Article published in:
The Politics of Sound: Intersections of Music, Discourse and Political Communication
Edited by Lyndon C.S. Way
[Journal of Language and Politics 18:4] 2019
► pp. 509525


Bar-Tal, Daniel; Ariel W. Kruglanski, and Yechiel Klar
1989 “Conflict Termination: An Epistemological Analysis of International Cases.” Political Psychology 10 (2): 233–255. Crossref link
Benito García, Iván
2013One Love… U2. Análisis de la Banda de Rock U2. Madrid: U2fanlife.
Bew, Paul, and Gordon Gillespie
1999Northern Ireland. A Chronology of the Troubles. 1968–1999. Dublin: Gill & MacMillan.
Bordowitz, Frank
(ed) 2003The U2 Reader. A Quarter Century of Commentary, Criticism, and Reviews. Milwaukee: Hal Leonard Corporation.
Bull, William E.
1960Time, Tense and the Verb: A Study in Theoretical and Applied Linguistics, with Particular Attention to Spanish. Berkeley: University of California Press.
Cap, Piotr
2010 “Proximizing Objects, Proximizing Values. Towards an Axiological Contribution to the Discourse of Legitimisation.” In Perspectives in Politics and Discourse, ed. by Urszula Okulska, and Piotr Cap, 119–142. Amsterdam: John Benjamins. Crossref link
Chilton, Paul
2004Analysing Political Discourse. Theory and Practice. London: Routledge. Crossref link
2005 “Vectors, Viewpoint and Viewpoint Shift. Toward a Discourse Space Theory.” Annual Review of Cognitive Linguistics 3: 78–116. Crossref link
. “September 11, 2001: Background and timeline of the attacks,” CNN News, September 8 2016http://​edition​.cnn​.com​/2013​/07​/27​/us​/september​-11​-anniversary​-fast​-facts/
Eyerman, Ron, and Andrew Jamison
1998Music and Social Movements. Mobilizing Traditions in the Twentieth Century. Cambridge: Cambridge University Press. Crossref link
Filardo-Llamas, Laura
2015 “Re-contextualizing Political Discourse: An Analysis of Shifting Spaces in Songs Used as a Political Tool.” Critical Discourse Studies 12 (3): 279–296. Crossref link
Gavins, Joanna
2007Text World Theory. An Introduction. Edinburgh: Edinburgh University Press. Crossref link
Halliday, M. A. K.
2004An Introduction to Functional Grammar. Revised by Christian M.I.M. Matthiessen. London: Edward Arnold. 3rd ed.
Hart, Christopher
2014Discourse, Grammar and Ideology. Functional and Cognitive Perspectives. London: Bloomsbury.
Hennessey, Thomas
1997A History of Northern Ireland. 1920–1996. Dublin: Gill & Macmillan. Crossref link
Jobling, John
2014U2. The Definitive Biography. New York: St. Martin’s Press.
Jones, Rodney H.
2010Creativity and discourse, World Englishes 29 (4): 467–480. Crossref link
Kootnikoff, David
2010U2. A Musical Biography. Santa Barbara: ABC-CLIO, LLC.
Lakoff, George, and Mark Johnson
1980Metaphors We Live by. Chicago: University of Chicago Press.
Langacker, Ronald
1991Concept, Image, and Symbol. The Cognitive Basis of Grammar. Berlin and New York: Mouton de Gruyter.
2008Cognitive Grammar: A Basic Introduction. Oxford: Oxford University Press. Crossref link
Lugea, Jane
2016World Building in Spanish and English Spoken Narratives. London: Bloomsbury.
Machin, David
2010Analysing Popular Music: Image, Sound and Text. London: Sage. Crossref link
Machin, David, and Andrea Mayr
2012How to Do Critical Discourse Analysis. A Multimodal Introduction. London: Sage.
