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Université de Haute Alsace, Mulhouse</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.06mae</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>41</FirstPageNumber>
				<LastPageNumber>52</LastPageNumber>
				<NumberOfPages>12</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>6</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romanticism and the idealisation of the artist</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Gregory Maertz</PersonName>
				<PersonNameInverted>Maertz, Gregory</PersonNameInverted>
				<NamesBeforeKey>Gregory</NamesBeforeKey>
				<KeyNames>Maertz</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>St. Johns, N.Y.</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.07sze</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>53</FirstPageNumber>
				<LastPageNumber>68</LastPageNumber>
				<NumberOfPages>16</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>7</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">'Unheard melodies and unseen pictures': The sister arts in Romantic fiction</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Mihály Szegedy-Maszák</PersonName>
				<PersonNameInverted>Szegedy-Maszák, Mihály</PersonNameInverted>
				<NamesBeforeKey>Mihály</NamesBeforeKey>
				<KeyNames>Szegedy-Maszák</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Eötvös; Indiana Univ., Bloomington</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.08alb</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>69</FirstPageNumber>
				<LastPageNumber>89</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>8</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Music and Romantic narration</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Claudia Albert</PersonName>
				<PersonNameInverted>Albert, Claudia</PersonNameInverted>
				<NamesBeforeKey>Claudia</NamesBeforeKey>
				<KeyNames>Albert</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Leipzig</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.09gra</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>90</FirstPageNumber>
				<LastPageNumber>106</LastPageNumber>
				<NumberOfPages>17</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>9</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Nature and landscape between exoticism and national areas of imagination</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Wilhelm Graeber</PersonName>
				<PersonNameInverted>Graeber, Wilhelm</PersonNameInverted>
				<NamesBeforeKey>Wilhelm</NamesBeforeKey>
				<KeyNames>Graeber</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Göttingen</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.10gia</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>107</FirstPageNumber>
				<LastPageNumber>121</LastPageNumber>
				<NumberOfPages>15</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>10</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Mountain landscapes and the aesthetics of the sublime in Romantic narration</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Paola Giacomoni</PersonName>
				<PersonNameInverted>Giacomoni, Paola</PersonNameInverted>
				<NamesBeforeKey>Paola</NamesBeforeKey>
				<KeyNames>Giacomoni</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Trento</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.11lor</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>122</FirstPageNumber>
				<LastPageNumber>138</LastPageNumber>
				<NumberOfPages>17</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>11</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The 'wanderer' in Romantic prose fiction</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">'wanderer' in Romantic prose fiction</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>André Lorant</PersonName>
				<PersonNameInverted>Lorant, André</PersonNameInverted>
				<NamesBeforeKey>André</NamesBeforeKey>
				<KeyNames>Lorant</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Paris XII</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.12sch</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>139</FirstPageNumber>
				<LastPageNumber>167</LastPageNumber>
				<NumberOfPages>29</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>12</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Night-sides of existence: Madness, dream, etc.</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Monika Schmitz-Emans</PersonName>
				<PersonNameInverted>Schmitz-Emans, Monika</PersonNameInverted>
				<NamesBeforeKey>Monika</NamesBeforeKey>
				<KeyNames>Schmitz-Emans</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Bochum</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.13gra</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>168</FirstPageNumber>
				<LastPageNumber>182</LastPageNumber>
				<NumberOfPages>15</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>13</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Doubling, doubles, duplicity, bipolarity</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Ernst Grabovszki</PersonName>
				<PersonNameInverted>Grabovszki, Ernst</PersonNameInverted>
				<NamesBeforeKey>Ernst</NamesBeforeKey>
				<KeyNames>Grabovszki</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Wien</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.14kum</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>183</FirstPageNumber>
				<LastPageNumber>203</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>14</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Images of childhood in Romantic children's literature</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Bettina Kümmerling-Meibauer</PersonName>
				<PersonNameInverted>Kümmerling-Meibauer, Bettina</PersonNameInverted>
				<NamesBeforeKey>Bettina</NamesBeforeKey>
				<KeyNames>Kümmerling-Meibauer</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Tübingen</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.15and</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>204</FirstPageNumber>
				<LastPageNumber>225</LastPageNumber>
				<NumberOfPages>22</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>15</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Artificial life and Romantic brides</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Michael Andermatt</PersonName>
				<PersonNameInverted>Andermatt, Michael</PersonNameInverted>
				<NamesBeforeKey>Michael</NamesBeforeKey>
				<KeyNames>Andermatt</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Zürich</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.16kli</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>226</FirstPageNumber>
				<LastPageNumber>248</LastPageNumber>
				<NumberOfPages>23</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>16</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic gender and sexuality</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Thomas Klinkert</PersonName>
				<PersonNameInverted>Klinkert, Thomas</PersonNameInverted>
				<NamesBeforeKey>Thomas</NamesBeforeKey>
				<KeyNames>Klinkert</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Mannheim</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
			<Contributor>
				<SequenceNumber>2</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Weertje Willms</PersonName>
				<PersonNameInverted>Willms, Weertje</PersonNameInverted>
				<NamesBeforeKey>Weertje</NamesBeforeKey>
				<KeyNames>Willms</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>TU Berlin</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.17par</IDValue>
			</TextItemIdentifier>
		</TextItem>
		<ComponentTypeName>Section header</ComponentTypeName>
		<ComponentNumber>17</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Part II. Paradigms of Romantic fiction</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.18a</IDValue>
			</TextItemIdentifier>
		</TextItem>
		<ComponentTypeName>Section header</ComponentTypeName>
		<ComponentNumber>18</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">A. Generic types and representative texts</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.19gor</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>249</FirstPageNumber>
				<LastPageNumber>262</LastPageNumber>
				<NumberOfPages>14</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>19</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The Gothic novel as a Romantic narrative genre</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">Gothic novel as a Romantic narrative genre</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Hendrik van Gorp</PersonName>
				<PersonNameInverted>Gorp, Hendrik van</PersonNameInverted>
				<NamesBeforeKey>Hendrik</NamesBeforeKey>
				<PrefixToKey>van</PrefixToKey>
				<KeyNames>Gorp</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Leuven</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.20eng</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>263</FirstPageNumber>
				<LastPageNumber>295</LastPageNumber>
