The iconicity of literary analysis
The case of Logical Form
In this paper, we propose that the iconicity of Logical Form can help us evaluate the adequateness of an interpretation. We consider the relationship between iconicity, literary texts, formal semantic analysis and interpretation. With the help of an example taken from the poem “This was a Poet –” (Fr446, J448) by Emily Dickinson, we explain in which way a formal semantic analysis is iconic of the meaning of a text. We then compare this iconic analysis to other interpretative utterances about literary texts, in particular to statements that can be considered allegories of the text meaning. With this comparison we come to the conclusion that a formal semantic analysis does not restrict interpretation, but serves as guidance towards finding out about all relevant and complex structures that should also be followed in an interpretation. A linguistic analysis is thus to be seen as a measure to test the adequacy of interpretations.
Article outline
- 1.Introduction
- 2.What is iconic about a semantic representation of the sentence meaning?
- 3.Alternative (allegorical) interpretations
- 4.Semantic representation as a touchstone of any other “deep” analysis
-
Acknowledgments
-
Notes
-
References
References (19)
References
Atkin, A. 2013. Peirce's theory of signs. In The Stanford Encyclopedia of Philosophy, E. N. Zalta (ed.). 〈[URL]〉
Bauer, M. & Beck, S. 2014. On the meaning of fictional texts. In Approaches to Meaning: Composition, Values, and Interpretation, D. Gutzmann, J. Köpping & C. Meier (eds), 250–275. Leiden: Brill.
Beck, S. 2005. There and back again: A semantic analysis. Journal of Semantics 22: 3–51.
Beck, S. & Gergel, R. 2014. Contrasting English and German Grammar. An Introduction to Syntax and Semantics. Berlin: De Gruyter.
Dickinson, E. 1961. The Complete Poems of Emily Dickinson, T. H. Johnson (ed.). New York NY: Little, Brown and Company. (J).
Dickinson, E. 1999. The Poems of Emily Dickinson: Reading Edition, R. W. Franklin (ed.). Cambridge MA: Harvard University Press. (Fr)
Dickinson, E. 2013 [c.1862]. This was a poet. MS Houghton Library (183a). The Emily Dickinson Archive. Retrieved Dec. 15, 2016 from 〈[URL]〉
Fishelov, D. 2012. The economy of literary interpretation. Connotations 22(1): 32–56. 〈[URL]〉
Frye, N. 1957. The Anatomy of Criticism. Princeton NJ: Princeton University Press.
Gamut, L. T. F. 1991. Language, Logic and Meaning, Part I: Introduction to Logic. Chicago IL: Chicago University Press.
Heim, I. & Kratzer, A. 1998. Semantics in Generative Grammar. Malden MA: Blackwell.
Heim, I. 2001. Degree operators and scope. In Audiatur Vox Sapientiae. A Festschrift for Arnim von Stechow, C. Féry & W. Sternefeld (eds), 214–239. Berlin: Akademie Verlag.
Kher, I. 1974. Landscape of Absence: Emily Dickinson’s Poetry. New Haven CT: Yale University Press.
Leiter, S. 2007. Critical Companion to Emily Dickinson: A Literary Reference to Her Life and Work. New York NY: Facts on File.
Quintilian, M. F. 1966. The Institutio Oratoria of Quintilian, Vol. 2, trans. by H. E. Butler (ed.). Cambridge MA: Harvard University Press.
von Stechow, A. 1995. Lexical decomposition in syntax. In The Lexicon in the Organization of Language [Current Issues in Linguistic Theory 114], U. Egli, P. E. Pause, C. Schwarze, A. von Stechow & G. Wienhold (eds), 81–118. Amsterdam: John Benjamins.
Cited by (1)
Cited by one other publication
This list is based on CrossRef data as of 14 july 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.