Marvilli, Joe
2009 “Rock History 101: U2’s “Sunday Bloody Sunday”,” Consequence of Sound, November 7 2009 http://​consequenceofsound​.net​/2009​/11​/rock​-history​-101​-u2s​-sunday​-bloody​-sunday/
McKittrick, David, and David McVea
2001Making Sense of the Troubles. London: Penguin.
Melnick, Jeffrey
20099/11 Culture. America under Construction. Chichester: Wiley-Blackwell.
Neufeld, Timothy D.
2017U2: Rock ‘n’ Roll to Change the World. Lanham: Rowman & Littlefield.
Peddie, Ian
(ed.) 2011Popular Music and Human Rights. Farnham and Burlington: Ashgate.
Pietzonka, Katrin
2008 “List of Songs about ‘The Troubles’,” CAIN. A Conflict Archive on the Internet. http://​cain​.ulst​.ac​.uk​/bibdbs​/music​/kp08songlist​.htm
Quay, Sara E., and Amy M. Damico
(eds) 2010September 11 in Popular Culture. A Guide. Santa Barbara: ABC-CLIO, LLC.
Shuker, Roy
1995Understanding Popular Music. London: Routledge.
Street, John
1986Rebel Rock. The Politics of Popular Music. Oxford: Blackwell.
Shepherd, John, David Horn, Dave Laing, Paul Oliver, and Peter Wicke
(eds.) 2003Continuum Encyclopedia of Popular Music of the World. Volume 1. Media, Industry and Society. London: Continuum.
Talmy, Leonard
2018The Targeting System of Language. Cambridge, MA: MIT. Crossref link
Trost, Theodore Louis
2015 “Transgressive Theology: The Sacred and The Profane at U2’s PopMart.” In U2 Above, Across and Beyond. Interdisciplinary Assessments, ed. by Scott Calhoun, 91–104. Lanham: Lexinton Books.
Vagacs, Robert
2005U2. Religious Nuts, Political Fanatics: U2 in Theological Perspective. Eugene: Wipf & Stock.
Van Dijk, Teun A.
1997 “What is Political Discourse Analysis?” In Political Linguistics, ed. by Jan Blommaert and Chris Bulcaen, 11–52. Amsterdam: John Benjamins.
2008Context. A Socio-cognitive Approach. Cambridge: Cambridge University Press. Crossref link
Van Leeuwen, Theo
2012 “The Critical Analysis of Musical Discourse.” Critical Discourse Studies 9 (4): 319–328. Crossref link
Way, Lyndon C. S., and Simon McKerrell
2017Music as Multimodal Discourse: Semiotics, Power and Protest. London: Bloomsbury.
Way, Lyndon C. S.
2018Popular Music and Multimodal Critical Discourse Studies: Ideology, Control and Resistance in Turkey since 2002. London: Bloomsbury. Crossref link
Werth, Paul
1999Text Worlds: Representing Conceptual Space in Discourse. New York: Longman.
Williams, Michael
2014 “Politics as Spectacle: U2’s 360º tour (2009–2011).” In Power, Politics and International Events: Sociocultural Analysis of Festivals and Spectacles, ed. by Udo Merkel, 174–190. London: Routledge.
Wodak, Ruth, and Norman Fairclough
2010 “Recontextualizing European Higher Education Policies: The Cases of Austria and Romania.” Critical Discourse Studies 7 (1): 19–40. Crossref link
Wodak, Ruth, Rudolf De Cillia, Martin Reisigl, and Karin Liebhart
1999The Discursive Construction of National Identity. Edinburgh: Edinburgh University Press.
Zbikowski, Lawrence M.
2002Conceptualizing Music. Cognitive Structure, Theory, and Analysis. Oxford: Oxford University Press. Crossref link
2015 “Words, Music, and Meaning,” Signata 6: 143–164. http://​signata​.revues​.org​/1071
2017Foundations of Musical Grammar. Oxford: Oxford University Press. Crossref link