Primary sources

Smith, Lane
2011Grandpa Green. New York: Roaring Brook Press.Google Scholar
2017A Perfect Day. London: Pan Macmillan.Google Scholar

Secondary sources

Arnheim, Rudolf
1954Art and Visual Perception. London: Faber and Faber.Google Scholar
Bear, Mark F., Barry Connors, & Michael Paradiso
2007Neuroscience: Exploring the Brain (third edition). Baltimore: Lippincott Williams and Wilkins.Google Scholar
Clore, Gerald L. & A. Ortony
2000Cognition in Emotion: Always, Sometimes, Never? In Cognitive Neuroscience of Emotion, Richard D Lane & Lynn Nadel (eds), 24–61. New York: Oxford University Press.Google Scholar
Color Luminance
. WorkWithColor 2008–2013 <[URL]> (26 June 2021).
Color Properties/Terminology
. WorkWithColor 2008–2013 <[URL]> (26 June 2021).
Damasio, Antonio
2003Looking for Spinoza: Joy, Sorrow, and the Feeling Brain. New York: Houghton Mifflin HarcourtGoogle Scholar
2006Descartes’ Error. London: Vintage BooksGoogle Scholar
Dawkins, Richard
2009The Greatest Show on Earth: The Evidence for Evolution. Sydney: Simon & Schuster.Google Scholar
Dissanayake, Ellen
1992Homo Aestheticus: Where Art Comes from and Why. Seattle: University of Washington Press.Google Scholar
Fowler, H. W.
1926A Dictionary of Modern English Usage, second edition 1965 Oxford: Oxford University Press.Google Scholar
Gottschall, Jonathan
2012The Storytelling Animal: How Stories Make Us Human. New York: Houghton Mifflin.Google Scholar
Graves, Maitland
1951The Art of Color and Design, second edition. New York: McGraw Hill.Google Scholar
Grodal, Torben
1997Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. Oxford: Clarendon Press.Google Scholar
Heilman, Kenneth
2000Emotional Experience: A Neurological Model. In Cognitive Neuroscience of Emotion, Richard D. Lane & Lynn Nadel (eds), 328–344. Oxford: Oxford University Press.Google Scholar
Hubel, David H.
1988Eye, Brain and Vision. New York: Scientific American Library.Google Scholar
Kean, Sam
2014The Tale of the Dueling Neurosurgeons: The History of the Human Brain as Revealed by True Stories of Trauma, Madness, and Recovery. London: Penguin Random House.Google Scholar
Kleffner, Dorothy A & V. S Ramachandran
1992On the Perception of Shape from Shading. Perception & Psychophysics 52.1: 18–36. DOI logoGoogle Scholar
Kunkel, Vicki
2009Instant Appeal: the 8 Primal Factors that Create Blockbuster Success. New York: AMACOM.Google Scholar
Livingstone, Margaret
2014Vision and Art: The Biology of Seeing. New York: Abrams.Google Scholar
Miall, David S.
2006Literary Reading: Empirical & Theoretical Studies. New York: Peter Lang.Google Scholar
Rabinowitz, Peter J.
2015Towards a Narratology of Cognitive Flavour. In The Oxford Handbook of Cognitive Literary Studies, Lisa Zunshine (ed), 85–103. Oxford: Oxford University Press.Google Scholar
Rosenberg, R and C Klein
2015The Moving Eye of the Beholder: Eye Tracking and the Perception of Paintings. In Art, Aesthetics and the Brain, J. P. Huston, M. Nadal, F. Mora, L. F. Agnati, & C. J. Cela-Conde (eds), 79–108. Oxford: Oxford University Press. DOI logoGoogle Scholar
Schore, Allan N.
2003Affect Regulation and the Repair of the Self. London: WW Norton.Google Scholar
Skov, Martin
2009Neuroaesthetic Problems: A Framework for Neuroaesthetic Research. In Neuroaesthetics, Martin Skov and O. Vartanian (eds), 9–26. Amityville: Baywood Publishing.Google Scholar
Trites, Roberta Seelinger
2014Literary Conceptualizations of Growth. Amsterdam, Philadelphia: John Benjamins. DOI logoGoogle Scholar
Zeki, Semir
1999Inner Vision: An Exploration of Art and the Brain. London: Oxford University Press.Google Scholar