Cover not available
Part of
The Cinematic Novel and Postmodern Pop Fiction: The case of Manuel Puig
Décio Torres Cruz
[FILLM Studies in Languages and Literatures 13] 2019
► pp. 313–325

Index

A

  • Abel Gance 17, 47, 50 ; see also J’accuse
  • accumulation100see also Pop Art
  • Adam Thorpe 17, 37, 66, 292
  • adaptation 3, 5–6, 13–15, 25, 37, 42, 48, 59–60, 62, 69, 73, 84, 90–91, 121, 123, 135, 140, 168, 174, 214, 219, 260, 270, 290, 294–295, 308
  • Adorno 96, 248–249, 272 ; see also commodified society; culture industry; Horkheimer; industrial society
  • A Double Life174
  • advertisement 156, 248 ; see also billboard; commercial
  • aerial shot 36, 214 ; see also camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • Agrippino de Paula 79, 257 ; see also Panamérica
  • Agustín Lara 230–231 ; see also bolero
  • Aldous Huxley59
  • Alexander Walker 21, 244
  • Alfred Hitchcock 55, 293, 296, 301
  • Alfredo Le Pera147see also tango
  • Algiers 160, 168, 174
  • alienation 18, 93, 97–98, 106–107, 127, 178, 189, 215–216, 236, 244, 248, 266, 272
  • Allan D’Arcangelo 97, 154 ; see also road signs
  • Alan Pauls12
  • Allan Robbe-Grillet 19, 152 ; see also ciné-roman; nouveau roman; objective narration; Pour un Nouveau Roman
  • American Supermarket, Thesee Pop Art
  • Anasee Pubis angelical
  • Ana’s diarysee Pubis angelical
  • André Bazin 38, 302
  • anti-feminist discourse269see also feminist, the/a; feminist discourse; feminist friend; feminist interpretation; feminist issues; feminist theory
  • appropriation 1–2, 9, 16, 18–19, 27, 87–88, 103–104, 112–113, 147, 149, 219, 270–272, 294
  • archaic 109, 112 ; see also Bakhtin; carnivalization; carnivalized literature; polyphonic chain; polyphonic discourse; polyphonic pop narrative; poliphony
  • Argentina 9–11, 15, 19–20, 73, 79, 81–82, 89, 97–99, 101, 107, 116–117, 119–122, 127, 133, 138, 154, 159, 169, 171, 175, 180–183, 191, 212, 217, 219–220, 222, 227, 232, 235–237, 239–241, 243, 252, 257, 260–261, 263–264, 266, 292, 296, 299–311
  • aura 1, 21, 50, 88, 91–94, 98, 132, 157–158, 160, 183–184, 187, 215, 224, 232, 242, 244–245, 252, 272, 290 ; see also Benjamin

B

  • Bakhtin 2, 18, 22, 108, 109, 110, 112
    • Bakhtinian carnivalized discourse17
    • Bakhtinian “carnivalization” of discourse125see also archaic; carnival; carnivalization; carnivalized literature; dialogic and Menippean aspect; polyphonic chain; polyphonic discourse; polyphonic pop narrative; polyphonic style; polyphonic web of desire; polyphony
  • Ballet mécanique80
  • Beatles 79, 306
  • Beatrizsee Pubis angelical
  • Beckett 17, 37, 69, 292
  • Benjamin 1, 5, 22, 87, 93, 160, 272, 277 ; see also aura
  • Bertosee Betrayed by Rita Hayworth
  • Betrayed by Rita Hayworth vii, 16, 18–19, 72, 100, 115, 117, 129, 131–139, 141–145, 181–182, 209–210, 292, 300
    • Berto 130, 132–133, 263
    • Choli 130, 141–144, 181
    • Mita 130–133, 141–143, 147, 263
    • Toto (José Casals) 19, 74, 82, 96, 106, 119–120, 122–124, 130–131, 133–136, 138–141, 147, 156, 182, 209–210, 263 ; see also La traición de Rita Hayworth
  • Bette Davis 73, 168, 177, 303
  • billboard 154, 306 ; see also advertisement; commercial
  • Blaise Cendrars 43, 47–49, 79, 294 ; see also La fin du monde, filmée par l’ange N.-D.
  • Blood of Requited Love 117, 292
  • Blood and Sand 140–141, 301
  • Blossoms in the Dust168
  • Blue Dahlia, The 167, 174–175, 302
  • bolero 16, 202–203, 206, 230, 258 ; see also Agustín Lara; Mario Clavel; Mi Carta; tango
  • Boom 10–11, 116–117, 261–262, 294 ; see also Post-Boom
  • Boquitas Pintadas vii, 15–16, 19, 95, 97–98, 101, 105, 117–118, 145, 147–148, 151–158, 160–161, 163, 264, 290, 292, 307–308 ; see also Heartbreak Tango
  • Borges 107, 112, 126, 278, 304
  • Brazil 10, 13, 15, 43, 79, 81–82, 88, 105, 121–122, 181, 237, 306, 309–311
  • bricolage 15, 103–104, 270 ; see also Claude Lévi-Strauss
  • Bride of Frankenstein, The 71, 300
  • Bruce Morrissette 31, 52
  • Buenos Aires Affair, The 16, 19, 72–75, 102–104, 117–118, 163–164, 177, 182, 195, 246, 261, 265–268, 292, 307
    • Gladys (Gladys Hebe D’Onofrio) 103, 163–166, 169, 171, 173–177, 265–266, 268
    • Leo (Leopoldo Druscovich) 163–166, 171–172, 176–177, 265, 268
    • María Esther 164, 171, 177
    • Robert Giusto175

