This paper considers the use of alternativity and stance in dramatic and poetic discourse. After a brief look at negation as a phenomenon based on alternative mental spaces, I show how negation can be viewed as ‘intersubjective’. The paper then looks at the intersubjective aspects of negation in a scene from Shakespeare’s Julius Caesar (I come to bury Caesar, not to praise him). In the next sections, the poetic style of Wislawa Szymborska comes under investigation. In particular, the discussion highlights mechanisms such as frame-evocation, counterfactuality, causation, blending, and the alternativity of or. I argue throughout that the primary role of negation and alternativity in dramatic and poetic discourse is making available uncommunicated mental spaces and construals which are then used in the resulting interpretation.
2019. Song lyrics and the disruption of pragmatic processing: An analysis of linguistic negation in 10CC’s ‘I’m Not in Love’. Language and Literature: International Journal of Stylistics 28:1 ► pp. 23 ff.
Dancygier, Barbara
2012. Negation, stance verbs, and intersubjectivity. In Viewpoint in Language, ► pp. 69 ff.
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