				<NumberOfPages>33</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>20</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Variants of the Romantic 'Bildungsroman' (with a short note on the 'artist novel')</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Manfred Engel</PersonName>
				<PersonNameInverted>Engel, Manfred</PersonNameInverted>
				<NamesBeforeKey>Manfred</NamesBeforeKey>
				<KeyNames>Engel</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Oxford</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.21ber</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>296</FirstPageNumber>
				<LastPageNumber>324</LastPageNumber>
				<NumberOfPages>29</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>21</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Historical novel and historical Romance</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Markus Bernauer</PersonName>
				<PersonNameInverted>Bernauer, Markus</PersonNameInverted>
				<NamesBeforeKey>Markus</NamesBeforeKey>
				<KeyNames>Bernauer</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>TU Berlin</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.22ste</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>325</FirstPageNumber>
				<LastPageNumber>344</LastPageNumber>
				<NumberOfPages>20</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>22</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The fairy-tale, the fantastic tale</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">fairy-tale, the fantastic tale</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Jörn Steigerwald</PersonName>
				<PersonNameInverted>Steigerwald, Jörn</PersonNameInverted>
				<NamesBeforeKey>Jörn</NamesBeforeKey>
				<KeyNames>Steigerwald</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Gießen</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.23gil</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>345</FirstPageNumber>
				<LastPageNumber>363</LastPageNumber>
				<NumberOfPages>19</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>23</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The detective story and novel</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">detective story and novel</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Gerald Gillespie</PersonName>
				<PersonNameInverted>Gillespie, Gerald</PersonNameInverted>
				<NamesBeforeKey>Gerald</NamesBeforeKey>
				<KeyNames>Gillespie</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Stanford</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.24gue</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>364</FirstPageNumber>
				<LastPageNumber>382</LastPageNumber>
				<NumberOfPages>19</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>24</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">R&amp;#233;cit, story, tale, novella</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Santiago Rodriguez Guerrero-Strachan</PersonName>
				<PersonNameInverted>Guerrero-Strachan, Santiago Rodriguez</PersonNameInverted>
				<NamesBeforeKey>Santiago Rodriguez</NamesBeforeKey>
				<KeyNames>Guerrero-Strachan</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Valladolid</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.25hal</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>383</FirstPageNumber>
				<LastPageNumber>411</LastPageNumber>
				<NumberOfPages>29</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>25</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The literary idyll in Germany, England, and Scandinavia 1770-1848</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">literary idyll in Germany, England, and Scandinavia 1770-1848</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Sven Halse</PersonName>
				<PersonNameInverted>Halse, Sven</PersonNameInverted>
				<NamesBeforeKey>Sven</NamesBeforeKey>
				<KeyNames>Halse</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Odense</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.26b</IDValue>
			</TextItemIdentifier>
		</TextItem>
		<ComponentTypeName>Section header</ComponentTypeName>
		<ComponentNumber>26</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">B. Modes of discourse and narrative structures</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.27gar</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>412</FirstPageNumber>
				<LastPageNumber>434</LastPageNumber>
				<NumberOfPages>23</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>27</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Address, relation, community: Boundaries and boundarycrossing in Romantic narration</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Frederick Garber</PersonName>
				<PersonNameInverted>Garber, Frederick</PersonNameInverted>
				<NamesBeforeKey>Frederick</NamesBeforeKey>
				<KeyNames>Garber</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Binghamton</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.28spi</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>435</FirstPageNumber>
				<LastPageNumber>451</LastPageNumber>
				<NumberOfPages>17</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>28</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Torn halves: Romantic narrative fiction between homophony and polyphony</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Monica Spiridon</PersonName>
				<PersonNameInverted>Spiridon, Monica</PersonNameInverted>
				<NamesBeforeKey>Monica</NamesBeforeKey>
				<KeyNames>Spiridon</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Bucharest</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.29ces</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>452</FirstPageNumber>
				<LastPageNumber>475</LastPageNumber>
				<NumberOfPages>24</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>29</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The fragment as structuring force</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">fragment as structuring force</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Remo Ceserani</PersonName>
				<PersonNameInverted>Ceserani, Remo</PersonNameInverted>
				<NamesBeforeKey>Remo</NamesBeforeKey>
				<KeyNames>Ceserani</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Bologna</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
			<Contributor>
				<SequenceNumber>2</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Paolo Zanotti</PersonName>
				<PersonNameInverted>Zanotti, Paolo</PersonNameInverted>
				<NamesBeforeKey>Paolo</NamesBeforeKey>
				<KeyNames>Zanotti</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Pisa</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.30ros</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>476</FirstPageNumber>
				<LastPageNumber>495</LastPageNumber>
				<NumberOfPages>20</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>30</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Mirroring, abymization, potentiation (involution)</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Sabine Rossbach</PersonName>
				<PersonNameInverted>Rossbach, Sabine</PersonNameInverted>
				<NamesBeforeKey>Sabine</NamesBeforeKey>
				<KeyNames>Rossbach</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Melbourne</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.31isb</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>496</FirstPageNumber>
				<LastPageNumber>516</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>31</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic novel and verse Romance, 1750-1850: Is there a Romance continuum</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>John Claiborne Isbell</PersonName>
				<PersonNameInverted>Isbell, John Claiborne</PersonNameInverted>
				<NamesBeforeKey>John Claiborne</NamesBeforeKey>
				<KeyNames>Isbell</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Indiana Univ., Bloomington</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.32fig</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>517</FirstPageNumber>
				<LastPageNumber>526</LastPageNumber>
				<NumberOfPages>10</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>32</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Myth in Romantic prose fiction</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Dorothy Figueira</PersonName>
				<PersonNameInverted>Figueira, Dorothy</PersonNameInverted>
				<NamesBeforeKey>Dorothy</NamesBeforeKey>
				<KeyNames>Figueira</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. of Georgia, Athens</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.33nem</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>527</FirstPageNumber>
				<LastPageNumber>536</LastPageNumber>
				<NumberOfPages>10</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>33</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">From historical narrative to fiction and back: A dialectical game</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Virgil Nemoianu</PersonName>
				<PersonNameInverted>Nemoianu, Virgil</PersonNameInverted>
				<NamesBeforeKey>Virgil</NamesBeforeKey>
				<KeyNames>Nemoianu</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Catholic Univ. of America</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.34paa</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>537</FirstPageNumber>
