Works cited

Abrams, M. H.
1999A Glossary of Literary Terms [1957], seventh edition. Boston: Heinle & Heinle.Google Scholar
Adams, James Eli
2012A History of Victorian Literature. London: Wiley Blackwell.Google Scholar
Armstrong, Isobel
1993Victorian Poetry: Poetry, Poetics, and Politics. London and New York: Routledge.Google Scholar
Arnold, Matthew
1986 “Preface to the first edition of Poems [1853].” In Matthew Arnold: On The Classical Tradition, edited by R. H. Super, 1–15. Ann Arbor: University of Michigan Press.Google Scholar
Baillie, Joanna
1840 “Lines to a Teapot.” In Fugitive Verses [1790], 161–67 [internet source n.p.]. London: Edward Moxon. Accessed August 5, 2019. [URL]
Blackmur, Robert
1934 “Introduction.” In Henry James, The Art of the Novel: Critical Prefaces, xii–xxix. New York: Charles Scribner’s. Accessed August 5, 2019. [URL]
Browning, Robert
1898aDramatic Romances [1842] New York: Thomas Y. Crowell & Company. Accessed August 5, 2019. [URL]
1898bMen and Women [1855] New York: Thomas Y. Crowell & Company. Accessed August 5, 2019. [URL]
Caldwell, Janis McLarren
2017 “Observing the Dead in Michael Field’s Ekphrastic Poetry.” Victorian Poetry 55.2: 189–210. DOI logoGoogle Scholar
Cronin, Richard
1988Colour and Experience in Nineteenth-Century Poetry. London: Macmillan. DOI logoGoogle Scholar
Curry, S. S.
1908Browning and the Dramatic Monologue: Nature and Interpretation of an Overlooked Form of Literature. Boston: Cambridge University Press. Accessed August 5, 2019. [URL]
Daston, Lorraine, and Peter Galison
2007Objectivity. New York: Zone Books.Google Scholar
Ehnenn, Jill
2004 “Looking Strategically: Feminist and Queer Aesthetics in Michael Field’s Sight and Song .” Victorian Poetry 42.3: 213–60. DOI logoGoogle Scholar
Eliot, T. S.
1920 “Tradition and the Individual Talent.” In The Sacred Wood: Essays on Poetry and Criticism. 42–53. London: Methuen & Co. Accessed August 22, 2019. [URL]
Field, Michael
1892Sight and Song. London: Elkin Mathews & John Lane. Accessed August 5, 2019. [URL]
Hemans, Felicia
1816The Restoration of the Works of Art to Italy: a Poem. Oxford: J. Murray. Accessed August 5, 2019. [URL]
Hobsbaum, Philip
1975 “The Rise of the Dramatic Monologue.” Hudson Review 28.2: 227–45. DOI logoGoogle Scholar
Huxley, Aldous
1942The Art of Seeing. New York: Harper.Google Scholar
James, Henry
1868 “The Story of a Masterpiece.” Part 1 of 2. The Galaxy: a Magazine of Entertaining Reading (January): 5–21.Google Scholar
1894Partial Portraits [1888] London and New York: Macmillan. Accessed August 5, 2019. [URL]
Landon, Letitia Elizabeth (L. E. L.)
1825The Improvisatrice; and Other Poems. London: Hurst, Robinson, & Co. Accessed August 5, 2019. [URL]
Langbaum, Robert
1957The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition. New York: Norton.Google Scholar
Lessing, Gotthold Ephraim
1887Laocoon: An Essay on the Limits of Painting and Poetry [1767], translated by Ellen Frothingham. Boston: Roberts Brothers. Accessed August 5, 2019. [URL]
Mitchel, W. J. T.
1994Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press.Google Scholar
Pater, Walter
1980The Renaissance: Studies in Art and Poetry [1873], edited by Donald Hill. Berkeley: University of California Press. DOI logoGoogle Scholar
Plotz, John
2018Semi-Detached: The Aesthetics of Virtual Experience since Dickens. Princeton: Princeton University Press. DOI logoGoogle Scholar
Rigg, Patricia
2009Julia Augusta Webster: Victorian Aestheticism and the Woman Writer. Madison: Fairleigh Dickinson.Google Scholar
Rossetti, William Michael
1890 “Portraits of Robert Browning.” The Magazine of Art (January): 181–88.Google Scholar
Rowlinson, Matthew
2002 “Lyric.” In A Companion to Victorian Poetry, edited by Richard Cronin, Alison Chapman and Antony H. Harrison, 59–79. Oxford: Blackwell.Google Scholar
Ruskin, John
1858The Elements of Drawing: In Three Letters to Beginners [1857] New York: Wiley & Halsted.Google Scholar
Scott, Grant F.
2001 “The Fragile Image: Felicia Hemans and Romantic Ekphrasis.” In Felicia Hemans: Reimagining Poetry in the Nineteenth Century, edited by Nanora Sweet and Julie Melnyk, 36–54. London: Palgrave. DOI logoGoogle Scholar
Shaw, David W.
1997 “Lyric Displacement in the Victorian Monologue: Naturalizing the Vocative Author(s).” Nineteenth-Century Literature 52.3: 302–25. DOI logoGoogle Scholar
Tennyson, Alfred Lord
1842 “Ulysses.” In Poems. London: Edward Moxon. Accessed August 5, 2019. [URL]
Webster, Augusta
1893Portraits [1870], third edition. London and New York: Macmillan. Victorian Women Writers Project. Accessed August 5, 2019. [URL]