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[no author]. 2024. Dubbing feminist discourse in Disney films for Arab audiences: Frozen as a case study. Perspectives 32 (1) : 31–42.

[no author]. 2024. Recontextualizing Nouvelle Vague cinema in Québec: Leonard Cohen, subtitler of Claude Jutra’s À tout prendre. In [no author]. Text and context revisited within a multimodal framework. Special issue of Babel. Revue Internationale de la Traduction 70 (1/2): 277–303.

[no author]. 2024. Didactic transmedia storytelling: the case of Josep and the teaching of Catalan. In [no author]. Audiovisual Translation and Media Accessibility in Language Education. Special issue of Parallèles 36 (1): 182–198.

[no author]. 2024. Handbuch Audiovisuelle Translation: Arbeitsmittel für Wissenschaft, Studium, Praxis [Handbook of Audiovisual Translation: tools for science, study and practice] (Audiovisual Translation Studies 2). Berlin: Frank & Timme.

[no author]. 2024. More than words: a multimodal analytical framework for studying the subtitling of swearwords. Perspectives 32 (1) : 14–30.

[no author]. 2023. Devouring Hamlet: cultural anthropophagy as an adaptation methodology. Cadernos de Tradução 43 (1).

[no author]. 2023. The Challenge of Subtitling Offensive and Taboo Language into Spanish: a theoretical and practical guide. Bristol: Multilingual Matters.

[no author]. 2023. A Tradução para o Cinema do Teatro Engajado: Non si paga, non si paga, de Franca Rame e Dario Fo, no Brasil [The Translation of Engaged Theater into Film: Non si paga, non si paga, by Franca Rame and Dario Fo, in Brazil]. Cadernos de Tradução 43 (1).

[no author]. 2023. From Print to Stage to Screen, Across the Ocean, and to Print Again: the odyssey of Edith Wharton’s The Old Maid. Journal of Audiovisual Translation 6 (1) : 133–147.

[no author]. 2023. Cinematic literary translation: the case of A Hero Born Translation Studies 17 (1) : 135–151.

[no author]. 2023. Homoerotic Counter-Mythologies in Derek Jarman’s The Angelic Conversation. In [no author]. Shakespeare’s Global Sonnets: translation, appropriation, performance. Cham: Palgrave Macmillan. pp. 221–235.

[no author]. 2023. From Miami to Hong Kong: sounding transnational queerness and translation in Moonlight. In [no author]. In the Face of Adversity: translating difference and dissent (Literature and Translation). London: UCL Press. pp. 207–220.

[no author]. 2023. Fan translation and film criticism in China: re-reviewing The Wandering Earth (2019) through translation. Translation and Interpreting Studies (TIS) 18 (3) : 378–398.

[no author]. 2023. Ad hoc Screen Translation in Soviet Estonian Film Clubs: negotiating boundaries. Journal of Audiovisual Translation 6 (1) : 1–18.

[no author]. 2023. Event Segmentation in the Audio Description of Films: a case study. Journal of Audiovisual Translation 6 (1) : 64–92.

[no author]. 2023. Translating intercultural interactions in the Netflix-branded film American Factory. In [no author]. Audiovisual translation in the age of streaming. Special issue of Target. International Journal on Translation Studies 35 (3): 378–403.

[no author]. 2023. Translating queer elements in Bohemian Rhapsody in China. In [no author]. Translating the Queer Popular. Special issue of Perspectives. Studies in Translation Theory and Practice 31 (2): 187–204.

[no author]. 2023. The Chinese Oliver Twist: transcreation in digital subtitling settings. Translation and Translanguaging in Multilingual Contexts 9 (3) : 352–378.

[no author]. 2023. 国际传播视域下国产电影的文化元素英译策略研究: 基于电影《霸王别姬》字幕两个英译本的对比分析 [English Translation Strategies of Cultural Elements in Chinese Films From the Perspective of International Communication: a contrastive analysis of the two English subtitles of the Chinese film Farewell My Concubine]. Foreign Languages and Their Teaching (外语与外语教学) 45 (6) : 134–144.

[no author]. 2023. Romeo and Juliet’s Rewriting in the Walt Disney’s Animated Movie Pocahontas: adaptation studies, comparative literature and theory of intertextuality. Cadernos de Tradução 43 (1).

[no author]. 2023. The Expression of Emotions in the Spanish and Italian Filmic Audio Descriptions of The King’s Speech. In [no author]. Beyond Objectivity in Audio Description. Special issue of Journal of Audiovisual Translation 6 (2): 33–54.

[no author]. 2023. La identidad (sexual) de las subjetividades interseccionales como operación dialógica transcultural: análisis de Carmen y Lola desde una perspectiva postraductológica [(Sexual) Identity of Intersectional Subjectivities as a Transcultural Dialogic Operation: analysing Carmen y Lola from a post-translational approach]. Mutatis Mutandis 16 (1) : 229–251.

[no author]. 2023. The Boys in the Band: linguistic and aesthetic nostalgia in translation. In [no author]. Audiovisual translation in the age of streaming. Special issue of Target. International Journal on Translation Studies 35 (3): 404–425.

[no author]. 2023. Chinese audiovisual translation: strategies and solutions applied in multilingual films. Forum 21 (1) : 96–114.

[no author]. 2023. The use of subtitles in foreign language teaching: exploring some sociolinguistic, cultural and translation features. Translation and Translanguaging in Multilingual Contexts 9 (2) : 239–260.