Article published In:
Information Design Journal
Vol. 25:2 (2019) ► pp.171191
References
Almeida, S., & Coutinho, S. G.
(2018) O registro de marcas no Brasil e as imitações entre rótulos de cachaça de meados do século XX. In J. G. Santa Rosa, & C. Portugal (Eds.), Proceedings of the 8th Information Design International Conference (pp. 1279–1290). São Paulo: Blucher.Google Scholar
Cleveland, P.
(2017) Curwen Press, early adapters of brand strategy. Journal of Design History, 31(1), 66–82. DOI logoGoogle Scholar
Consolo, M. C.
(2012) Marcas, a expansão simbólica da identidade: Origem da metodologia projetual das marcas corporativas e revisão dos métodos de implantação dos sistemas de usos (Unpublished doctoral dissertation). University of São Paulo, São Paulo, Brazil. DOI logoGoogle Scholar
Dixon, C.
(2008) Describing typeforms: A designer’s response. InfoDesign, 5(2), 21–35.Google Scholar
Farias, P. L.
(2005) Os baralhos da COPAG entre 1920 e 1960. In Cardoso, R. (Ed.), O design brasileiro antes do design: Aspectos da história gráfica, 1870–1960 (pp. 260–295). São Paulo: Cosac Naify.Google Scholar
(2014) On graphic memory as a strategy for design history. In Tradition, Transition, Trajectories: Major or minor influences? Proceedings of ICDHS 2014: 9th Conference of the International Committee for Design History and Design Studies, Aveiro (pp. 201–206). São Paulo: Blucher.Google Scholar
(2019) Visualizing data on graphic memory research. In L. M. Fadel, J. G. Santa Rosa, & C. Portugal (Eds.), Selected Readings of the 8th Information Design International Conference (pp. 93–114). São Paulo: Blucher.Google Scholar
Farias, P. L., Aragão, I. R., & Cunha Lima, E. L.
(2012) Unraveling aspects of Brazilian design history through the study of 19th century almanacs and type specimens. In DRS 2012 Bangkok: Design Research Society International Conference Proceedings (pp. 498–511). Bangkok: Chulalongkorn University.Google Scholar
Farias, P. L., & Braga, M. C.
(2018) O que é memória gráfica. In P. L. Farias & M. C. Braga (Eds.), Dez ensaios sobre memória gráfica (pp. 10–28). São Paulo: Blucher.Google Scholar
Farias, P. L., & Coutinho, S. G.
(2013) Females, alcohol, and inebriating things: Representations of women in cachaça labels. In Proceedings of the 5T Conference 2013: Gendered Perspectives in Design (pp. 69–70). Izmir: Yaşar University.Google Scholar
Farias, P. L., & Cunha Lima, E. L.
(2016) Transatlantic eccentricities: Tuscan typefaces as an example of transnational typographic taste. Communication Design, 4(1–2), 4–20. DOI logoGoogle Scholar
Farias, P. L., Hanns, D. K., Aragão, I. R., & Dixon, C.
(2018) Designing the early history of typography in Brazil, starting from printing in São Paulo. In Back to the future. The future in the past. Conference Proceedings Book (pp. 493–498). Barcelona: University of Barcelona.Google Scholar
Floeter, F. S., & Farias, P. L.
(2010) Marcas da virada do século XX no acervo da JUCESP: Primeiras impressões. In Proceedings of the 9th Brazilian Conference on Research and Development in Design: P&D Design 2010 (pp. 1525–1532). São Paulo: AEND Brasil.Google Scholar
Freitas, A. A.
(1915) A imprensa periódica de São Paulo desde seus primórdios em 1823 até 1914. São Paulo: Typographia do Diario Official.Google Scholar
Gray, N.
(1938) Nineteenth century ornamented types and title pages. London: Faber & Faber.Google Scholar
Iumatti, P. T.
(2016) Arte e trabalho: Aspectos da produção do livro em São Paulo (1914–1945). São Paulo: Hucitec.Google Scholar
Machado, U.
(2003) A etiqueta de livros no Brasil: Subsídios para uma história das livrarias brasileiras. São Paulo: EDUSP.Google Scholar
Paula, A. A. de
(1989) Artes gráficas no Brasil: Registros 1746–1941. São Paulo: Laserprint.Google Scholar
Rickards, M. & Twyman, M.
(Eds.) (2000) Encyclopedia of ephemera: A guide to the fragmentary documents of everyday life for the collector, curator and historian. New York: Routledge.Google Scholar
Rezende, L. L.
(2005) A circulação de imagens no Brasil oitocentista: Uma história com marca registrada. In R. Cardoso (Ed.), O design brasileiro antes do design: Aspectos da história gráfica (pp. 20–57). São Paulo: Cosac Naify.Google Scholar
Semeraro, C. M., & Ayrosa, C.
(Eds.) (1979) História da tipografia no Brasil. São Paulo: Museu de Arte de São Paulo.Google Scholar
Twyman, M.
(2008) The long-term significance of printed ephemera. A Journal of Rare Books, Manuscripts, and Cultural Heritage, 9(1), 19–57. DOI logoGoogle Scholar