Index
A
- Aarne-Thompson-Uther (ATU) Index (defined)
26–27, 177; 50, 57, 59, 70, 177
- abjected
44, 145, 160, 163, 180–181
- adaptation
29, 30, 33, 66, 91, 118, 121–122, 124–125, 135–172, 177, 186, 188, 202
;
see also mishmash; reversion
- agent
11, 196
;
see also agency
- agency
16, 39, 41, 43, 52–53, 55, 63, 64, 76, 100, 103, 104, 111, 118, 131, 134–135, 141, 144, 145, 150–151, 156, 169, 170, 174–175, 176, 184, 190, 193, 197, 199, 202
;
see also subjective agency; subjectivity; intersubjectivity
- agentic subjectivity
139, 200
see also agency
- alterity
41, 132, 147, 154, 157–159, 164, 167, 191
;
see also Other; otherness
-
American Born Chinese)
34–35, 36, 38–41, 43–45, 61, 65–67
- Andersen, Hans Christian
145, 146–148, 153–154
-
Ang Mga Kuwento ni Lola Basyang ni Severino Reyes
-
Basyang by Severino Reyes)
(see
The Tales of Grandmother
-
Ang Sirena sa Uli-Uli ng Ilog Pasig
(see
The Mermaid in the Whirlpool of the
-
Angelfish)
34–35, 36–37, 40–41, 42–43, 46–48, 61
- animal-bridegroom narrative (see script, animal-bridegroom; script, beast-
- anime
109, 112–117
-
The Arabian Nights
70, 75–76, 94
-
Arabian Nights Entertainment
(see
The Arabian Nights)
- Bacchilega, Cristina
23, 31, 74, 75, 99, 182–183, 196, 201
-
Beast)
70–71, 81, 103–108, 179, 180, 190–193, 198–200
- Beast (see schema, beast-groom)
- beast-groom narrative (see script, beast-groom)
- beast-groom tale type
26, 56, 202–203
(see beast-groom script)
-
Beastly)
180–182, 187–188, 198, 200–201
- Beaumont, Jeanne-Marie le Prince
70, 79–80, 96–97, 183, 184, 197
- Beauty
-
The Beauty and the Beast (Beaumont 1756)(see Beaumont, Jeanne-Marie le Prince)
-
The Beauty and the Beast (Cocteau 1946)
81, 179, 180, 185–187, 188, 190, 197–198
(see schema, Beauty)
-
Beauty and the Beast (Disney 1991)
74, 180, 185–187, 198, 200
-
Beauty and the Beast (Disney 2017)
200
-
Beauty and the Beast (Lamb 1811)
81, 99, 102–103, 106, 108, 180
-
Beauty and the Beast (Quiller-Couch & Dulac 1910)
75, 80, 95, 96–100, 108
-
The Beauty and the Beast (Villeneuve 1740)(see Villeneuve, Gabrielle-Suzanne Barbot de)
-
Beauty and the Beast (Hutton 1985)
101–102
- Beauty and the Beast tale type
26, 36, 42–43, 70, 196
see also script, Beauty and the Beast; script, beast-groom
- Bellen, Christine S.
48, 53, 54
-
Bellinda and the Monster)
179
- biculturalism
35–37, 39, 41
- blending
5–9, 21, 30, 32, 38, 41, 74–75, 163, 179, 192, 207, 208
- in (Miyazaki) anime
113, 117–118, 120–121, 134, 139–140, 142–144, 168–169, 171–173
- of East and West
56–59, 70, 78, 89–90, 107, 109, 157–159, 163, 171–173, 182, 199–200
- of global and local
8, 56–59
- of history and fairy tale
46–54
- (also blend) of scripts
37–39, 56–59, 61, 106, 108, 157–159, 163, 171–173
; (see also mishmash)
- space
18, 118–120, 179
;
see also cognitive blending; conceptual blending; glocalization
-
Blue Beard (Jonson & Robinson, W. Heath 1921)
90–91
-
Blue Beard (Quiller-Couch & Dulac 1910)
75, 81–85, 92–94
-
Blue Beard (Rackham 1933)
81, 86–87, 94
-
The Blue Beard (Clarke 1922)
87, 89–90
-
The Blue Beard (Perrault 1697)
70, 82, 85
- Bluebeard(see schema, Bluebeard)
-
Bluebeard (De la Mare & Watson 1927)
86–87
-
Blue Beard (Tabart 1830)
86–87
-
Bluebeard (Vredenburg & Harbour 1921)
90–91, 94
- borderlessness
114
(see also
mukokuseki)
-
The Borrowers)
119, 128–129
-
The Box of Wonders
61–63,
- boundary crossing
34–35, 144, 146–147, 153–154, 157
- Bradford, Clare
xv, xvi, 33, 169
- Brooke, William J.
