Article published In:
English Text Construction
Vol. 10:1 (2017) ► pp.3758
References (55)
References
Altnöder, Sonja. 2011. The art of travel and the translation of selves. In Identität in den Kulturwissenschaften: Perspektiven und Fallstudien zu Identitäts- und Alteritätsdiskursen, Sonja Altnöder, Martin Lüthe & Marcel Vejmelka (eds). Trier: Wissenschaftlicher Verlag Trier, 35–52.Google Scholar
Arana, R. Victoria & James Procter. 2009. Mike Phillips (1941 - ). In Twenty-First-Century “Black” British Writers, R. Victoria Arana (ed.). Detroit: Gale, 229–234.Google Scholar
Ashcroft, Bill, Gareth Griffiths & Helen Tiffin. 2013 [2000]. Postcolonial Studies: The Key Concepts. London and New York: Routledge. DOI logoGoogle Scholar
Bernard, Louise. 2009. Bernardine Evaristo (28 May 1959 - ). In Twenty-First-Century “Black” British. R. Writers, Victoria Arana (ed.). Detroit: Gale, 119–127.Google Scholar
Black, Jeremy. 1997 [1992]. The British Abroad: The Grand Tour in the Eighteenth Century. Phoenix Mill: Sutton.Google Scholar
Boltanski, Luc. 2014. Mysteries & Conspiracies: Detective Stories, Spy Novels and the Making of Modern Societies. Cambridge and Malden, MA: Polity Press.Google Scholar
Chakrabarty, Dipesh. 2007 [2000]. Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton: Princeton University Press.Google Scholar
Cuder Domínguez, Pilar. 2011. Black bodies in history: Bernardine Evaristo’s fiction. In Cultural Migrations and Gendered Subjects: Colonial and Post-Colonial Representations of the Female Body, Silvia Pilar Castro Borrego & María Isabel Romero Ruiz (eds). Newcastle: Cambridge Scholars Publishers, 55–74.Google Scholar
Edwards, Justin D. & Rune Graulund (eds). 2011. Postcolonial Travel Writing: Critical Explorations. Houndmills, Basingstoke: Palgrave Macmillan. DOI logoGoogle Scholar
Evaristo, Bernardine. 2006 [2005]. Soul Tourists. London: Penguin.Google Scholar
. 2008. CSI Europe: African trace elements. Fragments. Reconstruction. Case histories. Motive. Personal. Wasafiri 23 (4): 2–7. DOI logoGoogle Scholar
Fischer-Hornung, Dorothea & Monika Mueller (eds). 2003. Sleuthing Ethnicity: The Detective in Multiethnic Crime Fiction. Madison: Fairleigh Dickinson University Press.Google Scholar
Gephardt, Katarina. 2014. The Idea of Europe in British Travel Narratives, 1789–1914. Surrey: Ashgate.Google Scholar
Gregoriou, Christiana. 2007. Deviance in Contemporary Crime Fiction. Houndmills, Basingstoke: Palgrave Macmillan. DOI logoGoogle Scholar
Hauthal, Janine. 2016. Travelling with ghosts: Europe as imaginary homeland in Dead Europe and Soul Tourists . In Anglistentag 2015 Paderborn: Proceedings, Christoph Ehland , Ilka Mindt & Merle Tönnies (eds). Trier: Wissenschaftlicher Verlag Trier, 343–353.Google Scholar
Holland, Patrick & Graham Huggan. 1998. Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing. Ann Arbor: University of Michigan Press. DOI logoGoogle Scholar
Hooper, Karen. 2006. On the road: Bernardine Evaristo interviewed by Karen Hooper. The Journal of Commonwealth Literature 41 (1): 3–16. DOI logoGoogle Scholar
Huggan, Graham. 2011. Editorial. Moving Worlds 11 (2): 1–6.Google Scholar
Kennedy, Liam. 1999. Black noir: Race and urban space in Walter Mosley’s detective fiction. In Diversity and Detective Fiction, Kathleen Gregory Klein (ed.). Bowling Green: Bowling Green State University Popular Press, 224–239.Google Scholar