				<LastPageNumber>558</LastPageNumber>
				<NumberOfPages>22</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>34</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic prose fiction and the shaping of social discourse in Spanish America</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Annette Paatz</PersonName>
				<PersonNameInverted>Paatz, Annette</PersonNameInverted>
				<NamesBeforeKey>Annette</NamesBeforeKey>
				<KeyNames>Paatz</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Göttingen</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.35par</IDValue>
			</TextItemIdentifier>
		</TextItem>
		<ComponentTypeName>Section header</ComponentTypeName>
		<ComponentNumber>35</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Part III. Contributions of Romanticism to 19th and 20th century writing and thought</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.36tal</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>559</FirstPageNumber>
				<LastPageNumber>579</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>36</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Narrative maneuvres in the 'periphery' the Spanish and Latin American novel during Romanticism</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Juri Talvet</PersonName>
				<PersonNameInverted>Talvet, Juri</PersonNameInverted>
				<NamesBeforeKey>Juri</NamesBeforeKey>
				<KeyNames>Talvet</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Tartu</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.37smo</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>580</FirstPageNumber>
				<LastPageNumber>595</LastPageNumber>
				<NumberOfPages>16</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>37</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic thought and style in 19th century Realism and Naturalism</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Jeanne Smoot</PersonName>
				<PersonNameInverted>Smoot, Jeanne</PersonNameInverted>
				<NamesBeforeKey>Jeanne</NamesBeforeKey>
				<KeyNames>Smoot</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. of North Carol., Raleigh</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.38bla</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>596</FirstPageNumber>
				<LastPageNumber>609</LastPageNumber>
				<NumberOfPages>14</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>38</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic legacies in fin-de-si&amp;#232;cle and early 20th century fiction</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Joel Black</PersonName>
				<PersonNameInverted>Black, Joel</PersonNameInverted>
				<NamesBeforeKey>Joel</NamesBeforeKey>
				<KeyNames>Black</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. of Georgia, Athens</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.39son</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>610</FirstPageNumber>
				<LastPageNumber>621</LastPageNumber>
				<NumberOfPages>12</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>39</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Framing C.J.L. Almqvist: The narrative frame of &lt;i&gt;T&amp;#246;rnrosens bok&lt;/i&gt; and Romantic irony</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Steven P. Sondrup</PersonName>
				<PersonNameInverted>Sondrup, Steven P.</PersonNameInverted>
				<NamesBeforeKey>Steven P.</NamesBeforeKey>
				<KeyNames>Sondrup</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Brigham Young Univ.</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.40cha</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>622</FirstPageNumber>
				<LastPageNumber>642</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>40</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romanticism, occultism and the fantastic genre in Spain and Latin America</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>José Ricardo Chaves</PersonName>
				<PersonNameInverted>Chaves, José Ricardo</PersonNameInverted>
				<NamesBeforeKey>José Ricardo</NamesBeforeKey>
				<KeyNames>Chaves</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. Nacional de México</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.41tak</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>643</FirstPageNumber>
				<LastPageNumber>654</LastPageNumber>
				<NumberOfPages>12</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>41</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic prose fiction in modern Japan: Finding an expression against the grain</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Takayuki Yokota-Murakami</PersonName>
				<PersonNameInverted>Yokota-Murakami, Takayuki</PersonNameInverted>
				<NamesBeforeKey>Takayuki</NamesBeforeKey>
				<KeyNames>Yokota-Murakami</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Osaka</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.42ald</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>655</FirstPageNumber>
				<LastPageNumber>663</LastPageNumber>
				<NumberOfPages>9</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>42</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Ludic prose from Laurence Sterne to Carlos Fuentes</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>A. Owen Aldridge</PersonName>
				<PersonNameInverted>Aldridge, A. Owen</PersonNameInverted>
				<NamesBeforeKey>A. Owen</NamesBeforeKey>
				<KeyNames>Aldridge</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. of Illinois, Champaign-Urbana</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.43mar</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>664</FirstPageNumber>
				<LastPageNumber>693</LastPageNumber>
				<NumberOfPages>30</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>43</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Rewrites and remakes: Screen adaptations of Romantic works</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Elaine Martin</PersonName>
				<PersonNameInverted>Martin, Elaine</PersonNameInverted>
				<NamesBeforeKey>Elaine</NamesBeforeKey>
				<KeyNames>Martin</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. of Alabama, Tuscaloosa</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.44gil</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>695</FirstPageNumber>
				<LastPageNumber>701</LastPageNumber>
				<NumberOfPages>7</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Miscellaneous</ComponentTypeName>
		<ComponentNumber>44</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Conclusion</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Gerald Gillespie</PersonName>
				<PersonNameInverted>Gillespie, Gerald</PersonNameInverted>
				<NamesBeforeKey>Gerald</NamesBeforeKey>
				<KeyNames>Gillespie</KeyNames>
			</Contributor>
			<Contributor>
				<SequenceNumber>2</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Manfred Engel</PersonName>
				<PersonNameInverted>Engel, Manfred</PersonNameInverted>
				<NamesBeforeKey>Manfred</NamesBeforeKey>
				<KeyNames>Engel</KeyNames>
			</Contributor>
			<Contributor>
				<SequenceNumber>3</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Bernard Dieterle</PersonName>
				<PersonNameInverted>Dieterle, Bernard</PersonNameInverted>
				<NamesBeforeKey>Bernard</NamesBeforeKey>
				<KeyNames>Dieterle</KeyNames>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.45app</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>703</FirstPageNumber>
				<LastPageNumber>708</LastPageNumber>
				<NumberOfPages>6</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Appendix</ComponentTypeName>
		<ComponentNumber>45</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Appendix (Table of Contents, vols. 1-4)</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.45ind</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>709</FirstPageNumber>
				<LastPageNumber>733</LastPageNumber>
				<NumberOfPages>25</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Index</ComponentTypeName>
		<ComponentNumber>46</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Index of Names in vol. 5</TitleText>
		</Title>
	</ContentItem>
	<Imprint>
		<NameCodeType>02</NameCodeType>
		<NameCodeValue>JBENJAMINS</NameCodeValue>
		<ImprintName>John Benjamins Publishing Company</ImprintName>
	</Imprint>
	<Publisher>
		<PublishingRole>01</PublishingRole>
		<PublisherName>John Benjamins Publishing Company</PublisherName>
	</Publisher>
	<CityOfPublication>Amsterdam/Philadelphia</CityOfPublication>
	<CountryOfPublication>NL</CountryOfPublication>
	<PublishingStatus>04</PublishingStatus>
	<PublicationDate>20080214</PublicationDate>
	<CopyrightStatement>
		<CopyrightYear>2008</CopyrightYear>
		<CopyrightOwner>
			<CorporateName>John Benjamins B.V.</CorporateName>
		</CopyrightOwner>
	</CopyrightStatement>
	<SalesRights>
		<SalesRightsType>02</SalesRightsType>
		<RightsTerritory>WORLD</RightsTerritory>
	</SalesRights>
	<RelatedProduct>
		<RelationCode>13</RelationCode>
		<ProductIdentifier>
			<ProductIDType>15</ProductIDType>
			<IDValue>9789027234568</IDValue>
		</ProductIdentifier>
	</RelatedProduct>
	<SupplyDetail>