C

  • Cae la noche tropical 118, 121, 292, 311
  • camera 3, 19–21, 29–31, 36, 41, 52, 54–57, 60, 63, 65–66, 68, 72, 81, 144–145, 149–150, 152, 155–156, 162–165, 177, 187, 203, 212–215, 225, 228, 230, 233, 270, 295
    • angles 31, 66, 68
    • shots 19, 155
    • eye 29, 155–156, 162, 270, 295 ; see also aerial shot; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • camera anglessee camera
  • camera eyesee camera
  • camera shotssee camera
  • Camille 147, 166–167, 174–175, 300
  • Cárcel de Amor 258, 294 ; see also epistolary novel
  • Carlos Gardel147see also Rubias de New York; fox-trot; tango
  • carnival 109–110, 112, 205–206
    • elements110
    • sense of the world109
    • folklore genres109
    • linguistic112see also Bakhtin; carnivalistic folklore; carnivalization; carnivalized discourse; dialogic and Menippean aspect; polyphonic chain; polyphonic discourse; polyphonic pop narrative; polyphonic style; polyphonic web of desire; polyphony
  • carnivalistic folklore109see also Bakhtin; carnival; carnivalization; carnivalized discourse; dialogic and Menippean aspect
  • carnivalization 1–2, 88, 108, 110, 117, 125
    • of discourse 2, 88, 125
    • in Hispanic American novel117
    • of language110see also Bakhtin; ; carnival; carnivalistic folklore; carnivalization; carnivalized discourse; dialogic and Menippean aspect; polyphonic chain; polyphonic discourse; polyphonic pop narrative; polyphonic style; polyphonic web of desire; polyphony
  • carnivalized discourse 17, 108, 110, 272
    • literature 109–110
    • pop style vii, 18, 107–108
    • process258
    • style 99, 107–108, 258 ; see also archaic; Bakhtin; Bakhtinian “carnivalization” of discourse; carnival; carnivalization; dialogic and Menippean aspect; polyphonic chain; polyphonic discourse; polyphonic pop narrative; polyphonic style; polyphonic web of desire; polyphony
  • carnivalized literaturesee carnivalized discourse
  • Cat People 73–74, 182–183, 185–186, 194, 301, 308
  • censorship 106, 121, 170–171, 174, 181, 200, 202, 213, 261, 296, 306 ; see also Motion Picture Production Code; McCarthy era; military government; pre-Code
  • Cesare Zavattini120see also Cinecittà
  • chaos 18, 88, 96–97, 99, 104–106, 112, 271
  • Charles Demuth86see also found object; Francis Picabia; Man Ray; proto-pop
  • Charles Vidor305
  • chauvinism 222, 242 ; see also macho
  • Cholisee Betrayed by Rita Hayworth
  • Christin Mamiya111
  • Christo 86, 156 ; see also New Realists; Pop Art
  • Cinecittà 120, 123
  • cinema vii, 2–6, 9–10, 16–17, 19, 23–30, 32–44, 46–47, 49–52, 55–56, 58–64, 66–76, 81–82, 89, 115–116, 119, 122, 124, 133, 138, 141, 204, 211–212, 223, 227, 233, 235, 238–239, 242, 250, 253, 257, 262–263, 267, 269, 272–274, 290–292, 294, 296, 300, 302–303, 305, 311
  • cinematic, the13
    • adaptation37
    • allusion55
    • art37
    • aspects149
    • attributes6
    • books26
    • category48
    • characteristics 7–8, 29, 63, 72, 75, 77
    • classifications29
    • description50
    • devices 40, 63
    • discourse vii, 18, 20, 27, 115, 257, 263
    • dissolve156
    • effect30
    • ekphrasis 76–77
    • elements77
    • end67
    • experience 74–75
    • feature 77, 219, 233
    • fiction 37, 58–59, 77, 262
    • graphic value80
    • genre41
    • image28
    • imagination37
    • influence 28, 77
    • label41
    • language 72, 145, 165
    • -like montage29
    • literature 29, 273–274, 277
    • macroscopic view87
    • medium274
    • methods59
    • mirror74
    • narration211
    • narrative 41, 63, 231, 269
    • objective description162
    • objective narration151
    • objective procedure156
    • novel vii, 1, 3–4, 6–8, 16–17, 22–32, 34, 37–40, 47–48, 58, 60, 66–67, 69–72, 78, 127, 257–259, 270, 274, 285
    • novelist63
    • origin of23
    • perspective97
    • pop discourse 99, 117, 217, 271
    • pop fiction269
    • pop literature2
    • pop movement270
    • pop narrative 1, 2, 7
    • pop polyphony255
    • pop style107
    • presence72
    • process34
    • profile131
    • projects128
    • prose29
    • qualities 63, 72, 77
    • reader72
    • reference 19, 129, 131, 196
    • re-narrations74
    • representation75
    • rewriting74
    • sequence75
    • sources77
    • structure 19, 21, 217
    • style 145, 258, 264
    • technique 15, 20, 26–27, 35–36, 40, 58, 61, 67, 72–73, 78–79, 81, 126, 129, 145, 152, 155–156, 212, 219, 259, 269
    • term/word 27–29, 31, 38, 42, 63, 75, 228
    • text 37, 41, 67–69
    • theme100
    • time156
    • visual descriptions 172, 266
    • way223
    • works 29, 48, 63, 69–70
    • writing 28, 76
  • cinema novel 16, 23, 32, 42–44, 46, 52, 61, 64, 66, 294 ; see also ciné-roman; nouveau roman; Pour un Nouveau Roman
  • ciné-roman vii, 17, 31, 42, 58, 66, 296 ; see also cinema novel; nouveau roman; Pour un Nouveau Roman
  • Citizen Kane 19, 149–150, 301 ; see also Orson Welles
  • Claes Oldenburg 80, 85–86, 95, 99–100, 111 ; see also macroscopic dimension; macroscopic view; gigantism; Roy Lichtenstein
  • Clark Gable 140, 148, 167, 293
  • class Z movie122see also film noir
  • Claude Lévi-Strauss103see also bricolage
  • cliché 82, 154 ; see also kitsch; melodrama
  • Clifford Odets167
  • closet drama 32–33, 67 ; see also closet screenplay; Lesenscenario; Lesedrama
  • closet screenplay 32, 67, 293, 297 ; see also closet drama; Lesenscenario; Lesedrama
  • close-up 31, 36, 50, 56, 63, 99–100, 102, 145, 149–150, 164, 177, 207, 211–212, 214, 234 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • Clouzot 120, 293, 303–304
  • collage 1–2, 15–17, 82–84, 87, 99–101, 103–104, 110, 150, 153, 155–156, 258, 263–264 ; see also décollage; Pop Art
  • commercial 13, 43, 82, 86–87, 142, 154–155, 166, 175, 248 ; see also advertisement; billboard
  • commodified society18see also Adorno; culture industry; Horkheimer; industrial society
  • condensation 21, 106, 194, 216 ; see also desire; dream-work; displacement; Freud; Lacan; latent content; manifest content; unconscious; psychoanalysis
  • Condor Operation219see also military dictatorship; politics
  • contemporary novel258
    • poshlost265see also postmodern novel
  • Corbatta 162–164, 166, 279
  • counterreality 259, 261
  • culture industry 18, 88, 96, 248–249, 272–273 ; see also Adorno; commodified society; Horkheimer; industrial society
  • cut 17, 20, 37, 40, 57, 69, 83, 99–100, 125, 135, 153, 156–157, 227, 229, 236 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • cutaway40see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • cutback40see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • Cybèle Varela85