López, Marta Sofía. 2012. Racism, violence and identity: The crime fiction of Mike Phillips. Wasafiri 27 (3): 57–61. DOI logoGoogle Scholar
Matzke, Christine & Susanne Mühleisen. 2006. Introduction. In Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective, Christine Matzke & Susanne Mühleisen (eds). Amsterdam and New York: Rodopi, 1–16.Google Scholar
McLeod, John. 2009. European tribes: Transcultural diasporic encounters. In Comparing Postcolonial Diasporas. Michelle Keown, David Murphy & James Procter (eds). Houndmills, Basingstoke: Palgrave Macmillan, 19–36. DOI logoGoogle Scholar
. 2010. Extra dimensions, new routines: Contemporary Black writing of Britain. Wasafiri 25 (4): 45–52. DOI logoGoogle Scholar
. 2011. Transcontinental shifts: Afroeurope and the fiction of Bernardine Evaristo. In Afroeuropean Configurations: Readings and Projects, Sabrina Brancato (ed.). Newcastle upon Tyne: Cambridge Scholars Publishing, 168–182.Google Scholar
Moretti, Franco. 2000. Conjectures on world literature. New Left Review 11: 54–68.Google Scholar
. 2003. More conjectures. New Left Review 201: 73–81.Google Scholar
Neumann, Birgit. 2009. Die Rhetorik der Nation in britischer Literatur und anderen Medien des 18. Jahrhunderts. Trier: Wissenschaftlicher Verlag Trier.Google Scholar
Nunius, Sabine. 2009. Coping with Difference: New Approaches in the Contemporary British Novel (2000–2006). Berlin: LIT Verlag.Google Scholar
Nyman, Jopi. 2000. Under English Eyes: Constructions of Europe in Early Twentieth-Century British Fiction. Amsterdam and New York: Rodopi.Google Scholar
. 2009. Home, Identity, and Mobility in Contemporary Diasporic Fiction. Amsterdam and New York: Rodopi. DOI logoGoogle Scholar
Pepper, Andrew. 1999. Bridges and boundaries: Race, ethnicity, and the contemporary American crime novel. In Diversity and Detective Fiction, Kathleen Gregory Klein (ed.). Bowling Green: Bowling Green State University Popular Press, 240–259.Google Scholar
. 2010. The “hard-boiled” genre. In A Companion to Crime Fiction, Charles J. Rzepka & Lee Horsley (eds). Chichester: Wiley-Blackwell, 140–151. DOI logoGoogle Scholar
Phillips, Mike. 2000. A Shadow of Myself. London: HarperCollins.Google Scholar
. 2001. London Crossings: A Biography of Black Britain. London and New York: Continuum.Google Scholar
Pirker, Eva Ulrike. 2009. Keine weiße Geschichte: Mike Phillips’ Thriller über ein geteiltes und ein vereintes Europe A Shadow of Myself . In Geschichte im Krimi: Beiträge aus den Kulturwissenschaften, Barbara Korte & Sylvia Paletschek (eds). Köln: Böhlau, 241–254. DOI logoGoogle Scholar
. 2010. The unfinished revolution: Black perceptions of Eastern Europe. In Facing the East in the West: Images of Eastern Europe in British Literature, Film and Culture , Barbara Korte, Eva Ulrike Pirker & Sissy Helff (eds). Amsterdam and New York: Rodopi, 123–143. DOI logoGoogle Scholar
Plummer, Patricia. 2006a. Transcultural British crime fiction: Mike Phillips’s Sam Dean novels. In Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective , Christine Matzke & Susanne Mühleisen (eds). Amsterdam and New York: Rodopi, 255–270.Google Scholar
. 2006b. Creating transcultural crime fiction: An interview with Mike Phillips. In Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective, Christine Matzke & Susanne Mühleisen (eds). Amsterdam and New York: Rodopi, 271–287.Google Scholar
Porter, Dennis. 1991. Haunted Journeys: Desire and Transgression in European Travel Writing. Princeton: Princeton University Press.Google Scholar
