Part of
Emotion in Texts for Children and Young Adults: Moving stories
Edited by Karen Coats and Gretchen Papazian
[Children’s Literature, Culture, and Cognition 13] 2023
► pp. 1841
References (28)
References
Primary sources
Smith, Lane. 2011. Grandpa Green. New York: Roaring Brook Press.Google Scholar
. 2017. A Perfect Day. London: Pan Macmillan.Google Scholar
Secondary sources
Arnheim, Rudolf. 1954. Art and Visual Perception. London: Faber and Faber.Google Scholar
Bear, Mark F., Barry Connors, & Michael Paradiso. 2007. Neuroscience: Exploring the Brain (third edition). Baltimore: Lippincott Williams and Wilkins.Google Scholar
Clore, Gerald L. & A. Ortony. 2000. Cognition in Emotion: Always, Sometimes, Never? In Cognitive Neuroscience of Emotion, Richard D Lane & Lynn Nadel (eds), 24–61. New York: Oxford University Press.Google Scholar
Color Luminance. WorkWithColor. 2008–2013. <[URL]> (26 June 2021).
Color Properties/Terminology. WorkWithColor. 2008–2013. <[URL]> (26 June 2021).
Damasio, Antonio. 2003. Looking for Spinoza: Joy, Sorrow, and the Feeling Brain. New York: Houghton Mifflin HarcourtGoogle Scholar
. 2006. Descartes’ Error. London: Vintage BooksGoogle Scholar
Dawkins, Richard. 2009. The Greatest Show on Earth: The Evidence for Evolution. Sydney: Simon & Schuster.Google Scholar
Dissanayake, Ellen. 1992. Homo Aestheticus: Where Art Comes from and Why. Seattle: University of Washington Press.Google Scholar
Fowler, H. W. 1926. A Dictionary of Modern English Usage, second edition, 1965. Oxford: Oxford University Press.Google Scholar
Gottschall, Jonathan. 2012. The Storytelling Animal: How Stories Make Us Human. New York: Houghton Mifflin.Google Scholar
Graves, Maitland. 1951. The Art of Color and Design, second edition. New York: McGraw Hill.Google Scholar
Grodal, Torben. 1997. Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. Oxford: Clarendon Press.Google Scholar
Heilman, Kenneth. 2000. Emotional Experience: A Neurological Model. In Cognitive Neuroscience of Emotion, Richard D. Lane & Lynn Nadel (eds), 328–344. Oxford: Oxford University Press.Google Scholar
Hubel, David H. 1988. Eye, Brain and Vision. New York: Scientific American Library.Google Scholar
Kean, Sam. 2014. The Tale of the Dueling Neurosurgeons: The History of the Human Brain as Revealed by True Stories of Trauma, Madness, and Recovery. London: Penguin Random House.Google Scholar
Kleffner, Dorothy A & V. S Ramachandran. 1992. On the Perception of Shape from Shading. Perception & Psychophysics 52.1: 18–36. DOI logoGoogle Scholar
Kunkel, Vicki. 2009. Instant Appeal: the 8 Primal Factors that Create Blockbuster Success. New York: AMACOM.Google Scholar
Livingstone, Margaret. 2014. Vision and Art: The Biology of Seeing. New York: Abrams.Google Scholar
Miall, David S. 2006. Literary Reading: Empirical & Theoretical Studies. New York: Peter Lang.Google Scholar
Rabinowitz, Peter J. 2015. Towards a Narratology of Cognitive Flavour. In The Oxford Handbook of Cognitive Literary Studies, Lisa Zunshine (ed), 85–103. Oxford: Oxford University Press.Google Scholar
Rosenberg, R and C Klein. 2015. The Moving Eye of the Beholder: Eye Tracking and the Perception of Paintings. In Art, Aesthetics and the Brain, J. P. Huston, M. Nadal, F. Mora, L. F. Agnati, & C. J. Cela-Conde (eds), 79–108. Oxford: Oxford University Press. DOI logoGoogle Scholar
Schore, Allan N. 2003. Affect Regulation and the Repair of the Self. London: WW Norton.Google Scholar
Skov, Martin. 2009. Neuroaesthetic Problems: A Framework for Neuroaesthetic Research. In Neuroaesthetics, Martin Skov and O. Vartanian (eds), 9–26. Amityville: Baywood Publishing.Google Scholar
Trites, Roberta Seelinger. 2014. Literary Conceptualizations of Growth. Amsterdam, Philadelphia: John Benjamins. DOI logoGoogle Scholar
Zeki, Semir. 1999. Inner Vision: An Exploration of Art and the Brain. London: Oxford University Press.Google Scholar