D

  • Daniel Balderston 7, 11, 14, 77, 129, 193, 260, 262, 267, 291
  • Daniel Spoerri 86, 103–104
  • Damon Smith 17, 24, 70–71
  • David Cook 89–90, 92, 159, 170–171, 279
  • David Bordwell 35–36, 296
  • David Lodge63
  • David Seed 17, 58–59
  • Death in Venice 234, 307
  • Debord 12, 18, 115, 280 ; see also society of the spectacle
  • Decency Code92
  • décollage87see also collage
  • decenterment 243, 271 ; see also deconstruct; deconstruction; Derrida
  • deconstruct 18, 20, 110, 112–113, 118, 191, 196, 201 ; see also decenterment; deconstruction; Derrida
  • deconstruction 19, 53, 95, 189 ; see also decenterment; deconstruct; Derrida
  • Dennis Lehane 17, 69–70
  • Derek Trowbridge Frost74
  • Derrida 95, 280 ; see also decenterment; deconstruct; deconstruction; Derrida
  • desire 20–21, 32, 34, 106, 111, 116, 129–130, 134, 136, 145, 157–158, 177, 179, 186, 195, 200, 205–206, 211, 216, 218, 234, 238, 241, 245, 263, 268, 297, 303 ; see also condensation; displacement; dream; dream-work; Freud; Lacan; latent content; manifest content; psychoanalysis; unconscious
  • detective novel 19, 71, 102–103, 163–166, 171, 173–178, 232, 246, 265–266, 292, 304
  • dialogic and Menippean aspect112
    • format 220, 258
    • forms109
    • narrative232
    • (polyphonic) chain22
    • story219
    • structures 220, 227
    • style125
    • references131
    • technique 267, 147 ; see also archaic; Bakhtin; Bakhtinian carnivalized discourse; Bakhtinian “carnivalization” of discourse; carnival; carnivalization; carnivalized literature; polyphonic chain; polyphonic discourse; polyphonic pop narrative; polyphonic style; polyphonic web of desire; polyphony
  • Die Chapliniade 64, 283
  • Dinner at Eight 167, 300
  • dissolve 20, 141, 156 ; see also aerial shot; camera; camera angles; camera shots; close-up; cut; fade in; fade out; fondu; freeze frame; iris in/out; mise-en-scène; montage; soundtrack; zoom shot; zoom-in; zoom-out
  • displacement 21, 106, 194, 216 ; see also condensation; desire; dream; dream-work; displacement; Freud; Lacan; latent content; manifest content; psychoanalysis; unconscious
  • diva 123, 170–173, 182, 196, 210, 252, 309
  • Donald Barthelme79
  • Doña Leonor (Mrs. Etchepare)see Heartbreak Tango
  • Donogoo-Tonka or the Miracles of Science: a cinematographic tale 17, 23, 42–46, 66, 293 ; see also Jules Romains
  • double structure 22, 107
  • dream 7, 18, 21, 34–35, 57, 81, 89–90, 98, 105–106, 112, 116, 141, 155, 158, 161–162, 177, 183, 189, 194–195, 199, 201–202, 211, 214–216, 218–221, 223, 225, 229, 234, 238, 240–244, 253, 264, 273 ; see also condensation; desire; dream-work; displacement; Freud; Lacan; latent content; manifest content; psychoanalysis; unconscious
  • dream-work 21, 106, 194–195, 202, 258–259 ; see also condensation; desire; displacement; dream; Freud; Lacan; latent content, manifest content; psychoanalysis; unconscious
  • Dwight MacDonald115
  • dystopia271

E

  • Eduardo Paolozzi 82–83, 106, 156
  • Edward Ruscha 86, 102
  • ekphrasis 37, 68, 76–77, 292–293
  • El canto del cisne 169, 302
  • El Evadido234
  • El beso de la mujer araña 10, 20, 72–73, 76, 92, 100–101, 117–118, 180, 183–184, 195, 267, 292, 295, 297, 308–310 ; see also Kiss of the Spider Woman
  • Elizabeth Taylor 71, 257, 291, 305
  • Emir Rodríguez Monegal10
  • Enchanted Cottage, The 73, 184, 199, 215
  • entertainment industry 18, 89, 96–97, 249, 253, 264
  • Entr’acte66
  • entrega147
  • entropy 10, 271
  • epigraph 75, 148, 167, 169, 246
  • epistolary novel258see also Cárcel de Amor
  • Escape, The 16, 19–21, 45, 72, 97–98, 106, 122, 129, 131, 139, 141, 158, 176, 179–180, 182, 189–190, 192, 216, 224–225, 232, 234, 241–243, 245, 253, 257, 259
  • estrangement 97–98, 127–128
  • Eternal Curse on the Reader of These Pages 117, 258, 292
  • Evita 119, 302–304, 307
  • Evelina Hoisel 4, 79, 87, 181, 257