		<SupplierIdentifier>
			<SupplierIDType>01</SupplierIDType>
			<IDTypeName>JB</IDTypeName>
			<IDValue>3</IDValue>
		</SupplierIdentifier>
		<SupplierName>John Benjamins e-Platform</SupplierName>
		<Website>
			<WebsiteRole>03</WebsiteRole>
			<WebsiteLink>jbe-platform.com</WebsiteLink>
		</Website>
		<SupplierRole>09</SupplierRole>
		<SupplyToTerritory>WORLD</SupplyToTerritory>
		<ProductAvailability>21</ProductAvailability>
		<Price>
			<PriceTypeCode>01</PriceTypeCode>
			<PriceStatus>00</PriceStatus>
			<PriceAmount>198.00</PriceAmount>
			<CurrencyCode>EUR</CurrencyCode>
			<TaxRateCode1>R</TaxRateCode1>
		</Price>
		<Price>
			<PriceTypeCode>01</PriceTypeCode>
			<PriceStatus>00</PriceStatus>
			<PriceAmount>166.00</PriceAmount>
			<CurrencyCode>GBP</CurrencyCode>
			<TaxRateCode1>Z</TaxRateCode1>
		</Price>
		<Price>
			<PriceTypeCode>01</PriceTypeCode>
			<ClassOfTrade>gen</ClassOfTrade>
			<PriceStatus>00</PriceStatus>
			<PriceAmount>297.00</PriceAmount>
			<CurrencyCode>USD</CurrencyCode>
			<TaxRateCode1>S</TaxRateCode1>
		</Price>
	</SupplyDetail>
</Product>
<Product>
	<RecordReference>68005797</RecordReference>
	<NotificationType>03</NotificationType>
	<RecordSourceType>01</RecordSourceType>
	<RecordSourceIdentifierType>01</RecordSourceIdentifierType>
	<RecordSourceIdentifier>JB</RecordSourceIdentifier>
	<RecordSourceName>John Benjamins Publishing Company</RecordSourceName>
	<ProductIdentifier>
		<ProductIDType>01</ProductIDType>
		<IDTypeName>JB code</IDTypeName>
		<IDValue>CHLEL XXIII Hb</IDValue>
	</ProductIdentifier>
	<ProductIdentifier>
		<ProductIDType>15</ProductIDType>
		<IDValue>9789027234568</IDValue>
	</ProductIdentifier>
	<ProductIdentifier>
		<ProductIDType>13</ProductIDType>
		<IDValue>2007038183</IDValue>
	</ProductIdentifier>
	<ProductForm>BB</ProductForm>
	<Series>
		<SeriesIdentifier>
			<SeriesIDType>01</SeriesIDType>
			<IDValue>CHLEL</IDValue>
		</SeriesIdentifier>
		<SeriesIdentifier>
			<SeriesIDType>02</SeriesIDType>
			<IDValue>0238-0668</IDValue>
		</SeriesIdentifier>
		<TitleOfSeries>Comparative History of Literatures in European Languages</TitleOfSeries>
		<NumberWithinSeries>XXIII</NumberWithinSeries>
		</Series>
		<Set>
			<ProductIdentifier>
				<ProductIDType>01</ProductIDType>
				<IDValue>CHLEL ROM S</IDValue>
			</ProductIdentifier>
			<TitleOfSet textformat="02">The Romanticism series</TitleOfSet>
		</Set>
	<Title>
		<TitleType>01</TitleType>
		<TitleText textformat="02">Romantic Prose Fiction</TitleText>
	</Title>
	<WorkIdentifier>
		<WorkIDType>01</WorkIDType>
		<IDValue>chlel.xxiii</IDValue>
	</WorkIdentifier>
	<Website>
		<WebsiteRole>01</WebsiteRole>
		<WebsiteLink>https://benjamins.com</WebsiteLink>
	</Website>
	<Website>
		<WebsiteRole>02</WebsiteRole>
		<WebsiteLink>https://benjamins.com/catalog/chlel.xxiii</WebsiteLink>
	</Website>
	<Contributor>
		<SequenceNumber>1</SequenceNumber>
		<ContributorRole>B01</ContributorRole>
		<PersonName>Gerald Gillespie</PersonName>
		<PersonNameInverted>Gillespie, Gerald</PersonNameInverted>
		<NamesBeforeKey>Gerald</NamesBeforeKey>
		<KeyNames>Gillespie</KeyNames>
		<ProfessionalAffiliation>
			<Affiliation>Stanford University</Affiliation>
		</ProfessionalAffiliation>
	</Contributor>
	<Contributor>
		<SequenceNumber>2</SequenceNumber>
		<ContributorRole>B01</ContributorRole>
		<PersonName>Manfred Engel</PersonName>
		<PersonNameInverted>Engel, Manfred</PersonNameInverted>
		<NamesBeforeKey>Manfred</NamesBeforeKey>
		<KeyNames>Engel</KeyNames>
		<ProfessionalAffiliation>
			<Affiliation>University of Oxford</Affiliation>
		</ProfessionalAffiliation>
	</Contributor>
	<Contributor>
		<SequenceNumber>3</SequenceNumber>
		<ContributorRole>B01</ContributorRole>
		<PersonName>Bernard Dieterle</PersonName>
		<PersonNameInverted>Dieterle, Bernard</PersonNameInverted>
		<NamesBeforeKey>Bernard</NamesBeforeKey>
		<KeyNames>Dieterle</KeyNames>
		<ProfessionalAffiliation>
			<Affiliation>Université de Haute Alsace, Mulhouse</Affiliation>
		</ProfessionalAffiliation>
	</Contributor>
	<NoEdition/>
	<Language>
		<LanguageRole>01</LanguageRole>
		<LanguageCode>eng</LanguageCode>
	</Language>
	<NumberOfPages>758</NumberOfPages>
	<PagesRoman>xxi</PagesRoman>
	<PagesArabic>733</PagesArabic>
	<BASICMainSubject>LIT004130</BASICMainSubject>
	<BASICVersion>v.2006</BASICVersion>
	<BICMainSubject>DSB</BICMainSubject>
	<BICVersion>2</BICVersion>
	<Subject>
		<SubjectSchemeIdentifier>24</SubjectSchemeIdentifier>
		<SubjectSchemeName>JB Subject Scheme</SubjectSchemeName>
		<SubjectCode>LIT.COMP</SubjectCode>
		<SubjectHeadingText>Comparative literature &amp; literary studies</SubjectHeadingText>
	</Subject>
	<Subject>
		<SubjectSchemeIdentifier>24</SubjectSchemeIdentifier>
		<SubjectSchemeName>JB Subject Scheme</SubjectSchemeName>
		<SubjectCode>LIT.THEOR</SubjectCode>
		<SubjectHeadingText>Theoretical literature &amp; literary studies</SubjectHeadingText>
	</Subject>
	<AudienceCode>06</AudienceCode>
	<OtherText>
		<TextTypeCode>01</TextTypeCode>
		<Text textformat="02">In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, &lt;i&gt;Romantic Prose Fiction&lt;/i&gt; achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding “truths” by which to define the permanent “meaning” of Romanticism, but as data of cultural history that shed important light on an evolving civilization.&lt;br /&gt;This volume is part of a book set which can be ordered at a special discount:  &lt;a href="https://www.benjamins.com/series/chlel/chlel.special_offer.romanticism.pdf"&gt;https://www.benjamins.com/series/chlel/chlel.special_offer.romanticism.pdf&lt;/a&gt;</Text>
	</OtherText>
	<OtherText>
		<TextTypeCode>05</TextTypeCode>
		<Text textformat="02">[...] there are still relatively few truly comparative and collaborative studies of the kind represented by the volume at hand (and its counterparts in the ICLA'S CHLEL series). The continuing - indeed possibly even increasing - insularity of so much work in literary studies, despite all the cross-cultural name-dropping and second-hand allusion, is not worthy of an age, or a learned profession, that claims to have recognized the need for a heightened level of global awareness. That, if nothing else, is a compelling rationale for projects like &lt;i&gt;Romantic Prose Fiction&lt;/i&gt; and the other volumes in the ICLA CHLEL series, and for their widest possible distribution and circulation.</Text>
		<TextAuthor>John Boening, University of Toledo, in The Comparatist 33 (2009)</TextAuthor>
	</OtherText>
	<OtherText>
		<TextTypeCode>05</TextTypeCode>
		<Text textformat="02">This impressive volume offers a wealth of insights into the interrelationships of Romantic fictional prose throughout most of Europe and parts of the Americas, with additional glances toward Asia. Like its four predecessor volumes in the “Romanticism subseries" of the &lt;i&gt;Comparative History of Literatures in European Languages&lt;/i&gt; (devoted, respectively, to Romatic irony, drama, poetry, and non-fictional prose), it is the result of a massive team effort by international scholars whose essays constantly interweave, reflecting on many of the same authors and works yet linking them to ever new texts and contexts. [...] &lt;i&gt;Romantic Prose Fiction&lt;/i&gt; is a remarkable achievement, not only for the rich scope of materials and insights it offers, but for its valuable sub-text of self-reflection on the way a comparative study of Romanticism helps at times to clarify - and at times to problematize - our modern critical consciousness.</Text>
		<TextAuthor>Angela Esterhammer, University of Zurich, in Recherche Littéraire/Literary Research, Vol. 25 (2009).</TextAuthor>
	</OtherText>
	<OtherText>
		<TextTypeCode>05</TextTypeCode>
		<Text textformat="02">[...] das Buch bietet erstens eine gute Einführung in romantische Denk- und Darstellingsformen, und es bekommt zweitens durch das grosse Spektrum an komparatistischen Perspektiven den Charakter eines lehrreichen Handbuchs zur Romantik als internationaler Entwicklung, dessen Lektüre gerade auch jedem Germanisten empfohlen sei.</Text>
		<TextAuthor>Prof. Dr. habil. Dirl Oschmann, Friedrich-Schiller-Universität Jena, on IASLonline, May 2009.</TextAuthor>
	</OtherText>
	<OtherText>
		<TextTypeCode>05</TextTypeCode>
		<Text textformat="02">The editors of this volume are to be complimented on the comprehensive nature and quality of the studies they include. The impressive range of contributors is testimony in itself to the standard of scholarship on show, with some of the leading names in the field featuring prominently. There is also a notably international array of contributors, something crucial to but often absent from such volumes which claim comprehensive coverage and a comparative approach. In choosing such an array, the editors have managed to negotiate the potential pitfalls surrounding such comparative works, which perversely often fail to represent a truly broad range of approaches and cultural diversities. The volume ends with a full listing of the content of all five volumes in the subseries. The range of material covered is impressive and, even at a glance, it is clear what a mammoth undertaking this has been. The current volume is valuable in itself but, seen in the context of the entire subseries, it becomes clear that the editors have created an invaluable critical resource which would greatly enhance any scholarly library.</Text>
