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Part of
Opera in Translation: Unity and diversity
Edited by Adriana Şerban and Kelly Kar Yue Chan
[Benjamins Translation Library 153] 2020
► pp. 195–216

The migration of Madama Butterfly

Otherness in the creation and translation of Puccini’s opera

| Université de Genève, Faculté de Traduction et d’Interprétation, Switzerland
This paper looks at the role that translation has played in depicting Butterfly as Other. The first part examines the translation processes that intervened in the transposition of Butterfly’s tale from short story and play to opera. The second part provides an analysis of the earliest French and English translations of the libretto using Lance Hewson’s approach to literary translation criticism. By taking a text-based approach, this study puts into question the notion that modifying the meaning of a libretto is acceptable as long as the words conform to the music. It also seeks to challenge the way in which Butterfly has sometimes been regarded as the archetype of the Asian woman in Western imaginations.
Keywords: Puccini, Madama Butterfly, opera, exoticism, otherness, translation criticism, literary translation
Article outline
  • 1.Overture
  • 2.Critical approach
  • 3.Variations on a theme
  • 4.Analysis of the French and English libretti
    • 4.1A house of paper walls
    • 4.2Under lock and key
    • 4.3The love duet
  • 5.Finale
  • Note
  • References
Published online: 29 October 2020
DOI logo
https://doi.org/10.1075/btl.153.10thi
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