201–202
- Buckingham, David
xvi, 109, 207
- Bullen, Elizabeth
xv, xvi, 13
- The Bush Warbler’s Home
143,
- Carrington, Victoria
xv, xvi, 14, 114, 207
- cathectic relationship
178, 179, 182, 190, 196, 197, 206
; (see also cathexis)
- cathexis
178, 184, 193, 197
- children’s literature
11–12, 15, 18, 20, 23, 31, 33, 46, 60, 72, 76, 206
- China
2, 3, 17, 18, 21, 27, 30, 36–37, 42, 46–47, 56, 158
- Cocteau, Jean
81, 179, 185, 186, 187, 188, 197
- cognition
xviii, 5, 6, 7–8, 12
- cognitive blending
8–11, 12, 78, 182
;
see also conceptual blending; conceptual integration
- cognitive literary criticism(see cognitive narratology)
- cognitive narratology
xviii, 7, 34
- Cohen, Jeffrey Jerome
182
- colonization
48, 54, 94, 95, 100, 149, 155
- concepts (defined)
5, 120
;
see also emotionology; prototypes; schema; script; stereotypes
- conceptual blending (defined)
5, 6, 7, 9, 11, 139, 176
;
see also blending; cognitive blending
- conceptual integration
5
;
see also conceptual blending
- consumption
xv, 116, 130, 132–133, 144
- consumption-integration
130
; (see also contamination-syncretism)
- construct, cultural
6, 116
- contamination
9, 69, 89, 90–91, 149, 178, 184
(see script, globalization)
- contamination-syncretism (defined)
9–10;
- and
35, 60, 69, 118, 119, 149, 178;
- contamination-integration
200
- contamination-synthesis
202
see glocalization; integration; penetration-integration
- cultural narrative
7–8, 11, 46, 47, 48, 54, 81, 100, 146, 157
see also metanarrative
- culture (defined)
xv, xvii, 9, 129, 147, 173, 187
- global
xvi, xvii, 10, 14–15, 149, 150
- hybridic (also cultural hybridity)
18, 52, 60–61, 64, 67, 104
- local
xvii, 10, 13, 54, 63
- West
xvii, 101, 110, 206
;
see also glocalization of culture
- Cupid and Psyche
26, 59, 177, 178, 182–183, 188, 201
- Curry, Lindy Soon
180, 194, 201
- de Block, Liesbeth
xvi, 109, 207
-
Der Ring des Nibelungen
(see The Ring of the Nibelung)
-
Der standhafte Zinnsoldat
(see The Steadfast Tin Soldier)
-
Der Wunderkasten
(see The Box of Wonders)
- deterritorialization
2, 111
- Disney
7, 14, 22, 55, 57, 59, 64, 74, 109–111, 112, 145, 148–149, 151, 154–155, 156, 158, 166, 167, 171–172, 180, 185–186’ 187, 188, 198, 200, 206
- Disneyfication
110, 111, 150, 207
- distributed mind
36, 40
37
- “socially distributed”
12
see distributed nature of mind
- doubling
40–41, 43, 67, 80, 92
- Dulac, Edmund
70, 75, 80, 81, 83–87 passim
, 92–98 passim
, 100, 101, 108, 152–153
- East
xvi–xvii, xix, 3, 15, 16–18, 31, 34, 47, 54, 58, 69, 71–73 passim
, 75–76, 77, 81, 82, 84, 86–88, 90, 92, 97, 100, 102–108 passim
, 109, 118, 144, 145,;
see also blending of East and West; culture, East; East-West; Orient
- East o’ the Sun, West o’ the Moon
59
- East-West
xvii, 3, 71;
- relations
15, 68, 72, 104
- Easterlin, Nancy
147, 157
- ecofeminism
129, (defined)
169–170, 171, 184, 202
- feminized nature
146, 180, 184
;
see also ecofeminist shōjo; femininity
- emergent structure (defined)
6, 91, 197
- England
18–19, 70, 76–77, 128–129
;
see also UK (United Kingdom)