		<TextAuthor>Carol Tully, Bangor University, in Modern Language review 104.3 (2009)</TextAuthor>
	</OtherText>
	<MediaFile>
		<MediaFileTypeCode>04</MediaFileTypeCode>
		<MediaFileFormatCode>09</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/475/chlel.xxiii.png</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>04</MediaFileTypeCode>
		<MediaFileFormatCode>03</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/475_jpg/9789027234568.jpg</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>04</MediaFileTypeCode>
		<MediaFileFormatCode>03</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/475_tif/9789027234568.tif</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>06</MediaFileTypeCode>
		<MediaFileFormatCode>09</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/1200_front/chlel.xxiii.hb.png</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>07</MediaFileTypeCode>
		<MediaFileFormatCode>09</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/125/chlel.xxiii.png</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>25</MediaFileTypeCode>
		<MediaFileFormatCode>09</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/1200_back/chlel.xxiii.hb.png</MediaFileLink>
	</MediaFile>
	<MediaFile>
		<MediaFileTypeCode>27</MediaFileTypeCode>
		<MediaFileFormatCode>09</MediaFileFormatCode>
		<MediaFileLinkTypeCode>01</MediaFileLinkTypeCode>
		<MediaFileLink>https://benjamins.com/covers/3d_web/chlel.xxiii.hb.png</MediaFileLink>
	</MediaFile>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.prelim</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>i</FirstPageNumber>
				<LastPageNumber>viii</LastPageNumber>
				<NumberOfPages>8</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Prelim pages</ComponentTypeName>
		<ComponentNumber>-1</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Prelim pages</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.01pre</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>ix</FirstPageNumber>
				<LastPageNumber>xi</LastPageNumber>
				<NumberOfPages>3</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Preface</ComponentTypeName>
		<ComponentNumber>1</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Preface</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.02gil</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>xiii</FirstPageNumber>
				<LastPageNumber>xxi</LastPageNumber>
				<NumberOfPages>9</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Miscellaneous</ComponentTypeName>
		<ComponentNumber>2</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Introduction</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Gerald Gillespie</PersonName>
				<PersonNameInverted>Gillespie, Gerald</PersonNameInverted>
				<NamesBeforeKey>Gerald</NamesBeforeKey>
				<KeyNames>Gillespie</KeyNames>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.03par</IDValue>
			</TextItemIdentifier>
		</TextItem>
		<ComponentTypeName>Section header</ComponentTypeName>
		<ComponentNumber>3</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Part I. Characteristic themes</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.04hof</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>1</FirstPageNumber>
				<LastPageNumber>21</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>4</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The French Revolution and prose fiction: Allegorization of history and its defeat by Romance</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">French Revolution and prose fiction: Allegorization of history and its defeat by Romance</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Gerhart Hoffmeister</PersonName>
				<PersonNameInverted>Hoffmeister, Gerhart</PersonNameInverted>
				<NamesBeforeKey>Gerhart</NamesBeforeKey>
				<KeyNames>Hoffmeister</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>UC Santa Barbara</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.05die</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>22</FirstPageNumber>
				<LastPageNumber>40</LastPageNumber>
				<NumberOfPages>19</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>5</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Wertherism and the Romantic &lt;i&gt;Weltanschauung&lt;/i&gt;</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Bernard Dieterle</PersonName>
				<PersonNameInverted>Dieterle, Bernard</PersonNameInverted>
				<NamesBeforeKey>Bernard</NamesBeforeKey>
				<KeyNames>Dieterle</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Université de Haute Alsace, Mulhouse</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.06mae</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>41</FirstPageNumber>
				<LastPageNumber>52</LastPageNumber>
				<NumberOfPages>12</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>6</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romanticism and the idealisation of the artist</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Gregory Maertz</PersonName>
				<PersonNameInverted>Maertz, Gregory</PersonNameInverted>
				<NamesBeforeKey>Gregory</NamesBeforeKey>
				<KeyNames>Maertz</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>St. Johns, N.Y.</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.07sze</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>53</FirstPageNumber>
				<LastPageNumber>68</LastPageNumber>
				<NumberOfPages>16</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>7</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">'Unheard melodies and unseen pictures': The sister arts in Romantic fiction</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Mihály Szegedy-Maszák</PersonName>
				<PersonNameInverted>Szegedy-Maszák, Mihály</PersonNameInverted>
				<NamesBeforeKey>Mihály</NamesBeforeKey>
				<KeyNames>Szegedy-Maszák</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Eötvös; Indiana Univ., Bloomington</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.08alb</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>69</FirstPageNumber>
				<LastPageNumber>89</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>8</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Music and Romantic narration</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Claudia Albert</PersonName>
				<PersonNameInverted>Albert, Claudia</PersonNameInverted>
				<NamesBeforeKey>Claudia</NamesBeforeKey>
				<KeyNames>Albert</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Leipzig</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.09gra</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>90</FirstPageNumber>
				<LastPageNumber>106</LastPageNumber>
				<NumberOfPages>17</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>9</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Nature and landscape between exoticism and national areas of imagination</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Wilhelm Graeber</PersonName>
				<PersonNameInverted>Graeber, Wilhelm</PersonNameInverted>
				<NamesBeforeKey>Wilhelm</NamesBeforeKey>
				<KeyNames>Graeber</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Göttingen</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.10gia</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>107</FirstPageNumber>
				<LastPageNumber>121</LastPageNumber>
				<NumberOfPages>15</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>10</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Mountain landscapes and the aesthetics of the sublime in Romantic narration</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Paola Giacomoni</PersonName>
				<PersonNameInverted>Giacomoni, Paola</PersonNameInverted>
				<NamesBeforeKey>Paola</NamesBeforeKey>
				<KeyNames>Giacomoni</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Trento</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.11lor</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>122</FirstPageNumber>
				<LastPageNumber>138</LastPageNumber>
				<NumberOfPages>17</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>11</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The 'wanderer' in Romantic prose fiction</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">'wanderer' in Romantic prose fiction</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>André Lorant</PersonName>
				<PersonNameInverted>Lorant, André</PersonNameInverted>
				<NamesBeforeKey>André</NamesBeforeKey>
				<KeyNames>Lorant</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Paris XII</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.12sch</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>139</FirstPageNumber>
				<LastPageNumber>167</LastPageNumber>
				<NumberOfPages>29</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>12</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Night-sides of existence: Madness, dream, etc.</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Monika Schmitz-Emans</PersonName>
