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English Text Construction
Vol. 10:1 (2017) ► pp.37–58
article

Rewriting ‘white’ genres in search of Afro-European identities

Travel and crime fiction by Bernardine Evaristo and Mike Phillips

| Vrije Universiteit Brussel |
Presuming that both travel and crime fiction can be described as traditionally ‘white’ genres, this article investigates how contemporary Black British authors appropriate these genres. Focusing on Mike Phillips’s A Shadow of Myself and Bernardine Evaristo’s Soul Tourists, the article examines how the two novels redeem and suspend the traditional racial and national coding of travel writing and crime fiction by rehabilitating black mixed-race characters. In both novels, moreover, the rethinking of traditional popular genres coincides with, and is partly enabled by, a transnational shift in focus from Britain to Europe. A closer look at the novels’ respective endings, finally, reveals how each conceptualises the relationship between Britain and Europe differently, and how this difference can be explained by the impact of genre.
Keywords: appropriation, crime fiction, imagining (Afro-)Europe, transculturality, travel writing
Article outline
  • 1.Introduction
  • 2.Crime fiction as a ‘white’ genre
  • 3.Travel writing as ‘imperialist’ discourse
  • 4.‘Rewriting’ travel and crime fiction from an Afro-European perspective
  • 5.Puzzling endings: Questions of closure and imagining Britain in Europe
  • 6.Conclusion
  • Acknowledgments
  • Notes
  • References


This article is currently available as a sample article.

Published online: 15 June 2017
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https://doi.org/10.1075/etc.10.1.03hau
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Van Weyenberg, Astrid
2024.  Adapting European heritage: Bernardine Evaristo’s Soul Tourists (2005) and Omar Victor Diop’s Project Diaspora (2014) . Continuum ► pp. 1 ff. DOI logo
Bekers, Elisabeth
2021. Experimenting in the Ditch: Buchi Emecheta’s Early Novels of Transformation. In British Experimental Women’s Fiction, 1945—1975, ► pp. 257 ff. DOI logo

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