F

  • fade-in 20, 212 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • fade-out 20, 40 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • fantasy 2, 18, 20, 22, 71, 73, 106–107, 116, 139, 145, 155, 158, 176, 179, 184, 189, 214, 219, 243, 251, 253, 264, 266, 270
  • Fanny (Raba)see Heartbreak Tango
  • Far from the Madding Crowd 17, 62–63
  • Fatalidad 174–175
  • Fellini 234, 304–307
  • feminist, the/a 219, 237
    • friend234
    • discourse 217, 239–240, 269
    • interpretation188
    • issues227
    • theory187see also anti-feminist discourse
  • Fernand Léger 48–49, 80
  • feuilleton 82, 97, 98, 121, 128, 147, 254, 266 ; see also folletín; photonovel
  • Fiddler on the Roof 234, 307
  • film vii, xiii, 1–3, 5–6, 10, 14–25, 27–52, 54–55, 57–77, 80–81, 88–91, 100–102, 105, 107, 110–111, 113, 118–132, 134–138, 140–142, 144–145, 148–150, 152, 156, 159, 161, 165–171, 174–180, 182–185, 188–192, 194–197, 199–208, 210–221, 223–235, 237–239, 243, 245, 248–249, 252, 254, 257–260, 262–264, 267–268, 270, 272–273, 290–291, 293–297, 299–300, 302–305, 308, 310
    • language 18, 40, 60, 259
    • techniques 6, 20, 27, 31, 34, 36–37, 46, 60, 136, 144, 156, 177, 212, 223–224, 245, 258 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • film languagesee film
  • film noir 73, 75, 121, 167–168, 174, 182, 211–212, 302
  • film techniquessee film
  • Fitzgerald 39, 58–59, 282–283, 286
  • flashback 19, 40, 59, 149–151, 220, 225 ; see also flash-forward
  • flash-forward 31, 60, 149 ; see also flashback
  • Flaubert 36–37
  • folletín 147, 150, 264 ; see also feuilleton; photonovel
  • fondu20see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • footnotes 20–21, 100, 112, 172–174, 179, 194–198, 200, 217, 258–259, 266–267 ; see also Buenos Aires Affair, The; Kiss of the Spider Woman
  • forbidden 161, 170–171, 179, 233–234, 237 ; see also interdiction
  • found object81see also Charles Demuth; Francis Picabia; Man Ray; proto-pop
  • Fountainhead, The71
  • fox-trot147see also Carlos Gardel; Rubias de New York
  • fragmentation 1, 16, 22, 28, 243, 245, 248, 253, 271 ; see also fragmented being
  • fragmented being 115, 220
    • body250
    • characters264
    • cultural identities251
    • form63
    • identity251
    • narrative218
    • structure218
    • subjectivity295
    • vision 29–30
    • visual image 97, 154 ; see also fragmentation
  • Francine Masiello 7, 11, 14, 77, 129, 193, 260, 262, 291
  • Francis Picabia 80, 86 ; see also Charles Demuth; found object; Man Ray; proto-pop
  • freeze frame150see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; soundtrack; zoom shot; zoom-in; zoom-out
  • French Connection, The 234, 307
  • Freud 18, 21, 96–97, 105–106, 112, 120, 137, 139, 187, 194, 198, 202, 217, 229, 245, 303 ; see also condensation; desire; dream; dream-work; displacement; Lacan; latent content; manifest content; psychoanalysis; unconscious
  • fusion vii, 18, 115, 176, 193, 208
  • Funny Girl177

G

  • Gabriel Garcia Márquez262
  • George Segal 85–86, 111
  • Gertrude Stein 17, 58, 60
  • General Villegas 119, 121, 180, 299, 302
  • George Cukor 135, 166–168, 174, 297, 300
  • gigantism 17, 99, 100, 191 ; see also Claes Oldenburg; macroscopic dimension; macroscopic view; Roy Lichtenstein
  • Gilbert Seldes 17, 23, 42, 61
  • Gilda 71, 246, 302
  • Giorgio de Chirico 80, 82
  • Gladys (Gladys Hebe D’Onofrio)see Buenos Aires Affair, The
  • Gone with the Wind 119, 140, 300
  • Grand Hotel 171, 174–175, 299
  • Greg Bear 17, 69–70
  • Greta Garbo 166, 170–171, 301, 303, 311
  • Guillermo Cabrera Infante 72–73, 257
  • Gun Crazy71

H

  • Habermas2
  • Hans Arp85
  • happenings 86, 251
  • Haruki Murakami79
  • Hays Codesee also McCarthy era; pre-Codesee Motion Picture Production Code
  • Heartbreak Tango vii, 9, 16, 19, 74, 95, 97, 105, 107, 117, 145, 147, 148, 149, 151, 152, 153, 155, 156, 157, 158, 159, 160, 161, 167, 260, 264, 277, 287, 292
    • Doña Leonor (Mrs. Etchepare) 99, 150
    • Francisco Catalino Páez161
    • Juan Carlos 101, 105, 147, 150–152, 155, 264, 306
    • Mabel 98, 101, 147, 151, 154–161, 163
    • Nélida 147, 150
    • Nené 98–99, 150–154, 156, 159–161
    • Pancho 101
    • Raba (Fanny) 98, 147, 151–152 ; see also Boquitas Pintadas
  • Héctor Babenco 122, 310
  • Hedy Lamarr 168, 224, 238, 246, 266, 297
  • Henri Bergson39
  • Herbert Marcuse 18, 112, 306
  • hero 21–22, 71, 98, 138, 201, 228, 239, 249, 252–254, 273
    • epic273
    • features of the254
    • democratic22
    • -model249
    • modern21
    • postmodern254
    • role of the 22, 253
  • heroic act 252–3
    • attitude252
    • deeds254
    • end254
    • role252
    • position255
    • sacrifice252
    • world253
  • heroism 253, 259, 273
  • heroine 249, 266
  • heroizing248
  • Hervé Télémaque104
  • historical overview vii, 16, 23, 37
  • H. G. Wells 33, 64–65 ; see also Wells
  • H. Manzi149
  • Hollywood vii, 15, 19–21, 27, 48, 59, 71, 74–76, 88–92, 94, 97–99, 106, 119–120, 122–123, 129, 134, 136, 140–144, 147–148, 156, 158, 160, 167, 169–171, 173, 176, 180–181, 183–184, 189, 205, 211–212, 218–219, 224–225, 227, 230, 232, 235, 243–246, 252, 254, 257, 262–263, 265–266, 268, 270, 272, 296, 304
  • hollywoodemes 18, 92
  • homosexuality 11, 19–20, 123, 134, 138, 166, 181, 195–197, 204–205, 259, 261, 267 ; see also homosexual
  • homosexual 6, 9, 11, 16, 21, 138, 164, 166, 172, 183, 187, 191, 277
    • behavior197
    • drive198
    • feminine193
    • function of the204
    • rejection of the204
    • stereotype of183see also homosexuality
  • Horkheimer 96, 248, 272 ; see also Adorno; culture industry; industrial society
  • Humoresque 167, 169, 174–175, 302