				<PersonNameInverted>Schmitz-Emans, Monika</PersonNameInverted>
				<NamesBeforeKey>Monika</NamesBeforeKey>
				<KeyNames>Schmitz-Emans</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Bochum</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.13gra</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>168</FirstPageNumber>
				<LastPageNumber>182</LastPageNumber>
				<NumberOfPages>15</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>13</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Doubling, doubles, duplicity, bipolarity</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Ernst Grabovszki</PersonName>
				<PersonNameInverted>Grabovszki, Ernst</PersonNameInverted>
				<NamesBeforeKey>Ernst</NamesBeforeKey>
				<KeyNames>Grabovszki</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Wien</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.14kum</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>183</FirstPageNumber>
				<LastPageNumber>203</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>14</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Images of childhood in Romantic children's literature</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Bettina Kümmerling-Meibauer</PersonName>
				<PersonNameInverted>Kümmerling-Meibauer, Bettina</PersonNameInverted>
				<NamesBeforeKey>Bettina</NamesBeforeKey>
				<KeyNames>Kümmerling-Meibauer</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Tübingen</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.15and</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>204</FirstPageNumber>
				<LastPageNumber>225</LastPageNumber>
				<NumberOfPages>22</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>15</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Artificial life and Romantic brides</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Michael Andermatt</PersonName>
				<PersonNameInverted>Andermatt, Michael</PersonNameInverted>
				<NamesBeforeKey>Michael</NamesBeforeKey>
				<KeyNames>Andermatt</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Zürich</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.16kli</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>226</FirstPageNumber>
				<LastPageNumber>248</LastPageNumber>
				<NumberOfPages>23</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>16</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic gender and sexuality</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Thomas Klinkert</PersonName>
				<PersonNameInverted>Klinkert, Thomas</PersonNameInverted>
				<NamesBeforeKey>Thomas</NamesBeforeKey>
				<KeyNames>Klinkert</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Mannheim</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
			<Contributor>
				<SequenceNumber>2</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Weertje Willms</PersonName>
				<PersonNameInverted>Willms, Weertje</PersonNameInverted>
				<NamesBeforeKey>Weertje</NamesBeforeKey>
				<KeyNames>Willms</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>TU Berlin</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.17par</IDValue>
			</TextItemIdentifier>
		</TextItem>
		<ComponentTypeName>Section header</ComponentTypeName>
		<ComponentNumber>17</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Part II. Paradigms of Romantic fiction</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.18a</IDValue>
			</TextItemIdentifier>
		</TextItem>
		<ComponentTypeName>Section header</ComponentTypeName>
		<ComponentNumber>18</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">A. Generic types and representative texts</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.19gor</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>249</FirstPageNumber>
				<LastPageNumber>262</LastPageNumber>
				<NumberOfPages>14</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>19</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The Gothic novel as a Romantic narrative genre</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">Gothic novel as a Romantic narrative genre</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Hendrik van Gorp</PersonName>
				<PersonNameInverted>Gorp, Hendrik van</PersonNameInverted>
				<NamesBeforeKey>Hendrik</NamesBeforeKey>
				<PrefixToKey>van</PrefixToKey>
				<KeyNames>Gorp</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Leuven</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.20eng</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>263</FirstPageNumber>
				<LastPageNumber>295</LastPageNumber>
				<NumberOfPages>33</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>20</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Variants of the Romantic 'Bildungsroman' (with a short note on the 'artist novel')</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Manfred Engel</PersonName>
				<PersonNameInverted>Engel, Manfred</PersonNameInverted>
				<NamesBeforeKey>Manfred</NamesBeforeKey>
				<KeyNames>Engel</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Oxford</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.21ber</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>296</FirstPageNumber>
				<LastPageNumber>324</LastPageNumber>
				<NumberOfPages>29</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>21</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Historical novel and historical Romance</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Markus Bernauer</PersonName>
				<PersonNameInverted>Bernauer, Markus</PersonNameInverted>
				<NamesBeforeKey>Markus</NamesBeforeKey>
				<KeyNames>Bernauer</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>TU Berlin</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.22ste</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>325</FirstPageNumber>
				<LastPageNumber>344</LastPageNumber>
				<NumberOfPages>20</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>22</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The fairy-tale, the fantastic tale</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">fairy-tale, the fantastic tale</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Jörn Steigerwald</PersonName>
				<PersonNameInverted>Steigerwald, Jörn</PersonNameInverted>
				<NamesBeforeKey>Jörn</NamesBeforeKey>
				<KeyNames>Steigerwald</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Gießen</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.23gil</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>345</FirstPageNumber>
				<LastPageNumber>363</LastPageNumber>
				<NumberOfPages>19</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>23</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The detective story and novel</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">detective story and novel</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Gerald Gillespie</PersonName>
				<PersonNameInverted>Gillespie, Gerald</PersonNameInverted>
				<NamesBeforeKey>Gerald</NamesBeforeKey>
				<KeyNames>Gillespie</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Stanford</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.24gue</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>364</FirstPageNumber>
				<LastPageNumber>382</LastPageNumber>
				<NumberOfPages>19</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>24</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">R&amp;#233;cit, story, tale, novella</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Santiago Rodriguez Guerrero-Strachan</PersonName>
				<PersonNameInverted>Guerrero-Strachan, Santiago Rodriguez</PersonNameInverted>
				<NamesBeforeKey>Santiago Rodriguez</NamesBeforeKey>
				<KeyNames>Guerrero-Strachan</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Valladolid</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.25hal</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>383</FirstPageNumber>
				<LastPageNumber>411</LastPageNumber>
				<NumberOfPages>29</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>25</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The literary idyll in Germany, England, and Scandinavia 1770-1848</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">literary idyll in Germany, England, and Scandinavia 1770-1848</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Sven Halse</PersonName>
				<PersonNameInverted>Halse, Sven</PersonNameInverted>
				<NamesBeforeKey>Sven</NamesBeforeKey>
				<KeyNames>Halse</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Odense</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.26b</IDValue>
			</TextItemIdentifier>
		</TextItem>
		<ComponentTypeName>Section header</ComponentTypeName>
		<ComponentNumber>26</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">B. Modes of discourse and narrative structures</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.27gar</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>412</FirstPageNumber>
				<LastPageNumber>434</LastPageNumber>