- Eoyang, Eugene Chen
16–17, 113, 194, 206
- fairy tale
xvii–xviii, 1, 7, 21–32 passim
, 33, 34–35, 38, 43, 45, 46–48 passim
, 53–55 passim
, 61, 63, 93, 98, 124, 143, 157, 163, 171, 199, 206
- orientalization of
69, 70, 73, 76, 79, 80, 81, 96
- fairy-tale space
96, 109, 124
;
see also fairy-tale network; glocal fairy tale; literary fairy tale; motif; retelling; reversion; script, fairy-tale)
- fairy-tale network
23, 25, 30–32 passim
, 61, 63
- fairy-tale retelling(see glocal fairy-tale retelling; retelling)
- fantasy (defined)
27–29, 72, 77, 94, 109, 117–126 passim
, 128, 135, 136, 144
;
see also glocal fantasy space; script, fantasy
- Fauconnier, Gilles
xviii, 5, 6, 8, 9, 197
- femininity
127, 143, 146, 160, 178–179, 184, 190, 196, 198, 201
;
see also ecofeminism; intersectionality; masculinity
- Flinn, Alex
180, 182, 187–188, 198
- folk narratives (defined)
25–26, 41
;
see also fable; fairy tale; folktale; legend; myth
- (defined)
25–26, 29, 34, 41, 48–53 passim
, 54, 97, 111, 141, 143, 157, 162, 179, 194
(see script, folktale)
- “four-cornered logic”
16–17
;
see also maodun
- fragmentation
16, 117, 134, 146, 149, 150, 154, 158
- France
63, 64, 71, 78, 106, 122, 193
-
The Frog Prince Continued)
29, 201–202
-
furusato (defined)
115–116, 119
-
Gake no ue no Ponyo
(see Ponyo on the Cliff by the Sea)
- Galland, Antoine
70, 75–76
- Geertz, Clifford
xv, 15–16
- genre
6, 22–23, 24, 25, 117, 122
- paintings (orientalism)
78, 83–84
see blending, genre
- global (defined)
xvi, 1–5 passim
, 8, 9–11, 13–15, 18, 23, 43, 59, 64, 73, 112–113, 130, 136, 146, 147–149, 154, 156, 165, 183, 188, 190, 193, 195, 207
- connectivity (flows)
1, 109, 170, 205
- culture(see culture, global)
- narrative
xvi
(see tale type)
- otherness(see otherness, global)
- space
3, 73, 117, 146, 147
- subjectivity
12–13, 14, 119, 198
(see subjectivity, global)
- tale type
54
(see global narrative)
- and West (global North)
xvii, 2, 3, 73
;
see also schema, global; universal
- global localization
4
; (see also glocalization)
4, 13, 17
see global-local
- globalization
xv–xix, 1–5, 11, 13, 17, 23, 31, 33, 35, 46, 53, 60–63, 66, 69, 94, 109, 111, 114, 116, 130, 149, 158, 171, 208
;
see also deterritorialization; disembedded; network society; script, globalization)
- glocal
xvȃxix, 1, 4, 5, 16, 45, 49, 63, 64–65, 103–108, 109, 128, 130, 137, 141, 149, 163, 166, 169, 171, 177, 188, 195, 203, 205–208
- fairy tale
xix, 21, 25, 31
- fairy-tale retelling
30, 31, 33–34, 54–60, 187;
- identity
54, 57, 59, 176, 202
- literacy
14– 15, 207
; see also (also “glocalized model for literacy”)
- otherness
157–160, 165
(see otherness, glocal)
- relations in children’s literature
18–23
- space
11, 18–19, 34, 36, 38, 43, 51, 56–58, 60, 66–67, 68, 105, 179, 181, 193;
- (fantasy space)
111–112, 118–120, 122, 124, 125, 175
- subjectivity
12–13, 15, 18, 23, 32, 37, 38, 41–43, 108, 128, 168, 196–198, 200, 202
- glocalization
xv–xvii, 1, 4–5, 9–11, 13–16, 30–32, 36, 39, 59–60, 66, 103–104, 129–130, 176, 177, 186, 187, 202
