Part of
Operationalizing Iconicity
Edited by Pamela Perniss, Olga Fischer and Christina Ljungberg
[Iconicity in Language and Literature 17] 2020
► pp. 125136
References (19)
von Albrecht, M.
2006 Vergil: Bucolica, Georgica, Aeneis: Eine Einführung . Heidelberg: Winter.Google Scholar
Austin, R. G.
1964Aeneidos P. Vergilii Maronis liber quartus. Edited with a Commentary. Oxford: Oxford University Press.Google Scholar
Conte, G. B.
2007The Poetry of Pathos: Studies in Virgilian Epic. Edited by S. J. Harrison. Oxford: Oxford University Press. DOI logoGoogle Scholar
2014Dell’imitazione, furto e originalità. Pisa: Edizioni della Normale.Google Scholar
Dainotti, P.
2015Word Order and Expressiveness in the Aeneid. Berlin and Boston: De Gruyter. . DOI logoGoogle Scholar
Eden, T. P.
1975A Commentary on Virgil: VIII. Leiden: Brill. DOI logoGoogle Scholar
Fubini, M.
1971 2. “Osservazioni sul lessico e sulla metrica del Tasso”. In M. Fubini, Studi sulla letteratura del Rinascimento, 216–247. Firenze: La Nuova Italia.Google Scholar
Grammont, M.
1913 2. Le vers français, ses moyens d’expression, son harmonie. Paris: Champion.Google Scholar
Gransden, K. W.
2004 2. Virgil: the Aeneid. Second edition by S. J. Harrison. Cambridge: Cambridge University Press.Google Scholar
Hardie, P.
1998Virgil [New Surveys in the Classics 28]. Oxford: Oxford University Press.Google Scholar
Henry, J.
1878 Aeneidea, or Critical, Exegetical, and Aesthetical Remarks on the Aeneis. vol. II. Dublin: Dublin University Press.Google Scholar
Horsfall, N.
2005Style, language and meter. In A Companion to the Study of Virgil, N. Horsfall (ed.), 217–248. Leiden: Brill.Google Scholar
Jackson Knight, W. F.
1966 2. Roman Vergil. London: Penguin Books.Google Scholar
Lateiner, D.
1990Mimetic Syntax: Metaphor from Word Order, Especially in Ovid. The American Journal of Philology 111: 204–237. DOI logoGoogle Scholar
Marouzeau, J.
1946 2. Traité de stylistique latine. Paris: Les Belles Lettres.Google Scholar
Roiron, F.
1908Étude sur l’imagination auditive de Virgile. Paris: Leroux.Google Scholar
Tarrant, R. J.
2012Virgil: Aeneid, Book XII. Cambridge: Cambridge University Press.Google Scholar
Wilkinson, L. P.
1963Golden Latin Artistry. Cambridge: Cambridge University Press.Google Scholar
Wills, J.
1996Repetition in Latin Poetry: Figures of Allusion. Oxford: Clarendon Press.Google Scholar
Cited by (1)

Cited by 1 other publications

Tartakovsky, Roi & Yeshayahu Shen
2023. The Storm Sank My Boat and My Dreams: The Zeugma as a Breach of Iconicity. Metaphor and Symbol 38:2  pp. 162 ff. DOI logo

This list is based on CrossRef data as of 28 june 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.