				<NumberOfPages>23</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>27</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Address, relation, community: Boundaries and boundarycrossing in Romantic narration</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Frederick Garber</PersonName>
				<PersonNameInverted>Garber, Frederick</PersonNameInverted>
				<NamesBeforeKey>Frederick</NamesBeforeKey>
				<KeyNames>Garber</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Binghamton</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.28spi</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>435</FirstPageNumber>
				<LastPageNumber>451</LastPageNumber>
				<NumberOfPages>17</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>28</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Torn halves: Romantic narrative fiction between homophony and polyphony</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Monica Spiridon</PersonName>
				<PersonNameInverted>Spiridon, Monica</PersonNameInverted>
				<NamesBeforeKey>Monica</NamesBeforeKey>
				<KeyNames>Spiridon</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Bucharest</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.29ces</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>452</FirstPageNumber>
				<LastPageNumber>475</LastPageNumber>
				<NumberOfPages>24</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>29</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">The fragment as structuring force</TitleText>
				<TitlePrefix>The </TitlePrefix>
				<TitleWithoutPrefix textformat="02">fragment as structuring force</TitleWithoutPrefix>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Remo Ceserani</PersonName>
				<PersonNameInverted>Ceserani, Remo</PersonNameInverted>
				<NamesBeforeKey>Remo</NamesBeforeKey>
				<KeyNames>Ceserani</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Bologna</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
			<Contributor>
				<SequenceNumber>2</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Paolo Zanotti</PersonName>
				<PersonNameInverted>Zanotti, Paolo</PersonNameInverted>
				<NamesBeforeKey>Paolo</NamesBeforeKey>
				<KeyNames>Zanotti</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Pisa</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.30ros</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>476</FirstPageNumber>
				<LastPageNumber>495</LastPageNumber>
				<NumberOfPages>20</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>30</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Mirroring, abymization, potentiation (involution)</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Sabine Rossbach</PersonName>
				<PersonNameInverted>Rossbach, Sabine</PersonNameInverted>
				<NamesBeforeKey>Sabine</NamesBeforeKey>
				<KeyNames>Rossbach</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Melbourne</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.31isb</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>496</FirstPageNumber>
				<LastPageNumber>516</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>31</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic novel and verse Romance, 1750-1850: Is there a Romance continuum</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>John Claiborne Isbell</PersonName>
				<PersonNameInverted>Isbell, John Claiborne</PersonNameInverted>
				<NamesBeforeKey>John Claiborne</NamesBeforeKey>
				<KeyNames>Isbell</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Indiana Univ., Bloomington</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.32fig</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>517</FirstPageNumber>
				<LastPageNumber>526</LastPageNumber>
				<NumberOfPages>10</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>32</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Myth in Romantic prose fiction</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Dorothy Figueira</PersonName>
				<PersonNameInverted>Figueira, Dorothy</PersonNameInverted>
				<NamesBeforeKey>Dorothy</NamesBeforeKey>
				<KeyNames>Figueira</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. of Georgia, Athens</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.33nem</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>527</FirstPageNumber>
				<LastPageNumber>536</LastPageNumber>
				<NumberOfPages>10</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>33</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">From historical narrative to fiction and back: A dialectical game</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Virgil Nemoianu</PersonName>
				<PersonNameInverted>Nemoianu, Virgil</PersonNameInverted>
				<NamesBeforeKey>Virgil</NamesBeforeKey>
				<KeyNames>Nemoianu</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Catholic Univ. of America</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.34paa</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>537</FirstPageNumber>
				<LastPageNumber>558</LastPageNumber>
				<NumberOfPages>22</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>34</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic prose fiction and the shaping of social discourse in Spanish America</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Annette Paatz</PersonName>
				<PersonNameInverted>Paatz, Annette</PersonNameInverted>
				<NamesBeforeKey>Annette</NamesBeforeKey>
				<KeyNames>Paatz</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Göttingen</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.35par</IDValue>
			</TextItemIdentifier>
		</TextItem>
		<ComponentTypeName>Section header</ComponentTypeName>
		<ComponentNumber>35</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Part III. Contributions of Romanticism to 19th and 20th century writing and thought</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.36tal</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>559</FirstPageNumber>
				<LastPageNumber>579</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>36</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Narrative maneuvres in the 'periphery' the Spanish and Latin American novel during Romanticism</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Juri Talvet</PersonName>
				<PersonNameInverted>Talvet, Juri</PersonNameInverted>
				<NamesBeforeKey>Juri</NamesBeforeKey>
				<KeyNames>Talvet</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Tartu</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.37smo</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>580</FirstPageNumber>
				<LastPageNumber>595</LastPageNumber>
				<NumberOfPages>16</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>37</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic thought and style in 19th century Realism and Naturalism</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Jeanne Smoot</PersonName>
				<PersonNameInverted>Smoot, Jeanne</PersonNameInverted>
				<NamesBeforeKey>Jeanne</NamesBeforeKey>
				<KeyNames>Smoot</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. of North Carol., Raleigh</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.38bla</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>596</FirstPageNumber>
				<LastPageNumber>609</LastPageNumber>
				<NumberOfPages>14</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>38</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic legacies in fin-de-si&amp;#232;cle and early 20th century fiction</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Joel Black</PersonName>
				<PersonNameInverted>Black, Joel</PersonNameInverted>
				<NamesBeforeKey>Joel</NamesBeforeKey>
				<KeyNames>Black</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. of Georgia, Athens</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.39son</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>610</FirstPageNumber>
				<LastPageNumber>621</LastPageNumber>
				<NumberOfPages>12</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>39</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Framing C.J.L. Almqvist: The narrative frame of &lt;i&gt;T&amp;#246;rnrosens bok&lt;/i&gt; and Romantic irony</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Steven P. Sondrup</PersonName>
				<PersonNameInverted>Sondrup, Steven P.</PersonNameInverted>
				<NamesBeforeKey>Steven P.</NamesBeforeKey>
				<KeyNames>Sondrup</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Brigham Young Univ.</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.40cha</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>622</FirstPageNumber>
				<LastPageNumber>642</LastPageNumber>
				<NumberOfPages>21</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>40</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romanticism, occultism and the fantastic genre in Spain and Latin America</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>José Ricardo Chaves</PersonName>
				<PersonNameInverted>Chaves, José Ricardo</PersonNameInverted>
				<NamesBeforeKey>José Ricardo</NamesBeforeKey>
				<KeyNames>Chaves</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. Nacional de México</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.41tak</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>643</FirstPageNumber>