Pratt, Mary Louise. 1992. Imperial Eyes: Travel Writing and Transculturation. New York: Routledge. DOI logoGoogle Scholar
Reddy, Maureen T. 2003. Traces, Codes, and Clues: Reading Race in Crime Fiction. New Brunswick, NJ and London: Rutgers University Press.Google Scholar
Rosenberg, Ingrid von. 2010. If… Bernardine Evaristo’s (gendered) reconstructions of Black European history. ZAA – Zeitschrift für Anglistik und Amerikanistik 58 (4): 381–395.Google Scholar
Rupp, Jan. 2007. The genre of and the genres in: Crime in Black British fiction. In Gattungstheorie und Gattungsgeschichte, Marion Gymnich, Birgit Neumann & Ansgar Nünning (eds). Trier: Wissenschaftlicher Verlag Trier, 277–292.Google Scholar
Rzepka, Charles J. 2005. Detective Fiction. Cambridge: Polity.Google Scholar
. 2010. Introduction: What is crime fiction? In A Companion to Crime Fiction, Charles J. Rzepka & Lee Horsley (eds). Chichester: Wiley-Blackwell, 1–9. DOI logoGoogle Scholar
Scaggs, John. 2005. Crime Fiction. London and New York: Routledge. DOI logoGoogle Scholar
Spurr, David. 1993. The Rhetoric of Empire: Colonial Discourse in Journalism, Travel Writing, and Imperial Administration. Durham: Duke University Press. DOI logoGoogle Scholar
Stein, Mark. 2004. Black British Literature: Novels of Transformation. Columbus: Ohio State University Press.Google Scholar
Sternberg, Claudia. 2001. Mike Phillips on migration, inventing Europe and his novel A Shadow of Myself: An interview. ZAA – Zeitschrift für Anglistik und Amerikanistik 49 (1): 385–393.Google Scholar
Toplu, Sebnem. 2011. Fiction Unbound: Bernardine Evaristo. Newcastle Upon Tyne: Cambridge Scholars Publishing.Google Scholar
Tournay-Theodotou, Petra. 2011. Reconfigurations of “home as a mythic place of desire”: Bernardine Evaristo’s Soul Tourists . In Projections of Paradise: Ideal Elsewheres in Postcolonial Migrant Literature, Helga Ramsey-Kurz & Geetha Ganapathy-Doré (eds). Amsterdam and New York: Rodopi, 105–121. DOI logoGoogle Scholar
Velickovic, Vedrana. 2012. Melancholic travellers and the idea of (un)belonging in Bernardine Evaristo’s Lara and Soul Tourists . Journal for Postcolonial Writing 48 (1): 65–78. DOI logoGoogle Scholar
Wachinger, Tobias. 2001. Happy occidentalism: Christopher Hope’s Darkest England and the concept of a mission in reverse. In Colonies – Missions – Cultures in the English-Speaking World: General and Comparative Studies, Gerhard Stilz (ed.). Tübingen: Stauffenburg, 361–372.Google Scholar
Wambu, Onyekachi. 1998. Introduction. In Empire Windrush: Fifty Years of Writing about Black Britain, Onyekachi Wambu (ed.). London: Gollancz, 19–29.Google Scholar
Wells, Claire. 1999. Writing black: Crime fiction’s other. In Diversity and Detective Fiction, Kathleen Gregory Klein (ed.). Bowling Green: Bowling Green State University Popular Press, 205–223.Google Scholar
Cited by (2)

Cited by two other publications

Van Weyenberg, Astrid
2024.  Adapting European heritage: Bernardine Evaristo’s Soul Tourists (2005) and Omar Victor Diop’s Project Diaspora (2014) . Continuum 38:4  pp. 436 ff. DOI logo
Bekers, Elisabeth
2021. Experimenting in the Ditch: Buchi Emecheta’s Early Novels of Transformation. In British Experimental Women’s Fiction, 1945—1975,  pp. 257 ff. DOI logo

This list is based on CrossRef data as of 15 november 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.