- (Miyazaki films)
119, 121
- of culture
18, 39, 113, 116, 117, 119, 122, 166, 192, 199
- long term effects
22, 206
;
see also globalization; “live in the blend”; script, glocalization
-
Gomi and Uncle Opoondori)
48–53, 61
-
gumiho)
149, 158, 165, 166, 168
(see also script, fox-woman)
- Harbour, Jennie
90, 91, 94
-
The Hhareem of a Mamluke Bey, Cairo
85, 91, 98
-
Hauru no Ugoku Shiro
2004)(see Howl’s Moving Castle, Miyazaki
- Hearne, Betsy
76–77, 79, 80, 178, 184, 185, 190
- Herman, David
5, 6, 12, 34, 36, 120
- Hermansson, Casie E.
70, 77, 78, 79
- Hogan, Patrick Colm
xviii, 5, 6–7, 21, 22, 29
-
Howl’s Moving Castle (Jones
1986) 121–125, 135–136, 141–143
-
Howl’s Moving Castle (Miyazaki
2004) 118, 120–123, 125, 133, 135, 139, xi
- hybridity
xvi, 16, 17, 30, 60, 67
;
see also culture, hybridic; glocal hybridity; glocalization
- ideology (and cognition)
7; 21, 49, 54, 55, 75, 90, 95, 96, 100, 132, 175
- ideological (position)
22, 46, 47–48, 53, 81
- landscape
108, 119, 120, 130
- (also significance)
145
;
see also script, ideological
- image
4, 5, 14–15, 74, 156, 165, 185–186, 188
- blend
78–79, 80, 92, 137–138, 167, 168;
- of otherness
98, 147, 150–151, 167
- stereotype
44, 64, 91, 149
- “imagined communities”
4, 46, 54, 63
- multicultural
35–36
;
see also global imaginary
- imperialism
13, 16, 69, 93, 94, 183
-
also imperialist perspective
96
- industrialization
2, 120, 132
- integration (defined)
5–6, 8–10 passim
, 13, 15–16, 18, 31, 49, 58–59 passim
, 66, 86, 105–106, 109, 112, 116, 178, 179, 202
;
see also blending; conceptual blending; glocalization
- intermediality
xix, 22, 25, 31, 98, 168
- intersectionality
13, 145–146, 154, 160
- intersectional oppression
157, 166–167
- intersectional empowerment
175
- intersubjectivity (also intersubjective relationship)
13, 16, 41–42, 103–104, 123–125, 127–128, 132–135, 141, 143–145, 158, 166–168, 171–175, 177, 178–179, 180, 187
- intersubjective agency
135
- intersubjective dialogue
100
- intersubjective identity
13, 16
;
see also agency; subjectivity
- intertextuality (also intertextual)
xix, 18, 23, 25, 33, 56–57, 60, 71, 74, 133–134, 145, 175, 189
- intertextual meaning
22, 30, 31–32, 34, 181
;
see also fairy-tale network
- Iwabuchi, Koichi
17, 109, 113, 115, 126
- Japan
2, 17, 22, 109–120, 123, 125, 127, 129, 135, 138, 158, 170, 172
-
Johnny Tiñoso and the Proud Beauty)
181–182, 187
- Jones, Diana Wynne
27, 121–125, 135, 136, 141, 142, 143
- Jones, Stephen Swann
19, 24
-
The Journey to the West
39, 65, 66–67
-
Karigurashi no Arietti
(see The Secret World of Arrietty)
- Kawai, Hayao
141–142, 143, 157, 160
-
Kiki’s Delivery Service)
19, 118, 120, 125–128, 131–132
-
Komi wa op’undori ajǒssi
(see Gomi and Uncle Opoondori)
- Korea
3, 48–53, 158–159, 164–168
-
Kurenai no Buta
(see Porco Rosso)
- Kwon, Jung Saeng
48, 49–50, 51, 52, 53
-
L’Histoire du soldat
(see The Soldier’s Tale)
-
La Barbe Bleue (Perrault 1697)(see Blue Beard, Perrault 1697)
-
La belle et la bête (Beaumont 1756)(see Beaumont, Jeanne-Marie le Prince)
-