I

  • identity 16, 21–22, 53, 217, 220, 243, 245–246, 248, 250–251, 253–254, 268 ; see also postmodern hero; postmodern subject
  • Ingrid Bergman 302–303
  • ideology 18, 74, 89, 91, 94, 96, 99, 106, 118, 142, 181, 187, 191, 205, 212, 250
  • ideologemes 18, 92 ; see also hollywoodemes; ideology
  • I Walked with a Zombie 73–74, 203, 205, 301
  • I’ll Cry Tomorrow 168, 174–175
  • image 1, 3, 6, 13, 20, 26–28, 32, 40, 48, 51, 57–58, 69, 76–77, 87, 94, 97, 103, 109, 111, 115, 124, 139, 154, 171, 176, 187, 201–203, 209, 212, 215, 224, 229, 234, 240, 253–254, 272–273
  • In a Persian Market224
  • Independent Group, Thesee Pop Art
  • industrial society 18, 96, 245 ; see also Adorno; commodified society; culture industry; Horkheimer
  • insubordination 88, 104, 105 ; see also irreverence; subversion; subversive, a
  • interdiction179see also forbidden
  • internal monologues263see also dialogic and Menippean aspect; interior monologue; polyphony
  • interior monologue 19–20, 97, 98, 101, 108, 124–125, 133, 137, 147, 150–151, 152, 172, 179–180, 200, 243, 266 ; see also dialogic and Menippean aspect; internal monologues; polyphony
  • International Exhibition of the New Realistssee Pop Art
  • intratext 172, 183
  • intertitle44see also title card
  • iris in/out51see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • irreverence vii, 18, 99, 107, 113 ; see also insubordination; subversion; subversive, a
  • Isadora234
  • Italo Calvino79

J

  • J’accuse 17, 47, 51 ; see also Abel Gance
  • Jacques Tourneur 182, 301, 303
  • Jalousie 17, 52–56, 293 ; see also Allan Robbe-Grillet; Jealousy & In the Labyrinth
  • James Joyce 40, 58–59
  • James Rosenquist 85–86, 95, 103–104
  • Jasper Johns 85–86
  • Javier Torre 15, 122, 296
  • Jealousy & In the Labyrinth 54–55, 293 ; see also Allan Robbe-Grillet; Jalousie
  • Jean Baudrillard 9, 81
  • Jeff Koons94
  • Jim Dine 85–86
  • Joe Gross 17, 69
  • José Amícola xi, 7, 12, 18, 77, 91, 118–119, 122
  • José Casals (Toto)see Betrayed by Rita Hayworth
  • Joseph Warren Beach 40, 63
  • Juan Carlossee Heartbreak Tango
  • Jules Romains 17, 23, 42–43, 46 ; see also Donogoo-Tonka or the Miracles of Science: a cinematographic tale
  • Julio Cortázar 13, 79, 116, 262
  • Jungle Princess, The167

K

  • Kamilla Elliott 3, 5–6, 29
  • Kanal234
  • Kathleen Wheaton xiii, 292–293
  • Kiss of the Spider Woman 6–7, 9–11, 13–16, 73–77, 96, 100, 107, 117–118, 122, 129, 179, 184, 193, 217, 220, 224, 226, 258–262, 267–268, 270, 291–292, 294–295, 300, 310–311
    • Molina 20–21, 73–75, 92, 101, 107, 122–123, 172, 179–210, 212–215, 252–253, 259–260, 267–268, 273, 300, 310
    • Leni 179, 192, 196–197, 208, 212–213
    • Valentín 20–21, 92, 100, 179–211, 214–215, 252, 254, 267–268, 273, 300 ; see also El beso de la mujer araña 10, 20, 72–73, 76, 92, 100–101, 117–118, 180, 183–184, 195, 267, 292, 295, 297, 308–310
  • kitsch vii, 9, 18, 21, 87–88, 91–95, 97–99, 113, 128–129, 133, 135, 148, 151, 153–154, 167, 183–184, 187–188, 203, 210, 213, 218, 221, 231, 242, 267, 270, 304
    • Kitsch Cabinet 94, 133 ; see also cliché
    • Kitsch Cabinet see kitsch
  • Kosinski 60, 286
  • Kurt Schwitters 80, 82, 85–86

L

  • Lacan 120, 217, 227, 235, 286 see also Freud 18, 21, 96–97, 105–106, 112, 120, 137, 139, 187, 194, 198, 202, 217, 229, 245, 303
    • psychoanalysis 3, 20–21, 54, 94, 96, 112, 120, 124, 139, 179, 217, 227, 232, 245, 263, 266–269
  • La cara del villano 73, 118, 292, 310
  • La Coquille et le Clergyman 52, 66
  • La dame aux camélias 147, 166
  • La Falda 152–154
  • La fanciulla del West239
  • La fin du monde, filmée par l’ange N.-D. 43, 48–50, 66, 79 ; see also Blaise Cendrars
  • Lakmé224
  • L’année dernière à Marienbad 17, 57–58, 66, 293 ; see also Allan Robbe-Grillet; ciné-roman; nouveau roman; Pour un Nouveau Roman
  • La roue47
  • La tajada. Gardel, uma lembrança 118, 292
  • latent content 21, 194–195, 202, 209 ; see also condensation; dream; dream-work; desire; displacement; Freud; Lacan; manifest content; psychoanalysis; unconscious
  • Latin American Boomsee Boom
  • La traición de Rita Hayworth 19, 73–74, 100, 117–122, 132, 134, 263, 275, 291–292 ; see also Betrayed by Rita Hayworth
  • Lawrence Alloway 82–83, 86
  • La veuve Couderc234
  • Legion of Decencysee Motion Picture Production Code
  • Leo (Leopoldo Druscovich)see Buenos Aires Affair, The
  • Lenisee Kiss of the Spider Woman
  • Lesedrama vii, 32 ; see also closet screenplay; Lesenscenario; closet drama
  • Lesenscenario vii, 32 ; see also closet screenplay; Lesedrama; closet drama
  • Leslie Fiedler82
  • Letter, The 45, 84, 126, 150, 152, 159, 168, 202–203, 258, 260, 271
  • Lili Marlene177
  • Linda Hutcheon 2 5, 276, 285, 290
  • Little Foxes, The 73, 168
  • LKJSsee Pubis angelical
  • Lucile Kerr12
  • Lucy Lippard 2, 80, 83
  • Luis Rubinstein147
  • Luke McKernan 17, 32, 45, 61–62

