Cover not available
Part of
Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 87–102

Chapter 5
The post-nostalgia film

Adapting West Yorkshire in British heritage and social realist film

Article outline
  • A theory of adaptation: Place as text
  • Of moors and mansions: The British heritage film industry
  • The spaces of British social realism
  • Notes
  • References
Published online: 16 October 2018
DOI logo
https://doi.org/10.1075/fillm.9.06bro
References (23)
References
Armes, Roy. 1978. A Critical History of the British Cinema. London: Secker & Warburg.Google Scholar
Barnard, Clio. 2009. “Buttershaw: Questioning Realist Screen and Verbatim Stage Representations of the Buttershaw Estate, Bradford.” Research Councils UK. [URL].Google Scholar
Bradshaw, Peter. 2011. Review of “Wuthering Heights,” by Andrea Arnold. The Guardian, November 10. [URL].Google Scholar
“Brontë Parsonage Museum – About Us.” n.d. The Brontë Society. [URL].
Collins, Jim. 2010. Bring on the Books for Everybody: How Literary Culture Became Popular Culture. Durham, NC: Duke University Press.DOI logoGoogle Scholar
Comolli, Jean-Louis. 1978. “Historical Fiction: A Body Too Much.” Screen 19 (2): 41–54.DOI logoGoogle Scholar
English, James F. and John Frow. 2006. “Literary Authorship and Celebrity Culture.” In A Concise Companion to Contemporary British Fiction, edited by James F. English, 39–57. Malden, MA: Blackwell.DOI logoGoogle Scholar
Fullerton, Huw. 2017. “ To Walk Invisible Review: A Well-Acted but Unfocused Tribute to the Brontë Sisters.” Radio Times, March 27. [URL].Google Scholar
Gaiger, Jason. 2009. “Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy.” The British Journal of Aesthetics 49 (1): 43–58.DOI logoGoogle Scholar
Gilroy, Paul. 2005. Postcolonial Melancholia. The Wellek Lectures. New York: Columbia University Press.Google Scholar
Grierson, John. 1973. Introduction to Documentary Diary; An Informal History of the British Documentary Film, 1928–1939 by Paul Rotha. London: Secker & Warburg.Google Scholar
Hewison, Robert. 1987. The Heritage Industry: Britain in a Climate of Decline. London: Methuen.Google Scholar
Hickling, Alfred. 2010. “Back to Bradford: Andrea Dunbar Remembered on Film.” The Guardian, April 12. [URL].Google Scholar
Higson, Andrew. 1996. Dissolving Views: Key Writings on British Cinema. Rethinking British Cinema. New York: Cassell.Google Scholar
Jameson, Fredric. (1991) 2007. Postmodernism, or, The Cultural Logic of Late Capitalism. London: Verso.Google Scholar
Kaye, Nick. (2000) 2013. Site-Specific Art: Performance, Place and Documentation. London: Routledge.Google Scholar
Kwon, Miwon. 2004. One Place after Another: Site-Specific Art and Locational Identity. Cambridge, MA: MIT Press.Google Scholar
Lay, Samantha. 2002. British Social Realism: From Documentary to Brit-Grit. London: Wallflower Press.Google Scholar
Moran, Joe. 2000. Star Authors: Literary Celebrity in America. London: Pluto Press.Google Scholar
Murray, Simone. 2008. “Materializing Adaptation Theory: The Adaptation Industry.” Literature/Film Quarterly 36 (1): 4–20. [URL].Google Scholar
“Rita, Sue and Bob Too.” 1987. Orion Classics. Press Kit. University of California Berkeley Art Museum & Pacific Film Archive.Google Scholar
Ryan, Maureen. 2017. “TV Review: Sally Wainwright’s ‘To Walk Invisible’ on PBS Masterpiece.” Variety, March 23. [URL].Google Scholar
Williams, Christopher et al., ed. 1980. Realism and the Cinema: A Reader. British Film Institute Readers in Film Studies. London: Routledge & Kegan Paul in association with the British Film Institute.Google Scholar
Cited by (1)

Cited by one other publication

Dinter, Sandra
2020. The Brontë Sisters on Foot: Walking as a Reconfiguration of the Brontë Myth in Sally Wainwright’s BBC Biopic To Walk Invisible. English Studies 101:8 ► pp. 961 ff. DOI logo

This list is based on CrossRef data as of 26 june 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.