La belle et la bête (Cocteau 1946)(see The Beauty and the Beast, Cocteau 1946)
-
La belle et la bête (Villeneuve 1740)(see Villeneuve, Gabrielle-Suzanne Barbot de)
- Lamb, Charles
80, 81, 99, 102–103, 106, 108, 180
-
Le Cabinet des fées, ou Collection choisie des contes de fées et autres contes merveilleux)
76, 78
-
Les mille et une nuit (Galland 1704–1712)(see The Thousand and One Nights)
- Lebra, Takie Sugiyama
16, 111
- Lee, Sung-ae
158–159, 164, 168
- legends
25–26, 27, 37–38, 41
- Lewis, John Frederick
85, 87, 88, 91, 98
- literary fairy tales
25, 29, 70
-
The Little Mermaid (Andersen 1837) 145–151, 153–156, 158, 160, 165, 167, 171, 173, 175
-
The Little Mermaid (Disney 1989) 64, 145, 148–149, 150–151, 154–155, 156, 166, 167–168, 171–172, 173
- the little mermaid character type
157, 160
- “live in the blend” 9, 35, 43, 179, 193
see blending; glocalization
- local
xvi, xvii, 4, 8–11, 13, 14, 15, 18, 21, 22, 25, 32, 33, 34, 36, 39, 44, 46, 52, 59–61 passim
, 63–64, 73, 110, 113, 119, 130, 146, 147–149 passim’
154, 159, 163–164, 190–193 passim
, 195
- culture(see culture, local)
- Loriggio, Francesco
2, 9, 10
- male gaze
84, 91, 154–156 passim
, 174
- Mallan, Kerry
xv, xvi, 13
-
maodun)
16–18, 34, 105, 116, 182–183, 202
- masculinity
16, 55, 73, 104, 142, 146, 148, 177, 178–180, 183–186’ 187–190, 192, 198, 200–203
-
Master Frog)
180, 190, 193, 194–196, 197
- Mackenzie, John M.
69, 73, 76, 80–81
-
Majo no Takkyūbin
(see Kiki’s Delivery Service)
- Marillier, Clément-Pierre
76–78
- McCallum, Robyn
7, 11–12, 15, 20–21, 23, 29, 41, 70, 72, 145, 185–186
- McGillis, Roderick
xv, xvi
- Mendlesohn, Farah
122, 123
- mermaid
105, 158–164, 165
(see schema, mermaid) The Mermaid in the Whirlpool of the Pasig River
- metafiction
29–30, 39, 45, 124, 135
- metamorphosis
26, 27, 40–41, 43, 138, 139–144, 149–151, 156, 157–159 passim
, 167, 168, 169, 178, 179, 202
(see motif, metamorphosis)
- metanarrative
7, 21, 54–55, 145
(see cultural narrative)
- Miguel, Felix Mago
157, 160, 162, 163–164
-
Milles et Une Nuits (Mayer & Marillier 1785–1789)
-
Nights, Mayer & Marillier 1785–1789)
(see Thousand and One
- mishmash (defined)
30, 33, 34, 39, 53–54, 61–63 passim
, 105, 118, 146, 159
- Miyazaki, Hayao
19, 109–144 passim
, 157, 168–169, 172, 174–175, 180, 189–190
- modernity
131–133, 136, 141, 146
- The Monkey King
39, 44, 65, 66–67
- motif (defined)
8, 21, 26, 29–31, 39–42, 55, 57, 66, 70, 74, 99, 105–106, 111, 139–143 passim
, 145–146, 157, 158–159, 177–179, 190, 194
- interspecies marriage (also iruikon)
132, 169
- maturation
39, 41, 66–67
(see script, coming-of-age; script, maturation)
- metamorphosis
31, 40, 139, 146, 157, 158;
- vanishing woman (also disappearing shōjo)
143
- multiculturalism
35–36, 60–61, 129, 165, 166
(see script, multiculturalism)
- Müller, Jörg
61, 63, 64, 65
-
My Girlfriend is a Gumiho
149, 158–159, 164–168, 175, 176
- myth (defined)
25–26, 39, 59, 69, 106–107, 118, 163
-
Nae Yeojachinguneun Gumiho
(see My Girlfriend is a Gumiho)
-
nagare
131, 133, 135, 139
- Napier, Susan J.