M

  • Mabelsee Heartbreak Tango
  • McCarthy era230see also Motion Picture Production Code; pre-Code
  • macho 118, 122, 134, 147, 166, 186–188, 191, 193, 226, 239–240, 243, 250, 254, 261 ; see also chauvinism
  • macroscopic dimension99
    • macroscopic view 87, 102 ; see also Claes Oldenburg; gigantism; Roy Lichtenstein
  • Made for Each Other 193, 234
  • Maldición eterna a quien lea estas páginas 117–118, 292, 309
  • Manchurian Candidate, The71
  • manifest content 21, 194, 209 ; see also dream-work; condensation; desire; displacement; Freud; Lacan; latent content; psychoanalysis; unconscious
  • Man Ray86see also Charles Demuth; found object; Francis Picabia; Man Ray; proto-pop
  • mantequilla183
  • Marcel Duchamp 80, 86
  • Marco Livingstone 2, 95
  • María Esthersee Buenos Aires Affair, The
  • Marie Antoinette 168, 175
  • Marilyn Monroe 95, 157, 257, 304
  • Mario Vargas Llosa 10, 12, 116, 126, 262
  • Marlene Dietrich 73, 167, 170–171, 173, 177, 294, 303
  • Mario Clavel202see also Mi Carta
  • mass culture 86–88, 91, 94, 148, 248, 263, 267–268
  • mass media xi, 2, 4, 8–10, 18, 20, 79, 81–83, 87–88, 94, 99, 113, 116, 175–176, 250, 253, 268, 272, 291
  • matrix role 22, 247
  • Mayor of Casterbridge, The 37, 62–63
  • May Wilson85
  • Mecha Ortiz 143–144, 161, 169, 222, 300
  • mediascape 10, 16
  • Mel Ramos95
  • melodrama 12, 18, 20, 73, 128, 140, 154, 167, 211–212, 264, 269, 272
  • Mexico 10–11, 73, 116–117, 121–122, 219–220, 222, 232–233, 238–239, 241–242, 252, 308, 310–311
  • Mi Carta202see also Mario Clavel
  • Mildred Pierce 167, 302
  • military, the 180, 219
    • coup 304, 306, 308
    • dictatorship 18, 20, 85, 106–107, 219, 237, 241, 259, 260, 268
    • government 235, 241, 261
    • leaders 180, 310
    • occupation191
    • period260
    • revolt311
    • service 120, 304
    • situation309see also Condor Operation; Perón; Peronism; politics; Proceso de Reorganización Nacional
  • Mimmo Rotella 86, 106, 157
  • mise-en-scène 38, 60 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • Mistress, The 169, 218, 221, 223–227, 232, 234, 238
  • Mitasee Betrayed by Rita Hayworth
  • modern art 49, 85, 96
    • being97
    • criticism119
    • elements262
    • fiction 3, 78
    • hero21
    • human transformation97
    • life 47, 87
    • literary sense111
    • literary tradition 15, 270
    • novel vii, 2, 8, 29, 37–38, 40–41
    • science103
    • search96
    • society 98, 250
    • soundtrack155
    • thought60
    • times127
    • tradition107
    • view22
    • world250see also modernism; postmodern
  • modernism 2, 38, 81, 88, 116
  • modernist conception39
    • culture83
    • ideas66
    • literature28
    • movement 43, 271
    • period41
    • writer 28, 37, 61
  • modernity 92, 110, 244–245, 250, 262
  • Moles 91, 94 ; see also kitsch
  • Molinasee Kiss of the Spider Woman
  • montage 8, 17, 20, 24, 28–29, 31, 37–38, 40–41, 57, 59–60, 68–69, 87, 91, 99, 145, 269, 295 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • Motion Picture Production Code170
    • Decency Code92
    • Hays Code 170, 246
    • Legion of Decency 170, 181, 185, 213
    • Production Code 168, 170, 213 ; see also censorship; McCarthy era; pre-Code
  • Motion Picture Producers and Distributors of America170
  • Moulin Rouge177
  • Mujeres 134, 144, 168, 174–175, 300, 302, 311
  • multiple perspectives 19, 150
  • Mystery of the Rose Bouquet 118, 292
  • myth 20–22, 74, 98, 107, 109, 112, 116, 135, 154–155, 158, 179, 217, 243–245, 247, 252–254, 271–272
  • mythology 74, 81, 91, 96, 135, 158, 225, 245

N

  • Nathalie Sarraute52
  • Nathaniel West 39, 79
  • narrative techniques 3, 41, 116, 172, 217, 266, 269
  • Nélidasee Heartbreak Tango
  • Nenésee Heartbreak Tango
  • Neither Conqueror nor Conquered234
  • Ni vencedores, ni vencidos234
  • Neo-Dadasee Pop Art
  • Norman Lavers 4, 7, 14, 100
  • novelization vii, 26, 32, 34
  • Nouveau Réalisme81see also Pop Art
  • nouveau roman vii, 17, 31, 41–42, 52–54, 290–291, 293 ; see also Allan Robbe-Grillet; ciné-roman; objective narration; Pour un Nouveau Roman

O

  • objective narration 19–20, 151, 163 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; pan shot; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • Orson Welles 149, 301, 303 ; see also Citizen Kane
  • overlap 20, 99, 179

