In:Children’s Literature Across Media: Concepts and perspectives of transmedia narratives
Edited by Nina Christensen, Ute Dettmar and Sarah Mygind
[Children’s Literature, Culture, and Cognition 21] 2026
► pp. 48–66
Chapter 3Carmilla
The narrative aesthetics of a web series
This content is being prepared for publication; it may be subject to changes.
Abstract
This chapter explores the narrative aesthetics of
the Canadian web series Carmilla (2014–2016), a
mystery — dramedy that is loosely based on the vampire novella
Carmilla (1871–1872), and which unfolds via
YouTube, Twitter (now X), and Tumblr. It analyses the function of
these platforms in the storytelling architecture and shows how
audiovisual, textual, and visual content contribute to creating the
narrative voice, the perspective, and the characters. Looking at
intermedial references, it demonstrates how they situate the web
series within popular culture, evoke humour and contribute to
characterising the protagonists. Drawing particularly on
(transmedia) narratology and the theory of adaptation for its
theoretical underpinning, the chapter also builds on research on the
web series Carmilla and on the vampire figure.
Article outline
- Across media platforms: Carmilla’s narrative architecture
- Laura’s videos: Perspective and narrative strategies
- Breaking the fourth wall and the fleshing out of characters
- Situating Carmilla in the gothic tradition and contemporary popular culture
- Carmilla and its source text
- References to films and TV series
- Conclusion
Notes References
References (48)
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