110, 111, 112–113, 114, 115, 116, 117, 120, 141–142, 143
- Napoli, Donna Jo
70–71, 81, 103–104, 105, 106, 108, 179, 180, 190–191, 193, 199, 200
- nationality
7–8, 12, 115–117
- national identity
13, 32–35, 39, 63, 114
- narrative prototype(see prototype, narrative)
- Nikolajeva, Maria
xviii, 27–28, 29, 70
- Norton, Mary
128–129, 132–133
- Occident
69, 71
(see West)
- Okuyama, Yoshiko
111, 112, 132–133, 142, 158, 160
- Oshii, Mamoru
115, 116–117
- Orient
2, 16, 69–72, 75–76, 80, 86–87, 103–106
- Oriental space
69–70, 72–74, 83, 152
(see orientalized space)
- Orientalism (defined)
69; 69–108, 115–116
(see script, orientalization)
- orientalized space
72–75, 80–86, 89–95, 97–100, 102–108
(see Oriental space)
- Other
12, 14, 37, 39, 42, 69, 113, 120, 127, 140, 147, 161, 166–168 passim
, 170, 180, 182, 191
- glocal (also blended)
157–159, 167
- Oriental
71, 72–75, 76, 79–80, 82–86, 89–94, 96–98, 101, 103, 104, 106, 107, 149, 151–153, 161
- otherness
16, 36–37, 73–75, 82, 139–140, 145–147, 157–159, 164, 184
- (defined)
146, 149, 150, 152, 159, 165–166
- Oriental (defined)
72–73, 77, 80, 82, 86, 89–92, 94, 97–99
;
see also motif, Other; schema, otherness; script, otherness; image of otherness
- paraconsistent logic(see “four-cornered logic; maodun)
- penetration-integration (defined)
9–10, 13
;
see also blending; contamination-syncretism; glocalization; integration
- Pennell, Beverly
184, 185
- Perrault, Charles
22, 29, 31, 70, 76, 77, 82, 85, 92
- Philippines
10, 17, 22–23, 37–38, 48, 53–60, 157, 159–164, 165, 181–182, 205
- Pieterse, Jan Nederveen
xvi, 2–3, 4, 206, 208
-
Ponyo on the Cliff by the Sea
111, 157, 168, 170, 172, 176
-
Porco Rosso
118, 120–121, 133, 135, 137–142, 180, 189–190, 200, 202
- postcolonial
33, 46, 53–55
- postmodern
10, 16, 17, 28, 34, 53–54 passim
, 61, 62, 101, 115, 168
see also maodun
- pretext
29, 32, 34, 47, 50, 63, 145, 148, 154–156 passim
, 161, 166–167, 172, 193
; (see also source text)
-
A Prince in the Throat
201, 202
- prototype
5–7, 9, 18, 21–22, 34, 35, 202
- narrative
6–7, 9, 18, 21–22, 24–25;
- (also prototypical narrative)
20, 29, 34
- prototypical fantasy
27
;
see also genre; schema; script
- Quiller-Couch, Arthur (Sir)
75, 81, 82–83, 84, 85–86, 87, 93, 95–97, 98, 99–101
- retelling
1, 29–32, 33–34, 46, 47, 53–60, 144, 150, 159, 178–181, 183–184, 187, 194, 200–201, 203
- orientalized
69–72, 73, 76, 79–82, 86–87, 90, 92–97, 102, 105
- reversion (defined)
29–30, 31, 49, 103, 118, 156, 160, 201
;
see also glocal fairy-tale retelling; mishmash; retelling
- Rackham, Arthur
81, 86–87, 94
- Reyes, Severino
48, 53–55, 157, 159–164
-
The Ring of the Nibelung
171
- Robertson, Roland
1–2, 3, 4
- Robinson, Charles
87–89, 92
