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Collaborative bridge translation

Reflections on the rendering of Farouk Goweda’s poetics in English

ORCiD logo with link | Suez University
ORCiD logo with link | Suez University
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Abstract
This study addresses the intricate challenges of translating modern Arabic poetry into English through the analysis of the translation of three selected poems by the renowned Egyptian poet Farouk Goweda. These poems, reflecting Goweda’s sociopolitical engagement with the cultural background of the Middle East, contain cultural specificities and stylistic features that pose difficulties for translators on various levels, semantic, syntactical, idiomatic and sonic. This study explores how a joint approach relying on collaborative translation and a functionalist approach to translation addresses and processes these multilevel difficulties which necessitate a combination of skills and cross-cultural proficiencies of experts from both the source and target cultures to achieve the purpose of the target translation and to appeal to Anglophone readers. This approach manages to balance the aesthetic and thematic effect of the source text with the linguistic and cultural context of the recipient culture, stressing the importance of intercultural communication through translation.
Article outline
  • Introduction
  • Farouk Goweda
  • Corpus of the study
    • “This My Country No Longer My Country”
    • “Forgetting”
    • “Who Said Oil is Worth More Than Blood?”
  • Collaborative translation and Skopos theory: A joint approach
  • Poetry as discourse
  • Arabic literature beyond untranslatability
  • Analysis of the poetics of translating Goweda’s poetry
  • Conclusion
  • Author queries
  • References
References (40)
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