Part of
Opera in Translation: Unity and diversity
Edited by Adriana Şerban and Kelly Kar Yue Chan
[Benjamins Translation Library 153] 2020
► pp. 159173

Primary sources

Tang, Xianzu
1980The Peony Pavilion, Mudan Ting (1st ed.). Trans. by Cyril Birch. Bloomington: Indiana University Press.Google Scholar
1990The Peony Pavilion. Trans. by Hui Wang. Taipei: Hilit Publishing Company.Google Scholar
1994The Peony Pavilion. Trans. by Guanqian Zhang. Beijing: Tourism Education Press.Google Scholar
1999aTangxianzuquanji [A complete collection of works by Tang Xianzu]. Beijing: beijing guji chubenshe.Google Scholar
1999bThe Peony Pavilion. Trans. by Meilin Chen. Beijing: Xin shi jie chu ban she.Google Scholar
2000The Peony Pavilion. Trans. by Rongpei Wang. Shanghai: Shanghai waiyujiaoyu chubanshe.Google Scholar
2001The Peony Pavilion. Trans. by Guanqian Zhang. Beijing: Foreign Languages Press.Google Scholar
2002The Peony Pavilion, Mudan Ting (2nd ed.). Trans. by Cyril Birch. Bloomington: Indiana University Press.Google Scholar

Secondary sources

Acton, Harold
1939 “Ch‘un-hsiang Nao Hsueh.” T’ien Hsia Monthly 8 (4): 357–372.Google Scholar
Aixelá, Javier F.
1996 “Culture-specific Items in Translation.” In Translation, Power, Subversion, ed. by Román Álvarez, and Ma Carmen África Vidal, 52–78. Clevedon: Multilingual Matters.Google Scholar
Baker, Mona
Barroll, Leeds
(ed.) 2003Shakespeare Studies. Volume 31. Richmond: Fairleigh Dickson University Press.Google Scholar
Bassnett, Susan
1991 “Translating for the Theatre: The Case against Performability.” TTR 4 (1): 99–111. DOI logoGoogle Scholar
Booth, Wayne C.
1961The Rhetoric of Fiction. Harmondsworth: Penguin Books.Google Scholar
Chatman, Seymour B.
1978Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell University Press.Google Scholar
1990Coming to Terms: The Rhetoric of Narrative in Fiction and Film. Ithaca: Cornell University Press.Google Scholar
Cheng, Pei-kai
2004 “玉茗堂前朝復暮—湯顯祖與《牡丹亭” [Yumingtang qian zhao fu mu: Tang Xianzu yu Mudan ting]. In 姹紫嫣紅牡丹亭:四百年青春之夢 [Cha zi yan hong Mudan ting: Sibainian qingchun zhi meng], ed. by Jiaohong Lin, 19. Taipei: Yuanliu.Google Scholar
Hermans, Theo
1996 “The Translator’s Voice in Translated Narrative.” Target 8 (1): 23–48. DOI logoGoogle Scholar
2014 “Positioning Translators: Voices, Views and Values in Translation.” Language and Literature 23 (3): 285–301. DOI logoGoogle Scholar
Hua, Wei
1992 “Dreams in Tang Xianzu’s Plays.” CHINOPERL 16 (1):145–163. DOI logoGoogle Scholar
Huang, Alexander C. Y.
2009Chinese Shakespeares: Two Centuries of Cultural Exchange. New York: Columbia University Press.Google Scholar
Lee, Tong K., and Sing B. C. Ngai
Millán-Varela, Carmen
2004 “Hearing Voices: James Joyce, Narrative Voice and Minority Translation.” Language and Literature 13 (1): 37–54. DOI logoGoogle Scholar
Morgan, Jack
1998 “Toward an Organic Theory of the Gothic: Conceptualizing Horror.” The Journal of Popular Culture 32 (3): 59–80. DOI logoGoogle Scholar
2010 “從湯沈之爭看馮夢龍的戲曲改編 [Opera Adaptation of Feng Meng Long from Tang’s and Shen’s perspectives]”. Journal of the National Academy of Chinese Theatre Arts 31 (4): 50–54.Google Scholar
2012馮夢龍戲曲改編理論研究 [Exploring the Theory of Feng Meng Long’s Opera Adaptation]. Nanjing: Nanjing daxue chubanshe.Google Scholar
O’Sullivan, Emer
2003 “Narratology Meets Translation Studies, or, The Voice of the Translator in Children’s Literature.” Meta 48 (1 / 2): 197–207. DOI logoGoogle Scholar
Phelan, James
1996Narrative as Rhetoric. Columbus: Ohio State University Press.Google Scholar
Pym, Anthony
1996 “Review Article: Venuti’s VisibilityTarget 8 (1): 165–177. DOI logoGoogle Scholar
Roy, David
1982 “Reviewed Work(s): The Peony Pavilion (Mudan Ting) by Tang Xianzu and Cyril Birch.” Harvard Journal of Asiatic Studies 42 (2): 692–702. DOI logoGoogle Scholar
Santangelo, Paolo
2003Sentimental Education in Chinese History: An Interdisciplinary Textual Research on Ming and Qing Sources. Leiden and Boston: Brill.Google Scholar
Schiavi, Giuliana
1996 “There is Always a Teller in a Tale.” Target 8 (1): 1–21. DOI logoGoogle Scholar
Shen, Defu
1998萬曆野獲編 [Wanli ye huo bian]. Beijing: Beijing Yanshan Press.Google Scholar
Snell-Hornby, Mary
2007 “Theatre and Opera Translation.” In A Companion to Translation Studies, ed. by Piotr Kuhiwczak, and Karin Littau, 106–119. Clevedon: Multilingual Matters. DOI logoGoogle Scholar
Tang Shang, Lily
1975Die vier Träume von T’ang Hsien-Tsu: The Four Dreams of T’ang Hsien-Tsu. Unpublished PhD thesis, University of Hamburg.Google Scholar
Venuti, Lawrence
1995The Translator’s Invisibility: A History of Translation. London: Routledge. DOI logoGoogle Scholar
Xu, Shuofang
1983 “湯顯祖與莎士比亞” [Tang Xianzu and Shakespeare]. In 論湯顯祖與其他 [Discussing Tang Xianzu and Others]. Shanghai: Shanghai guji.Google Scholar
Yu, Weimin
2011 “On Tang Xianzu’s Identity and the Characteristics of his ‘Four Dreams’.” Journal of Southeast University 2: 99–108.Google Scholar
Zeitlin, Judith T.
1993Historian of the Strange: Pu Songling and the Chinese Classical Tale. California: Stanford University Press.Google Scholar
2007The Phantom Heroine: Ghosts and Gender in Seventeenth-Century Chinese Literature. Honolulu: University of Hawai’i Press. DOI logoGoogle Scholar
Zhao, Jingshen
1946 “湯顯祖與莎士比亞 [Tang Xianzu and Shakespeare].” 文藝春秋 [Wenyi chunqiu] 2 (2): unpaginated.Google Scholar