Ö

  • Öyvind Fahlström 103–104

P

  • Pamela Bacarisse 7, 12, 115, 119
  • Panamérica257see also Agrippino de Paula
  • Panchosee Heartbreak Tango
  • pan shot 156, 214 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; soundtrack; tracking shot; zoom shot; zoom-in; zoom-out
  • parody 1, 19, 107, 112, 162, 172
  • Pépé Le Moko168
  • Perón 20, 119, 163, 180, 219, 222, 229, 299, 301–305, 307–308 ; see also Condor Operation; military government; Peronism; politics
  • Peronism 220, 222, 229, 232, 235, 252 ; see also Condor Operation; military government; Perón; politics
  • Peter Blake 86, 97, 104
  • photography 3, 19, 43, 115, 151, 295
  • photonovel224see also feuilleton; folletín
  • Picasso 80, 82, 86
  • Plato 204, 223, 291
  • politics 13, 16, 18, 20, 93, 107, 166, 181, 189–191, 197, 217, 220, 222–223, 227, 229–230, 232–233, 237, 259, 261, 265–267, 269 ; see also Condor Operation; McCarthy era; military coup; military dictatorship; military government; Perón; Peronism; Proceso de Reorganización Nacional
  • polyphonic chain22
    • discourse 81, 108
    • pop narrative vii, 17, 79
    • style99
    • web of desire 20, 108, 179 ; see also archaic; Bakhtin; Bakhtinian carnivalized discourse; Bakhtinian “carnivalization” of discourse; carnival; carnivalization; carnivalized literature; dialogic and Menippean aspect; polyphony
  • polyphony 108, 110 ; see also archaic; Bakhtin; Bakhtinian carnivalized discourse; Bakhtinian “carnivalization” of discourse; carnival; carnivalization; carnivalized literature; dialogic and Menippean aspect; polyphonic chain; polyphonic discourse; polyphonic pop narrative; polyphonic style; polyphonic web of desire
  • Poonam Arora 12, 28, 77, 197, 211, 276
  • pop vii, xi, 1–5, 7–10, 15–18, 22, 36, 49, 78–89, 93–108, 110–111, 113, 117, 120, 127, 133, 151, 153, 155–156, 179, 181, 217–218, 221, 231, 244–245, 251–255, 258, 262–264, 269–274, 296–297
    • literature vii, xi, 1–2, 4, 7–10, 16–18, 22, 78–79, 87–88, 108, 113, 181, 270, 272–274
    • narrative vii, 1, 4, 7, 16–17, 79 ; see also Pop Art
  • Pop Art vii, 2–5, 7–10, 17–18, 22, 78–88, 94–97, 99–100, 102–103, 105, 108, 110–111, 113, 153, 218, 258, 262, 269, 273
    • American Supermarket, The 3, 86, 111
    • Environments, Situations, Spaces85
    • Independent Group, The 82–84
    • International Exhibition of the New Realists 86
    • Neo-Dada 85–86
    • New Media – New Forms in Painting and Sculpture85
    • New Paintings of Common Objects86
    • Ray Gun Theater86
    • Shopping: A Century of Art and Consumer Culture86
    • Six Painters and the Object86
    • Symposium on Pop Art85see also pop; pop literature; pop narrative; proto-pop
  • pop literaturesee pop
  • pop narrativesee pop
  • Post-Boom 116–117, 294 ; see also Boom
  • postcolonial262
  • postmodern 1–2, 4–5, 7–9, 16–18, 22, 28–29, 38, 77–79, 110–113, 115, 117, 147, 197, 212, 243, 245, 251, 254, 269–273, 290–291
    • hero254
    • novel 2, 8, 29
    • subject 4, 16, 250, 251 ; see also identity
  • postmodernism 2, 4, 295
  • postmodernity 270–271
  • Pour un Nouveau Roman 52–53, 293 ; see also Allan Robbe-Grillet; ciné-roman; nouveau roman; objective narration
  • Pozzi 183, 205, 219–220, 222–223, 227, 229–230, 232–237, 239–242, 252–254, 273 ; see also Pubis angelical
  • pre-cinema35see also proto-cinema literature; proto-film
  • pre-Code167see also McCarthy era; Motion Picture Production Code
  • prison 20, 62, 107, 128, 161, 179–181, 183, 185, 189, 192, 205–208, 223, 233, 241, 253, 258 ; see also Kiss of the Spider Woman; military, the; politics
  • Proceso de Reorganización Nacional219see also Condor Operation; McCarthy era; military coup; military dictatorship; military government; Perón; Peronism;
  • Production Codesee Motion Picture Production Code
  • proto-cinema literature35see also pre-cinema; proto-film
  • proto-film vii, 35 ; see also pre-cinema; proto-cinema literature;
  • proto-pop86see also Pop Art
  • pseudoindividuality248see also postmodern hero; postmodern subject
  • psychoanalysis 3, 20–21, 54, 94, 96, 112, 120, 124, 139, 179, 217, 227, 232, 245, 263, 266–269 ; see also condensation; desire; displacement; dream; dream-work; Freud; Lacan; latent content; manifest content; unconscious
  • Pubis angelical 15–16, 21–22, 73, 100, 107, 117–118, 180, 183, 205, 214, 217–219, 223–226, 228–234, 238, 247, 252, 258–259, 269–270, 292, 296–297, 309
    • Ana 22, 100, 107, 122, 183, 205, 217–227, 229, 232–243, 246, 248–254, 259, 269, 271, 273
    • Ana’s diary 100, 225, 227, 236, 243
    • Beatriz 7, 12, 219, 222, 225, 227, 234, 236–237, 239–240, 242, 246, 292
    • LKJS 235–237, 240–241
    • Pozzi 183, 205, 219–220, 222–223, 227, 229–230, 232–237, 239–242, 252–254, 273
    • W218 233–242, 252, 271, 273
  • Puccini239
  • Puig xi, xiii, 1–2, 4, 6–7, 9–25, 27–28, 30–32, 45, 66, 70–79, 81, 89, 91–92, 94–108, 110–113, 115–137, 139–145, 147–158, 160–167, 169–186, 188–221, 224–227, 229, 231–232, 235, 237–238, 243, 245–248, 250–251, 253–255, 257–273, 290–295, 297, 299, 309, 311 ; see also Vereda Tropical

Q

  • Quai des orfèvres 120, 293, 303
  • queer 10, 261, 265
  • Que la bête meure296
  • Quissak Jr85

R

  • Raba (Fanny)see Heartbreak Tango
  • radio soap opera 98, 154, 263
  • Ramuncho149see also tango
  • Raúl de la Torre 15, 214, 219, 292, 309
  • Ray Gun Theatersee Pop Art
  • Rear Window 55, 304
  • Rebecca 119, 293
  • Recuerdo de Tijuana 73, 118, 121, 292, 310
  • Red Dust 148, 167
  • representation 10, 12, 16–18, 21, 33, 58, 63, 66–67, 71, 75–76, 85, 109–110, 115, 129, 139, 143, 170–171, 176, 179, 181, 204, 206, 212, 232, 236–237, 246, 248, 251–252, 262, 264
  • Ricardo Piglia 77, 117, 129, 258–259
  • Richard Hamilton 83, 95, 97 ; see also Pop Art
  • Rita Hayworth vii, 13, 16, 18–19, 72–74, 100, 115, 117–122, 127, 129, 131–133, 140–141, 170, 181–182, 209–210, 246, 263, 266, 291–292, 300–303, 306
  • road signs 19, 97, 151, 153 ; see also Allan D’Arcangelo; Pop Art
  • Robert Alter 12, 14, 172, 265
  • Robert Giustosee Buenos Aires Affair, The
  • Robert Humphrey40see also stream of consciousness; William James
  • Robert Indiana 86, 102 ; see also Pop Art
  • Roberto Drummond79see also pop literature
  • Robert Rauschenberg 85–86, 153 ; see also Pop Art
  • Rogério Menezes79see also pop literature
  • Roland Barthes 21, 55, 243, 245, 293 ; see also myth; urban myth
  • Roldán149see also tango
  • Ronald Christ 126, 292–293
  • Rouben Mamoulian 140, 299
  • Roy Lichtenstein 79, 85–86, 100, 104, 111 ; see also Claes Oldenburg; macroscopic dimension; macroscopic view; gigantism; Pop Art
  • Rubias de New York147see also Carlos Gardel; fox-trot

