Part of
Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 259270
Bluestone, George
1957Novels into Film. Berkeley: University of California Press.Google Scholar
Cartmell, Deborah
2012 “100 + Years of Adaptations, or, Adaptation as the Art Form of Democracy.” In A Companion to Literature, Film and Adaptation, edited by Deborah Cartmell, 1–14. Oxford: Blackwell.DOI logoGoogle Scholar
Corrigan, Timothy
2007 “Literature on Screen, a History: In the Gap.” In The Cambridge Companion to Literature on Screen, edited by Deborah Cartmell and Imelda Whelehan, 29–44. Cambridge: Cambridge University Press.DOI logoGoogle Scholar
Elliott, Kamilla
2013 “Theorizing Adaptations/Adapting Theories.” In Adaptation Studies: New Challenges, New Directions, edited by Jørgen Bruhn, Anna Gjelsvik and Eirik Frisvold Hanssen, 19–45. London: Bloomsbury.Google Scholar
Geraghty, Christine
2009 “Foregrounding the Media: Atonement (2007) as an Adaptation.” Adaptation 2 (2): 91–109.DOI logoGoogle Scholar
Leitch, Thomas
2008a “Adaptation, the Genre.” Adaptation 1 (2): 106–120.DOI logoGoogle Scholar
2008b “Adaptation Studies at a Crossroads.” Adaptation 1 (1): 63–77.DOI logoGoogle Scholar
Murray, Simone
2008 “Phantom Adaptations: Eucalyptus, the Adaptation Industry and the Film that Never Was.” Adaptation 1 (1): 5–23.DOI logoGoogle Scholar
Parody, Clare
2011 “Franchising/Adaptation.” Adaptation 4 (2): 210–218.DOI logoGoogle Scholar
Voigts-Virchow, Eckart
2009 “Metadaptation: Adaptation and Intermediality – Cock and Bull.” Journal of Adaptation in Film & Performance 2 (2): 137–152.DOI logoGoogle Scholar
Cited by