- Robinson, W. Heath
90, 91–92
-
The Runaway Soldier and the Devil
162
- schema (defined)
5–8, 14, 21, 38–39, 41–42, 44, 53, 110, 116, 118, 127, 179, 195
- beast-groom
139–140, 142, 180–184, 189–190, 196–203;
- (orientalization of)
70, 73–75, 80, 81, 97–99, 102–106
- Beauty
37, 42–43, 75, 100, 103, 140–141, 143, 188;see also (also bride)
106–107, 177–179, 196–203;
- (orientalization of)
95–96, 97–98, 107
- (orientalization of)
70, 73–75, 77, 80, 82–87, 89–92, 94
- mermaid
8–9, 147, 149, 157, 165
- (disappearing shōjo)
143;
- witch
127, 131–132
; see also prototype; script
- script (defined)
6–8’ 9–10, 34, 48, 49, 50–51
- animal-bridegroom
180, 183, 186, 194
- beast-groom
177–181’ 183–185, 195
- Beauty and the Beast
36–37, 46–48, 73–75, 121, 139, 140–141;
- (orientalization of)
70, 75–76, 79–81, 91, 95–108
- Bluebeard
70, 78, 92, 97, 99–100;
- (orientalization of)
70, 75–81, 87–89, 95, 99–100
- coming-of-age
35, 36–43 passim
, 66–67, 126
- fairy-tale
24–25, 28, 33, 35–37 passim
, 39, 61, 63, 106, 118, 145
- fantasy
121, 122–123
(see prototypical fantasy)
- folktale
41, 49, 53, 61, 118, 122–123, 139
- fox-woman (fox-girl)
158–159, 166–167
- Frog King (Frog Prince)
30, 57, 177, 180, 183, 184, 190, 193–196, 197, 201–202
- globalization (global)
10, 16, 30, 102
- glocalization (glocal)
10, 16, 21–22, 36, 46, 60–63, 73, 103, 106
- the Little Mermaid script (also Andersen script; Andersen pretext)
146, 147–151 passim
, 157, 158, 160, 161
- multicultural
14–15, 35–37, 67
- orientalization
72–73, 80, 86, 89, 95, 99, 103–107
- Urashima Taro
160–162, 169
;
see also schema
- The Search for the Lost Husband
26, 177
-
The Secret World of Arrietty
111, 116, 118, 119, 120, 125–126, 128–135, 144
- self
4, (defined)
11–12, 14, 15–17, 31, 34, 37, 40–41, 64, 69–70, 72, 97, 103, 111, 113, 115, 120, 149, 155, 158, 159, 163, 166, 170, 171, 178, 179
- signs
xvii, 8, 10, 64, 91, 102–103,
- blended
111, 112, 121, 126
(see cultural sign; global sign)
-
The Sleeping Beauty and Other Fairy Tales
70, 75, 82, 83, 84, 93, 98, 101
- source text
29, 77, 82, 110, 119, 128,(see also pretext)
-
Sen to Chihiro no Kamikakushi
(see Spirited Away)
- Sironval, Margaret
70, 76
-
Stories from Hans Andersen
153
- Spirited Away
109–110, 113
-
Stardust: Being a Romance Within the Realms of Faerie
18–20
- statelessness
109, 114–117, 144
-
The Steadfast Tin Soldier
61, 64–65
- Stephens, John
xv, xvi, 5, 6, 7, 11–12, 15, 16, 17, 21, 23, 27–28, 29, 30, 41, 46, 70, 72, 146, 183–184
- stereotype (defined)
12, 15, 29, 36, 40–45, 46, 53, 64, 67, 72, 87, 94, 103, 104, 105
- stereotype, cultural (defined)
8, 45, 64, 146, 207
;
see also schema
-
The Story of Bluebeard (Jerold & Robinson
1911) 87, 89
