Article published In:
When Dialogue Fails
Edited by Anja Müller-Wood
[Language and Dialogue 12:1] 2022
► pp. 91109
Amis, Martin
2011 [1984]Money: A Suicide Note. London: Vintage.Google Scholar
2003 [1989]London Fields. London: Vintage.Google Scholar
1996 [1995]The Information. London: Flamingo.Google Scholar
Begley, Jon
2004 “Satirizing the Carnival of Postmodern Capitalism: The Transatlantic and Dialogic Structure of Martin Amis’s Money .” Contemporary Literature 45(1): 79–105. DOI logoGoogle Scholar
Bentley, Nick
2015Martin Amis. Liverpool: Liverpool University Press.Google Scholar
Dern, John A.
2000Martians, Monsters and Madonna: Fiction and Form in the World of Martin Amis. New York: Lang.Google Scholar
Diedrick, James
1995Understanding Martin Amis. Columbia: University of South Carolina Press.Google Scholar
Gill, Patrick and Florian Kläger
2013 “ ‘You didn’t set me up. Did you?’: Genre, Authorship and Absence in Martin Amis’s London Fields and Night Train .” Trespassing: An Online Journal of Trespassing Art, Science, and Philosophy 21: 36–51. [URL]
Holman, Clarence Hugh
1981A Handbook to Literature, 4th edition. Indianapolis: Bobbs-Merrill Educational Publishing.Google Scholar
Hopton, Marilyn and Christina Ruse
1992The Cassell Dictionary of Literary and Language Terms. London: Cassell.Google Scholar
Kincaid, James R.
1971Dickens and the Rhetoric of Laughter. Oxford: Clarendon Press.Google Scholar
Kläger, Florian
2009 “ ‘Negative Hilarity’: Anti-Comedy in The Information and Troilus and Cressida .” “My age is as a lusty winter”: Essays in Honour of Peter Erlebach and Thomas Michael Stein. Ed. Bernhard Reitz. Trier: WVT.Google Scholar
Lodge, David
1990After Bakhtin: Essays on Fiction and Criticism. London and New York: Routledge.Google Scholar
McGrath, Patrick
1987 (1 January). “Martin Amis by Patrick McGrath.” Bomb Magazine 181. [URL]
Pfister, Manfred
1988The Theory and Analysis of Drama. Trans. John Halliday. Cambridge: Cambridge University Press. DOI logoGoogle Scholar
Shaffer, Elinor S.
1968 “Iago’s Malignity Motivated: Coleridge’s Unpublished ‘Opus Magnum.’” Shakespeare Quarterly 19(3): 195–203. DOI logoGoogle Scholar
Tredell, Nicolas
(ed.) 2000The Fiction of Martin Amis: A Reader’s Guide to Essential Criticism. Cambridge: Icon. DOI logoGoogle Scholar