El metateatro y la dramática de Vargas Llosa

Hacia una poética del espectador

Oscar Rivera-Rodas | University of Tennessee
ISBN 9789027217677 (Eur) | EUR 105.00
ISBN 9781556193101 (USA) | USD 158.00
ISBN 9789027217684 (Eur) | EUR 50.00
ISBN 9781556193118 (USA) | USD 75.00
ISBN 9789027277312 | EUR 105.00/50.00*
| USD 158.00/75.00*
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Rivera-Rodas proposes a new concept about what he calls the poetics of the theatrical reception. The discussion of this phenomenon, which also deals with meta theater, focuses on the dramatic work of Mario Vargas Llosa. Examination of the complex relationships of contemporary dramatic structures provides a new definition of meta theater and its effects on the public. Meta theater is shown as a semiotic result not theatrically representable, since it takes place only in the spectator's perceptible experience. Therefore, it does not exist prior to the theatrical or reading reception, nor is it present in the staging. Instead, meta theater results from interaction among reader, text, and performance.
Publishing status: Available | Language: Spanish
Table of Contents
Cited by

Cited by 2 other publications

Meléndez, Priscilla
2012. Inventing the Self, Fictionalizing the Other: False Memories in the Theatre of Mario Vargas Llosa. Symposium: A Quarterly Journal in Modern Literatures 66:2  pp. 93 ff. DOI logo
Nieto Lascarro, Yesica Andrea & Frank Orduz Rodríguez
2017. EL METATEATRO EN LA CÁRCEL DE JESÚS ZÁRATE MORENO: UN PROCESO A LA JUSTICIA. Lingüística y Literatura 38:72  pp. 174 ff. DOI logo

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Literature & Literary Studies

Romance literature & literary studies

Main BIC Subject

DSB: Literary studies: general

Main BISAC Subject

ONIX Metadata
ONIX 2.1
ONIX 3.0
U.S. Library of Congress Control Number:  92033765 | Marc record