From here
The multimodal construction of place in English folk field recordings
This article considers the sonic construction of place in English folk music recordings.
Recent shifts in the political context have stimulated renewed interest in English identity within folk music
culture. Symbolic struggles over folk’s political significance highlight both the contested nature of English
identity and music’s semantic ambiguity, with texts being interpolated into discourses of both ethnic purity
and multiculturalism. Following research in popular music, sound studies and multimodal communication this
article explores the use of field recording to explore questions of place and Englishness in the work of
contemporary folk artists. A multimodal analysis of Stick in the Wheel’s From Here: English Folk Field
Recordings (2017) suggests that a multimodal approach
to musical texts that attends to the semantic affordances of sound recording can provide insight into folk
music’s role in debates over the nature of English identity.
Article outline
- 1.Introduction
- 2.Context: The folk tradition and Englishness
- 3.Musical ambiguity and multimodality
- 4.Case study: Stick in the Wheel’s From Here: English Folk Field Recordings (2017)
- 4.1Englishness in domestic and national space
- 4.2Textual and visual constructions of English place and identity
- 4.3The recordings: Sound, mediation and authenticity
- 4.4The meaning of field recordings
- 4.5Reception
- 4.6Recording, performance and the construction of social intimacy
- 4.7Recording, place and Englishness: Bringing the songs home
- 4.8Intertextual dimensions
- 5.Conclusion: The sound of England
- Notes
-
Works cited
-
Discography
References
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Discography
Carthy, Eliza & The Wayward Band
2017 Big Machine.
Topic TSCD 592 2017, compact disc.
Carthy, Martin
.
Crown of Horn.
Topic TSCD 300 1995, compact disc. Originally released in 1976.
Stick in the Wheel
.
From Here: English Folk Music Field Recordings. Stick in the Wheel SITW 005
2017, compact disc.
Cited by
Cited by 1 other publications
Way, Lyndon C. S.
2021.
Populism in musical mash ups: recontextualising Brexit.
Social Semiotics 31:3
► pp. 489 ff.
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