Narrate or describe
Documentation and the tasks of realism
Contemporary African novelists have turned repeatedly to historical forms of narration. Arguably, history has been key to the postcolonial novel all along but this case study draws attention to a more recent intensification of the engagement with history that has the feel and urgency of documentation. The essay elaborates on the term ‘documentation’ in relation to Georg Lukács’s distinction between narration and description. Lukács aligned documentation with description and saw both as problematic terms associated with naturalism rather than realism. This case study recovers documentation as a dimension of historical narration by arguing for its importance in establishing the historicity of postcolonial subjects. Furthermore, supported by and analyzing texts by Edward Said, Teju Cole and Ghassan Kanafani, among others, the essay uncouples the association between descriptive discourse and visuality to establish a mode of description that challenges us to understand, or recognize, historical truth by denying the authority of a field of vision that has too often been determined by an outsider’s view of Africa.
Article outline
- 1.Documenting the ordinary: Palestine and South Africa
- 2.Narrative complexity in African realism: Textuality and visuality
- 3.Realism between dark and light places
- 4.Conclusions
-
Works cited
References (35)
Works cited
Anderson, Benedict. 1991. Imagined Communities: Reflections on the Origins and Spread of Nationalism. London: Verso.
Bulawayo, NoViolet. 2013. We Need New Names. New York: Little Brown and Company.
Coetzee, J. M. 1992. Doubling the Point: Essays and Interviews. Cambridge: Harvard University Press.
Cole, Teju. 2014. Everyday Is for the Thief. New York: Random House.
Coundouriotis, Eleni. 1999. Claiming History: Colonialism, Ethnography and the Novel. New York: Columbia University Press.
Derrida, Jacques. 1977. Of Grammatology [1967], translated by Gayatri Chakravorty Spivak. Baltimore: Johns Hopkins University Press.
Dudai, Ron. 2008. “Can You Describe This? Human Rights Reports and What They Tell Us About the Human Rights Movement.” In Humanitarianism and Suffering: The Mobilization of Empathy, edited by Richard A. Wilson and Richard D. Brown, 245–64. Cambridge: Cambridge University Press.
Forna, Aminatta. 2010. The Memory of Love. New York: Grove.
Ganguly, Debjani. 2016. This Thing Called the World: The Contemporary Novel as Global Form. Durham: Duke University Press.
Ghosh, Amitav. 2005. The Shadow Lines [1988]. Boston: Mariner.
Gikandi, Simon. 2017. “African Literature in the World: Imagining a Post-Colonial Public Sphere.” Keynote presented June 15, 2017 at African Literature Association Conference, Yale University, June 14–17, 2017. Accessed June 11, 2020. [URL]
Kanafani, Ghassan. 1978. Men in the Sun, translated by Hilary Kilpatrick. London: Heinemann.
La Guma, Alex. 1992. In the Fog of the Seasons’ End [1972]. Oxford: Heinemann.
Lessing, Doris. 2008. The Grass Is Singing [1950]. New York: Harper.
Lukács, Georg. 1971. “Narrate or Describe?” [1936]. In Writer and Critic and Other Essays, translated by Arthur Kahn, 110–48. New York: Grosset and Dunlap.
Lukács, Georg. 1980. Essays on Realism, edited by Rodney Livingstone and translated by David Fernbach. Cambridge: MIT Press.
Lukács, Georg. 1983. The Historical Novel [1955], translated by Hannah and Stanley Mitchell. Lincoln: University of Nebraska.
Marks, Susan. 2013. “Four Human Rights Myths.” In Human Rights: Old problems, New Possibilities, edited by David Kinley, Wojciech Sadurski and Kevin Walton, 217–35. Cheltenham, UK: Edward Elgar.
Miller, Christopher. 1986. Blank Darkness: Africanist Discourse in French. Chicago: University of Chicago University Press.
Mudimbe, V. Y. 1988. The Invention of Africa: Gnosis, Philosophy, and the Invention of Knowledge. Bloomington: Indiana University Press.
Mutua, Makau. 2001. “Savages, Victims, and Saviors: The Metaphor of Human Rights.” Harvard International Law Journal 42.1: 201–45.
Ndebele, Njabulo S. 1994. South African Literature and Culture: Rediscovery of the Ordinary. Manchester: Manchester University Press.
Ndebele, Njabulo S. 2003. The Cry of Winnie Mandela. Banbury, Oxfordshire: Ayebia Clarke Publishers.
Ngũgĩ, Wa Thiong’o. 2005. Petals of Blood [1977]. New York: Penguin Random House.
Nixon, Rob. 2011. Slow Violence and the Environmentalism of the Poor. Cambridge: Harvard University Press.
Nwaubani, Adaobi Tricia. 2014. “African Books for Western Eyes.” New York Times: Sunday Review, November 30, 2014: 3.
Owuor, Yvonne Adhiambo. 2013. Dust. New York: Alfred A. Knopf.
Said, Edward W. 1999. After the Last Sky: Palestinian Lives [1986], photographs by Jean Mohr. New York: Columbia University Press.
Sebald, W. G. 1992. Die Ausgewanderten. Frankfurt a.M.: Eichborn.
Sebald, W. G. 1996. The Emigrants, translated by Michael Hulse. New York: New Directions.
Sebald, W. G. 2001. Austerlitz. Munich: Hanser.
Sebald, W. G. 2001. Austerlitz, translated by Anthea Bell. New York: Modern Library.
Slaughter, Joseph R. 2007. Human Rights Inc. New York: Fordham University Press.
TRC. 1998. Truth and Reconciliation Commission. Truth and Reconciliation of South Africa Report, vol 1. Accessed July 21, 2020. [URL]
Wainaina, Binyavanga. 2005. “How to Write About Africa.” Granta 92: 93–95.
Cited by (1)
Cited by one other publication
Roy, Modhumita
2024.
Peripheral Realisms, War, and Catastrophe in Contemporary Iraqi Fiction. In
The Oxford Handbook of Global Realisms,
This list is based on CrossRef data as of 4 july 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.