Part of
Landscapes of Realism: Rethinking literary realism in comparative perspectives
Edited by Svend Erik Larsen, Steen Bille Jørgensen and Margaret R. Higonnet
[Comparative History of Literatures in European Languages XXXIII] 2022
► pp. 385403

Works cited

Appelbaum, Stanley and Richard Kelly
eds. 1981Great Drawing and Illustrations from Punch, 1841–1901. New York: Dover.Google Scholar
Baudelaire, Charles
1980a “De l’essence du rire” [1855] In Œuvres complètes, edited by Claude Roy and Michel Jamet, 690–701. Paris: Laffont.Google Scholar
1980b “Quelques caricaturistes français” and “Quelques caricaturistes étrangers” [1857] In Œuvres complètes, edited by Claude Roy and Michel Jamet, 702–21. Paris: Laffont.Google Scholar
Billing, Michael
2005Laughter and Ridicule: Toward a Social Critique of Humour. London: Sage.Google Scholar
Bindman, David
2003 “How the French became frogs: English caricature and a national stereotype.” Apollo 158.498: 15–25.Google Scholar
Champfleury (Jules François Félix Husson)
1857Le réalisme. Paris: Michel Lévy frères.Google Scholar
Compagnon, Antoine
2017Les Chiffonniers de Paris. Paris: Gallimard.Google Scholar
Daumier Register
2020The Daumier Register. Accessed July 26, 2020. [URL]
Doizy, Guillaume and Jacky Houdré
2008Marianne dans tous ses états: la République en caricature de Daumier à Plantu. Paris: Alternatives.Google Scholar
Gogol, Nikolai
2008Mertvye dushi [1842] Moscow: Eksmo.Google Scholar
2010Dead Souls, translated by Isabel Hapgood. Ware: Wordsworth.Google Scholar
Goode, Mike
2016 “The Public and the Limits of Persuasion in the Age of Caricature.” In The Efflorescence of Caricature, 1759–1838, edited by Todd Porterfield, 117–36. London: Routledge.Google Scholar
1844Un Autre Monde. Paris: Fournier.Google Scholar
Hannoosh, Michele
1992Baudelaire and Caricature: From the Comic to an Art of Modernity. University Park: Pennsylvania University Press.Google Scholar
Haywood, Ian
2020The Rise of Victorian Caricature. London: Palgrave Macmillan. DOI logoGoogle Scholar
Hofmann, Werner
1956Die Karikatur von Leonardo bis Picasso. Vienna: Rosenbaum.Google Scholar
Kerr, David
2000Caricature and French Political Culture 1830–1848. Oxford: Clarendon.Google Scholar
Le Men, Ségolène
2016 “The Musée de la caricature.” In The Efflorescence of Caricature, 1759–1838, edited by Todd Porterfield, 175–93. London: Routledge.Google Scholar
Mainardi, Patricia
2017Another World: Nineteenth-Century Illustrated Print Culture. New Haven: Yale University Press.Google Scholar
McLees, Ainslie Armstrong
1984 “Baudelaire and Caricature: Argot plastique.” Symposium 38.3: 221–33.Google Scholar
Patten, Robert L.
2016 “Signifying Shape in Pan-European Caricature.” In The Efflorescence of Caricature, 1759–1838, edited by Todd Porterfield, 137–57. London: Routledge.Google Scholar
Porterfield, Todd
ed. 2016The Efflorescence of Caricature, 1759–1838. London: Routledge.Google Scholar
Rivers, Christopher Whalen
1994Face Value: Physiognomical Thought in Marivaux, Lavater, Balzac, Gautier, and Zola. Madison: University of Wisconsin Press.Google Scholar
Taylor, David Francis
2018The Politics of Parody: A Literary History of Caricature, 1760–1830. New Haven: Yale University Press.Google Scholar
Tytler, Graeme
1982Physiognomy in the European Novel: Faces and Fortunes. Princeton: Princeton University Press. DOI logoGoogle Scholar
Wechsler, Judith
1982A Human Comedy: Physiognomy and Caricature in 19th Century Paris. London: Thames and Hudson.Google Scholar
Woolf, Reva
2016 “John Bull, Liberty and Wit: How England Became Caricature.” In The Efflorescence of Caricature, 1759–1838, edited by Todd Porterfield, 49–60. London: Routledge.Google Scholar
Cited by

Cited by 1 other publications

Hutson, James, Jason Lively, Bryan Robertson, Peter Cotroneo & Martin Lang
2024. Painting by Numbers: A Brief History of Art and Technology. In Creative Convergence [Springer Series on Cultural Computing, ],  pp. 37 ff. DOI logo

This list is based on CrossRef data as of 28 april 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.