Part of
Dimensions of Iconicity
Edited by Angelika Zirker, Matthias Bauer, Olga Fischer and Christina Ljungberg
[Iconicity in Language and Literature 15] 2017
► pp. 153166
Bazin, A
2004What is Cinema? transl. H. Gray; Intro. J. Renoir; Foreword D. Andrew. Berkeley CA: University of California Press.Google Scholar
Bender, J. & Marrinan, M
2011The Culture of Diagram. Stanford CA: Stanford University Press.Google Scholar
Butler, S
2002 [1872]Erewhon. New York NY: Dover.Google Scholar
de Certeau, M
1990L’invention du quotidien, 2 Vols, L. Girard (ed.). Paris. Editions Gallimard.Google Scholar
Conley, T
2011Deleuze and the filmic diagram. Deleuze Studies 5(2): 63–76. DOI logoGoogle Scholar
Deleuze, G
1981Logique de la sensation. 2 v. Paris: Éditions de la Différence.Google Scholar
1986Foucault. Paris: Éditions de Minuit.Google Scholar
1993The Fold: Leibniz and the Baroque, transl. T. Conley. Minneapolis MN: University of Minnesota Press.Google Scholar
1989Cinema 2: The Time-image, transl. H. Tomlinson & R. Galeta. Minneapolis MN: University of Minnesota Press.Google Scholar
2003Francis Bacon: The Logic of Sensation, transl. D. B. Smith. Minneapolis MN: University of Minnesota Press.Google Scholar
Foucault, M
1975Surveiller et punir: Naissance de la prison. Prais: Éditions Gallimard.Google Scholar
1978Discipline and Punish, transl. A. Sheridan. New York NY: Vintage.Google Scholar
Guattari, F. & Deleuze, G
1994What is Philosophy? transl. H. Tomlinson. London: Verso.Google Scholar
Grosz, E
2008Chaos Territory, Art: Deleuze and the Framing of the Earth. New York NY: Columbia University Press.Google Scholar
Leibniz, J. G
1951The Theodicy. 〈[URL]〉 (19 October 2016).
Leibniz, J. G.
La monadologie. 〈[URL]
Ljungberg, C
2011Unbinding the text: Intermedial iconicity in Peter Greenaway's Prosperous’ Books. In Semblance and Signification [Iconicity in Language and Literature 10], P. Michelucci, O. Fischer & C. Ljungberg (eds), 369–388. Amsterdam: John Benjamins. DOI logoGoogle Scholar
2012Creative Dynamics. Diagrammatic Strategies in Narrative [Iconicity in Language and Literature 11]. Amsterdam: John Benjamins. DOI logoGoogle Scholar
Melville, H
1856The Encantadas. In Piazza Tales. New York NY: Dix and Edwards. 〈[URL]〉 (20 March 2014).Google Scholar
Michaux, H
1962Vents et poussières, 1955–6. Paris: Éditions Gallimard.Google Scholar
Parker, H
1996Herman Melville: A Biography, Vol. 1: 1819–51. Baltimore MD: Johns Hopkins University Press.Google Scholar
2002Herman Melville: A Biography, Vol. 2, 1851–91. Baltimore MD: Johns Hopkins University Press.Google Scholar
Sartre, J.-P
1950What is Literature? transl. B. Frechman. New York NY: Philosophical Library.Google Scholar
Sauvagnargues, A
2013Deleuze and Art, transl. S. Bankston. London: Bloomsbury.Google Scholar
Strunk, W
1959The Elements of Style, with revisions, and introduction, and a new chapter on writing by E. B. White. New York NY: Macmillan.Google Scholar
White, E. B
1959Charlotte’s Web, with illustrations by G. Williams. New York NY: Harper.Google Scholar
Zdebik, J
2012Deleuze and the Diagram: Aesthetic Threads in Visual Organization. New York NY: Continuum.Google Scholar