S

  • Samuel Beckett 17, 37, 69, 292
  • Sangre de amor correspondido 105, 117–118, 292, 309
  • Sangre y arena 140–141
  • Satyricon234
  • Saúl Sosnowski 101, 123–126, 128–129, 292
  • Scarlet O’Hara140
  • Scheherazade 190, 224
  • Sergei Eisenstein 37, 48
  • seventies 13, 18, 66, 78, 106–107, 273
  • Shanghai Express167
  • Shanghai Gesture, The 71, 294
  • silent film 51, 59, 61, 239 ; see also film
  • Simon Wilson2
  • sixties 10, 18, 66, 78, 106–107, 131, 224, 251, 273
  • society of the spectacle 12, 18, 22, 115 ; see also Debord
  • soundtrack 21, 36, 68, 131, 155, 203, 207, 218 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; tracking shot; zoom shot; zoom-in; zoom-out
  • Splendor in the Grass 71, 295
  • stardom 18, 21, 91–92, 158, 244, 252, 296
  • Stefan Zweig168
  • stereotypes 91, 94, 98–99, 136, 148, 188, 215, 242, 249, 264
  • Steve Erickson 17, 70, 269
  • Steven G. Kellman 3, 6, 35
  • stream of consciousness 19–20, 39–40, 97, 101, 103, 106, 133, 137, 151, 153, 161, 179–180, 221, 236 ; see also Robert Humphrey; William James
  • Stuart Hall 13, 250, 272 ; see also postmodern subject
  • studio system 18, 90, 181
  • subversion 2, 33, 104–105, 230, 260–261, 267–268 ; see also insubordination; irreverence; subversive, a
  • subversive, a260
    • act 99, 149, 260
    • aspect105
    • atmosphere105
    • outlook11see also insubordination; irreverence; subversion
  • supratext 169, 171–173, 177
  • Sutter’s Gold 17, 47–48, 295
  • Suzanne Jill Levine xi, 7, 12, 77, 102, 105, 107, 119, 132–133, 148–149, 151, 163, 260, 292
  • Swan Song169
  • Symposium on Pop Artsee Pop Art
  • synaesthesia 110–112

T

  • tango vii, 9, 16, 19, 72, 95, 97, 105, 107, 117–118, 145, 147–149, 151–153, 155–161, 167, 258, 260, 264, 292, 299–300, 302 ; see also Alfredo Le Pera
  • Tchaikovsky234
  • Tender Comrade 174–175
  • Tess of the D’Urbervilles 17, 62, 297
  • That Hamilton Woman169
  • Theodore Roszak70
  • This Man Must Die 70, 296
  • Thomas Hardy 17, 37, 61–63, 297
  • Tieja Camarada174
  • title card44see also intertitle
  • Tom Wesselman 85–86 ; see also Pop Art
  • Totosee Betrayed by Rita Hayworth
  • tracking shot 57, 156 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; zoom shot; zoom-in; zoom-out
  • tradition vii, 1–2, 15, 17–18, 42, 58, 66–67, 74, 78, 88, 93, 97, 99–101, 104, 107, 110, 112–113, 115, 127, 258, 270–273 ; see also modernism
  • trailer68see also film
  • tripartite structure269
  • Tropical Night Falling 118, 130, 292
  • Truman Capote 17, 59–60
  • Tyrone Power 140, 158

U

  • unconscious 21, 101, 104, 106, 122, 129, 134, 136, 138, 145, 161–162, 164–165, 194–196, 199–200, 203, 209–211, 216–217, 221, 234–235, 240, 250, 259, 268 ; see also desire; condensation; displacement; dream; dream-work; Freud; Lacan; latent content; manifest content; psychoanalysis
  • urban myth88
    • mythology96see also Roland Barthes
  • Un chien andalou 52, 66
  • Under a Mantle of Stars 118, 292
  • Ushering Banality133
  • ut cinema poesis39

V

  • Vachel Lindsay5
  • Valentínsee Kiss of the Spider Woman
  • Vanishing, The 70, 296
  • variable paintings103see also Pop Art
  • Vereda Tropical 15, 121–122, 296 ; see also Puig
  • Veronica Stigger79
  • Vertigo 71, 257, 296, 305
  • Vicente Blasco Ibañez140
  • Victor Fleming 140–141, 167, 182, 293
  • Visconti 234, 305, 307–308
  • Vivien Leigh 140, 169, 295

W

  • W218see Pubis angelical
  • Warhol 85–88, 95, 104, 112, 154 ; see also Pop Art
  • Waltz, The Great 141, 182, 308
  • web 20–21, 41, 106, 127, 179–180, 183, 186, 195, 202, 207–208, 211, 235 ; see also desire; Kiss of the Spider Woman
  • Wells 33, 64–66, 296 ; see also H. G. Wells
  • William Gass79
  • William James39see also stream of consciousness
  • William Wyler 48, 168, 304
  • Widow Couderc, The234
  • With Broken Wings161
  • Wolf Vostell156see also Pop Art
  • Women, The 168, 171, 297
  • Worley 12, 73, 141, 144–145, 150, 152, 156, 167, 192, 195–196, 199, 203–204, 215–216, 297

Z

  • Zachary Gold167
  • Ziegfeld, The Great 119, 136, 168
  • Ziegfeld Girl168
  • zoom shot36see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom-in; zoom-out
  • zoom-in 99–100 ; see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-out
  • zoom-out156see also aerial shot; camera; camera angles; camera shots; ciné-roman; close-up; cut; cutaway; cutback; dissolve; fade-in; fade-out; freeze frame; iris in/out; mise-en-scène; montage; nouveau roman; objective narration; pan shot; soundtrack; tracking shot; zoom shot; zoom-in
Published online: 5 December 2019
DOI logo
https://doi.org/10.1075/fillm.13.index