- Strauss, Claudia
xvi, 10, 21
- Studio Ghibli
109–110, 111, 118, 123, 125, 127, 130, 131, 133, 134, 138, 170, 172
- subaltern
145–146, 161, 165, 166
- subject (defined)
11–13, 15–17, 34, 36, 70, 94, 103, 111, 114, 128, 145, 150, 156, 168, 173–176, 178, 180, 190, 192, 196–198, 200
- subjective agency
16, 76, 169, 174
(see agency)
- subjectivity
1, (defined)
11–18, 32, 34, 36–37, 41, 42, 46, 48, 67, 74–75, 94, 100, 104–105, 113–114, 118, 124, 133, 139, 143, 146, 147, 149, 150, 153–156, 169–170, 175, 176, 179, 181, 183, 194, 196, 199–200, 202
;
see also agency; intersubjectivity
- symbolism (defined)
8, 59, 165
- symbol
21, 44, 85, 91, 92, 99, 102, 171, 193
- Tabart, Benjamin
86–87, 99
-
The Tales of Grandmother Basyang by Severino Reyes
48, 53–60, 61
- tale types
24–25’ 26–27, 29, 31, 32, 42–43, 56, 59, 91, 157, 177, 178, 180, 196, 202
-
Tall Story)
37–38, 40, 41–42, 61
-
Tango no Kuni Fudoki
157, 160
- techno-Orientalism
115
(see self-Orientalism)
- Teverson, Andrew
24–25, 26, 28
- “third mental array”
9, 11
-
The Thousand and One Nights (Galland 1704–1712) 70, 75
-
Thousand and One Nights (Mayer & Marillier 1785–1789) 76, 78
- time-space compression
19, 137
-
The Toad Bridegroom
182, 190, 193, 194–196, 197, 201
- tourist gaze
64, 117, 119, 120, 124, 126, 128, 169
- transcultural relationship
149, 156, 157, 166
- Treherne, Katie Thamer
151–152
- Trites, Roberta Seelinger
6, 7–8, 150–151, 153, 155, 171
- Turner, Mark
xviii, 5, 6, 8, 9, 30, 197
- Ueno, Toshiya
115, 116–117
- UK (United Kingdom)
71, 78, 119, 128
- universal
xvi, 4–5, 10, 13, 31, 37, 46, 70, 120, 126, 146, 183
;
see also global
- Urashima Taro
141, 157–158, 160–162, 168–169, 170, 171, 173, 174
- archetype
141–142
;
see also schema, Urashima Taro; script, Urashima Taro
- United States of America (USA)
- vanishing woman motif
143
(see disappearing shōjo motif)
- Villeneuve, Gabrielle-Suzanne Barbot de
70, 79, 82, 95, 96, 97, 100, 180, 184, 190
- Vo-Dinh, Mai
180, 195, 197
- Vuong, Lynette Dyer
180, 195, 197
-
wakon yōsai
17, 115–116, 119
- Walt Disney Studios
109
(see Disney)
- Warner, Marina
23–24, 25, 27, 28, 29, 76, 80, 81, 178, 183, 187, 188, 200–201
- West
xv, xvi–xvii, 2–5, 15, 16, 34, 39, 41, 47, 65–67’ 69, 86, 90, 92, 97, 100, 103, 104, 107, 109, 114–118, 120, 129, 138, 199–200, 206
;
see also blending of East and West; culture, West; East-West;
- witch schema
126–127, 131
- The Wolf and the Seven Kids
50
- Yang, Gene Luen
18, 34, 38–40, 43–45, 65–67
- Yep, Laurence
18, 34–35, 36, 37, 43, 46–47
- Yonebayashi, Hiromasa
111, 118, 119, 128–134
- Yoshida, Kaori
109, 111, 114–115, 117
- young adult (YA) literature
11, 23, 34, 28
- Zipes, Jack
21, 25, 29, 34, 80, 82, 96–97, 150–151, 178, 197