This paper addresses relations between lexico-grammatical patterns and texts. Our focus is on a specific linguistic unit, the ‘suspended quotation’ (or ‘suspension’), which has received particular attention in Dickens studies. The suspended quotation refers to an interruption of a fictional character’s speech by the narrator with a sequence of at least five words. We show how corpus linguistic methods can help to systematically study suspensions in a corpus of Dickens’s novels: we investigate relationships between patterns of body language presentation and suspensions; we consider the distribution of suspensions across novels; and we illustrate how patterns in suspensions relate to meanings of reporting verbs. Overall, we argue that suspensions are discernible units that contribute to meaningful patterns in narrative prose.
2017. Corpus Methodologies in Literary Translation Studies: An Analysis of Speech Verbs in Four Spanish Translations of Hard Times. Meta 62:1 ► pp. 94 ff.
Ruano, Pablo
2018. A corpus-based approach to Charles Dickens's use of direct thought presentation. Corpora 13:3 ► pp. 319 ff.
Mahlberg, Michaela, Peter Stockwell, Johan de Joode, Catherine Smith & Matthew Brook O'Donnell
2016. CLiC Dickens: novel uses of concordances for the integration of corpus stylistics and cognitive poetics. Corpora 11:3 ► pp. 433 ff.
Ruano San Segundo, Pablo
2016. A corpus-stylistic approach to Dickens’ use of speech verbs: Beyond mere reporting. Language and Literature: International Journal of Stylistics 25:2 ► pp. 113 ff.
Ruano San Segundo, Pablo
2018. A Corpus-Based Approach to Waiting for Godot’s Stage Directions: A Comparison between the French and the English Version. In Voice and Discourse in the Irish Context, ► pp. 139 ff.
Stockwell, Peter & Michaela Mahlberg
2015. Mind-modelling with corpus stylistics in David Copperfield. Language and Literature: International Journal of Stylistics 24:2 ► pp. 129 ff.
McIntyre, Dan
2014. The year’s work in stylistics 2013. Language and Literature: International Journal of Stylistics 23:4 ► pp. 389 ff.
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