Biographical fiction’s challenge to realism
Patricia Duncker’s Sophie and the Sibyl and Alicia Giménez
Bartlett’s Una habitación ajena
Starting from a brief discussion of biographical fiction and
the challenges it poses to realism, this case study compares Patricia Duncker’s
Sophie and the Sibyl (2015), centered on George Eliot alongside
various real and fictional characters (some of whom drawn from Eliot’s own fiction),
and Alicia Giménez Bartlett’s Una habitación ajena (1997), focused
on the (fictional) diary of Virginia Woolf’s cook Nellie Boxall and on the
relationships between the writer and her domestic servants. This study considers the
texts’ complex narrative structures, the reliability or otherwise of their narrators
and the hypocrisy or otherwise of the historical protagonists, and, crucially, the
critique of their authors’ discussions of realism in their respective ‘manifestos’
(in particular Chapter 17 of Eliot’s Adam Bede and Woolf’s “Mr
Bennett and Mrs Brown”). In their investigation of the gaps between theory and
practice, between present and past, between authorial, narrative and historical
subjectivity, and between conceptions of how reality can and should be represented,
the novels seek not so much to give us historically believable contexts and
individuals, as, rather, to explore the distances and continuities between the
intellectual, literary and ethical premises that shape our constantly transforming
understanding of these concepts.
Article outline
- 1.Patricia Duncker’s Sophie and the Sibyl
- 2.Alicia Giménez Bartlett’s Una habitación ajena
- 3.Traveling between realities
- 4.Conclusion: The permanent transformations of realism
-
Notes
-
Works cited