				<LastPageNumber>654</LastPageNumber>
				<NumberOfPages>12</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>41</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Romantic prose fiction in modern Japan: Finding an expression against the grain</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Takayuki Yokota-Murakami</PersonName>
				<PersonNameInverted>Yokota-Murakami, Takayuki</PersonNameInverted>
				<NamesBeforeKey>Takayuki</NamesBeforeKey>
				<KeyNames>Yokota-Murakami</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Osaka</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.42ald</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>655</FirstPageNumber>
				<LastPageNumber>663</LastPageNumber>
				<NumberOfPages>9</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>42</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Ludic prose from Laurence Sterne to Carlos Fuentes</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>A. Owen Aldridge</PersonName>
				<PersonNameInverted>Aldridge, A. Owen</PersonNameInverted>
				<NamesBeforeKey>A. Owen</NamesBeforeKey>
				<KeyNames>Aldridge</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. of Illinois, Champaign-Urbana</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.43mar</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>664</FirstPageNumber>
				<LastPageNumber>693</LastPageNumber>
				<NumberOfPages>30</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Article</ComponentTypeName>
		<ComponentNumber>43</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Rewrites and remakes: Screen adaptations of Romantic works</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Elaine Martin</PersonName>
				<PersonNameInverted>Martin, Elaine</PersonNameInverted>
				<NamesBeforeKey>Elaine</NamesBeforeKey>
				<KeyNames>Martin</KeyNames>
				<ProfessionalAffiliation>
					<Affiliation>Univ. of Alabama, Tuscaloosa</Affiliation>
				</ProfessionalAffiliation>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.44gil</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>695</FirstPageNumber>
				<LastPageNumber>701</LastPageNumber>
				<NumberOfPages>7</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Miscellaneous</ComponentTypeName>
		<ComponentNumber>44</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Conclusion</TitleText>
		</Title>
			<Contributor>
				<SequenceNumber>1</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Gerald Gillespie</PersonName>
				<PersonNameInverted>Gillespie, Gerald</PersonNameInverted>
				<NamesBeforeKey>Gerald</NamesBeforeKey>
				<KeyNames>Gillespie</KeyNames>
			</Contributor>
			<Contributor>
				<SequenceNumber>2</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Manfred Engel</PersonName>
				<PersonNameInverted>Engel, Manfred</PersonNameInverted>
				<NamesBeforeKey>Manfred</NamesBeforeKey>
				<KeyNames>Engel</KeyNames>
			</Contributor>
			<Contributor>
				<SequenceNumber>3</SequenceNumber>
				<ContributorRole>A01</ContributorRole>
				<PersonName>Bernard Dieterle</PersonName>
				<PersonNameInverted>Dieterle, Bernard</PersonNameInverted>
				<NamesBeforeKey>Bernard</NamesBeforeKey>
				<KeyNames>Dieterle</KeyNames>
			</Contributor>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.45app</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>703</FirstPageNumber>
				<LastPageNumber>708</LastPageNumber>
				<NumberOfPages>6</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Appendix</ComponentTypeName>
		<ComponentNumber>45</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Appendix (Table of Contents, vols. 1-4)</TitleText>
		</Title>
	</ContentItem>
	<ContentItem>
		<TextItem>
			<TextItemType>10</TextItemType>
			<TextItemIdentifier>
				<TextItemIDType>01</TextItemIDType>
				<IDTypeName>JB code</IDTypeName>
				<IDValue>chlel.xxiii.45ind</IDValue>
			</TextItemIdentifier>
				<FirstPageNumber>709</FirstPageNumber>
				<LastPageNumber>733</LastPageNumber>
				<NumberOfPages>25</NumberOfPages>
		</TextItem>
		<ComponentTypeName>Index</ComponentTypeName>
		<ComponentNumber>46</ComponentNumber>
		<Title>
			<TitleType>01</TitleType>
			<TitleText textformat="02">Index of Names in vol. 5</TitleText>
		</Title>
	</ContentItem>
	<Imprint>
		<NameCodeType>02</NameCodeType>
		<NameCodeValue>JBENJAMINS</NameCodeValue>
		<ImprintName>John Benjamins Publishing Company</ImprintName>
	</Imprint>
	<Publisher>
		<PublishingRole>01</PublishingRole>
		<PublisherName>John Benjamins Publishing Company</PublisherName>
	</Publisher>
	<CityOfPublication>Amsterdam/Philadelphia</CityOfPublication>
	<CountryOfPublication>NL</CountryOfPublication>
	<PublishingStatus>04</PublishingStatus>
	<PublicationDate>20080214</PublicationDate>
	<CopyrightStatement>
		<CopyrightYear>2008</CopyrightYear>
		<CopyrightOwner>
			<CorporateName>John Benjamins B.V.</CorporateName>
		</CopyrightOwner>
	</CopyrightStatement>
	<SalesRights>
		<SalesRightsType>02</SalesRightsType>
		<RightsTerritory>WORLD</RightsTerritory>
	</SalesRights>
	<Measure>
		<MeasureTypeCode>01</MeasureTypeCode>
		<Measurement>245</Measurement>
		<MeasureUnitCode>mm</MeasureUnitCode>
	</Measure>
	<Measure>
		<MeasureTypeCode>02</MeasureTypeCode>
		<Measurement>174</Measurement>
		<MeasureUnitCode>mm</MeasureUnitCode>
	</Measure>
	<Measure>
		<MeasureTypeCode>08</MeasureTypeCode>
		<Measurement>1575</Measurement>
		<MeasureUnitCode>gr</MeasureUnitCode>
	</Measure>
			<SupplyDetail>
				<SupplierIdentifier>
					<SupplierIDType>01</SupplierIDType>
					<IDTypeName>JB</IDTypeName>
					<IDValue>1</IDValue>
				</SupplierIdentifier>
				<SupplierName>John Benjamins Publishing Company</SupplierName>
				<TelephoneNumber>+31 20 6304747</TelephoneNumber>
				<FaxNumber>+31 20 6739773</FaxNumber>
				<EmailAddress>bookorder@benjamins.nl</EmailAddress>
				<Website>
					<WebsiteRole>01</WebsiteRole>
					<WebsiteLink>https://benjamins.com</WebsiteLink>
				</Website>
				<SupplierRole>01</SupplierRole>
				<SupplyToTerritory>WORLD</SupplyToTerritory>
				<SupplyToCountryExcluded>US CA MX</SupplyToCountryExcluded>
				<ProductAvailability>21</ProductAvailability>
				<Stock>
                <OnHand>18</OnHand>
            </Stock>
				<PackQuantity>8</PackQuantity>
						<Price>
							<PriceTypeCode>01</PriceTypeCode>
							<DiscountCoded>
								<DiscountCodeType>02</DiscountCodeType>
								<DiscountCodeTypeName>JB</DiscountCodeTypeName>
								<DiscountCode>1</DiscountCode>
							</DiscountCoded>
							<PriceStatus>00</PriceStatus>
							<PriceAmount>198.00</PriceAmount>
							<CurrencyCode>EUR</CurrencyCode>
							<TaxRateCode1>R</TaxRateCode1>
						</Price>
						<Price>
							<PriceTypeCode>02</PriceTypeCode>
							<DiscountCoded>
								<DiscountCodeType>02</DiscountCodeType>
								<DiscountCodeTypeName>JB</DiscountCodeTypeName>
								<DiscountCode>1</DiscountCode>
							</DiscountCoded>
							<PriceStatus>00</PriceStatus>
							<PriceAmount>209.88</PriceAmount>
							<CurrencyCode>EUR</CurrencyCode>
							<TaxRateCode1>R</TaxRateCode1>
						</Price>
			</SupplyDetail>
				<SupplyDetail>
					<SupplierIdentifier>
						<SupplierIDType>01</SupplierIDType>
						<IDTypeName>JB</IDTypeName>
						<IDValue>10</IDValue>
					</SupplierIdentifier>
					<SupplierName>bebc</SupplierName>
					<TelephoneNumber>+44 1202 712 934</TelephoneNumber>
					<FaxNumber>+44 1202 712 913</FaxNumber>
					<EmailAddress>sales@bebc.co.uk</EmailAddress>
					<SupplierRole>03</SupplierRole>
					<SupplyToCountry>GB</SupplyToCountry>
					<ProductAvailability>21</ProductAvailability>
					<PackQuantity>8</PackQuantity>
					<Price>
						<PriceTypeCode>02</PriceTypeCode>
						<DiscountCoded>
							<DiscountCodeType>02</DiscountCodeType>
							<DiscountCodeTypeName>JB</DiscountCodeTypeName>
							<DiscountCode>1</DiscountCode>
						</DiscountCoded>
						<PriceStatus>00</PriceStatus>
						<PriceAmount>166.00</PriceAmount>
						<CurrencyCode>GBP</CurrencyCode>
						<TaxRateCode1>Z</TaxRateCode1>
					</Price>
				</SupplyDetail>
			<SupplyDetail>
				<SupplierIdentifier>
					<SupplierIDType>01</SupplierIDType>
					<IDTypeName>JB</IDTypeName>
					<IDValue>2</IDValue>
				</SupplierIdentifier>
				<SupplierName>John Benjamins North America</SupplierName>
				<TelephoneNumber>+1 800 562-5666</TelephoneNumber>
				<FaxNumber>+1 703 661-1501</FaxNumber>
				<EmailAddress>benjamins@presswarehouse.com</EmailAddress>
				<Website>
					<WebsiteRole>01</WebsiteRole>
					<WebsiteLink>https://benjamins.com</WebsiteLink>
				</Website>
				<SupplierRole>01</SupplierRole>
				<SupplyToCountry>US CA MX</SupplyToCountry>
				<ProductAvailability>21</ProductAvailability>
				<PackQuantity>8</PackQuantity>
						<Price>
							<PriceTypeCode>01</PriceTypeCode>
							<ClassOfTrade>gen</ClassOfTrade>
							<DiscountCoded>
								<DiscountCodeType>02</DiscountCodeType>
								<DiscountCodeTypeName>JB</DiscountCodeTypeName>
								<DiscountCode>1</DiscountCode>
							</DiscountCoded>
							<PriceStatus>00</PriceStatus>
							<PriceAmount>297.00</PriceAmount>
							<CurrencyCode>USD</CurrencyCode>
						</Price>
			</SupplyDetail>
</Product>
</ONIXMessage>