Cover not available
Part of
The Form of Structure, the Structure of Form: Essays in honor of Jean Lowenstamm
Edited by Sabrina Bendjaballah, Noam Faust, Mohamed Lahrouchi and Nicola Lampitelli
[Language Faculty and Beyond 12] 2014
► pp. 139–160

What does the Moroccan Malħun meter compute, and how?

| IURS | Mohammed 5th University-Souissi. Rabat
The term ‘Malħun’ refers to a Moroccan Arabic genre of (sung) poetry, composed in a quantitative meter which opposes light and heavy syllables. We will characterize this meter by defining the prosodic categories it computes, manipulates and structures to build lines and stanzas, and by describing formally how such operations and processes are carried out. A Metrical Patterns Generator is proposed.
Published online: 17 December 2014
DOI logo
https://doi.org/10.1075/lfab.12.11elm
References (30)
References
Aboufarah-Hammane, Kadija. 2010. La syllable en Berbère Tachlhit: que peut apporter la théorie CVCV? Thèse de Linguistique Théorique et Formelle. Université Paris VIII – Vincennes. UFR Sciences du Langage. pp. 416.Google Scholar
Al-Fassi, Mohamed. 1970. “ʔaruudʔ al-malħuun wa musʔtʔalaħaatuh.” [The meter of malhun and its terminology]. Al-Taqaafat Al-maʁribiyat 1970 (1): 7–29. Morocco.Google Scholar
. 1997. maʕlamat al-malħuun; miʔat qasʕiidat wa qasʕiidat fiy miʔat ʁaaniyat wa ʁaaniyat [One thousand and one poems on one hundred and one beauties]. Akaadimiyat al-Mamlakat al-Maghribiyat, edit. Rabat. Morocco.Google Scholar
Al-Jirari, Abbas. 1970. Al-qasiidah [The poem]. Rabat. Editions: Maktabat al-taalib. Imprimerie Al-ʔumniyah. Morocco.Google Scholar
Dell, François. 2012. “Text-to-Tune Alignment and Lineation in French Traditional Songs.” to appear in Linguistic, Metrical and Cognitive Implications in Sung Verse, ed. by Paolo Canettieri, Teresa Proto, and Gianluca Valenti.Google Scholar
Dell, François, and Mohamed Elmedlaoui. 1996. “On Stop Release in Imdlawn Tashlhiyt Berber.” Linguistics 34: 357–395. DOI logoGoogle Scholar
. 2002. Syllables in Tashlhiyt Berber and in Moroccan Arabic. The Kluwer International Handbooks in Linguistics, vol. 2. Dordrecht/Boston/London: Kluwer Academic Publishers. DOI logoGoogle Scholar
Durand, Olivier. 1994. Profilo di Arabo Marocchino. Rome: Università degli studi “La Sapienza”.Google Scholar
. 1995/1996. “Le vocalisme bref et la question de l’accent tonique en arabe marocain et en berbère.” In Rivista degli Studi Orientali LXIX, 1–2 (1995) [sic]: 11–31. Rome: Bardi Editor 1996 [sic].Google Scholar
Elmedlaoui, Mohamed. 1998. “Le substrat berbère en Arabe Marocain: un système de contraintes.” In Langues et Littératures (Contact et évolution historique des langues au Maroc), vol. XVI, 137–165. Publications de la Faculté des Lettres et des Sciences Humaines-Rabat.Google Scholar
. 2000. “L’Arabe Marocain: un lexique sémitique inséré sur un fond grammatical berbère.” In Etudes Berbères et Chamito-Sémitiques; mélanges offerts à Karl-G. Prasse, ed. by Salem Chaker, and Andrjez Zaborski, 155–187. Peeters: Paris-Louvain.Google Scholar
. 2011. “Système, typologie et changement diachronique: le cas *g et *q dans les études chamito-sémitiques.” Etudes et Documents Berbères 29–30: 133–153.Google Scholar
. 2012. rafʕu l-ħjaab ʕan maʁmuuri at-taqaafati wa al-ʔaadaab; maʕa sʕiyaaʁatin li-ʕaruudʕay al-ʔamaaziiʁiyati wa al-malħuun. [Unveiling the obscured culture and literatures, followed by a description of the Berber and Malhun meters]. Rabat: Institut Universitaire de la Recherche Scientifique.Google Scholar
Fabb, Nigel. 1997. Linguistics and Literature. Oxford: Blackwell.Google Scholar
Fabb, Nigel, and Morris Halle. 2008. Meter in Poetry. A New Theory. Cambridge: Cambridge University Press. DOI logoGoogle Scholar
Harakat, Mustapha. no date. Al-haadiy ʔilaa ʔawzaani aʃ-ʃiʕri ʃ-ʃaʕbiy: al-ʕawzaanu wa l-qaafiyah: taħliilun li-l-qasʕaaʔid [The guide for the metrical patterns of the popular poetry; Metrical patterns and rhymes: Poems analysis]. Editions: Al-ʔaafaaq; ISBN 978-99661-57-228-3 (sic).
Harrel, Richard S. 1962. “Consonant, Vowel, and Syllable in Moroccan Arabic.” In Proceedings of the IVth International Congress of Phonetic Sciences, 643–647. Mouton: The Hague.Google Scholar
Hayes, Bruce. 1981. A Metrical Theory of Stress Rules. Ph.D. thesis, MIT, Distributed by Indiana University Linguistics Club.Google Scholar
Jouad, Hassan. 1995. Le calcul inconscient de l’improvisation. Paris: Louvain. Peeters.Google Scholar
ȝamʕiyat ɦuwaat al-malħuun. 2002. ʃiʕr al-malħuun bayna taqaafatayn, al-ʕaalima wa al-ʃaʕbiya; takriiman li al-ʃayχ muħammad bn l-kbiir wa ħtifaaʔan bi al-ʃaaʕir ʔaħmad suɦuum [The malhun poetry, astride between learned and folk culture; in homage to Sheikh Mohamed ben Lkbir and in honor of the poet Ahmed Souhoum]. ed. by Jamaayat Huwaat al-Malhuun. Ministry of Cultural Affairs Publications Marrakech, Morocco.Google Scholar
Kiparsky, Paul. 2006. “A Modular Metrics for Folk Verse.” In Formal Approaches to Poetry, ed. by Elan Dresher, and Nila Friedberg, 7–49. Berlin: Mouton.Google Scholar
Lahiri, Adidi, and Harry van der Hulst. 1988. “On Foot Typology.” NELS 18 (2): 286–299.Google Scholar
Lowenstamm, Jean. 1996. “CV as the Only Syllable Type.” In Current Trends in Phonology; Models and Methods, ed. by Jacques Durand, and Bernard Laks, 419–441. Salford: ISRI.Google Scholar
McCarthy, John, and Alan S. Prince. 1992. Prosodic Morphology I. Constraints Interaction and Satisfaction. Typescript (184 pages). Amherst: University of Massachusetts; Rutgers University.Google Scholar
Magidow, Melanie Autumn. 2013. Multicultural Solidarity: Performances of Malhun Poetry in Morocco. Ph.D. dissertation. University of Texas at Austin. August 2013.Google Scholar
Prince, Alain, and Paul Smolensky. 1993. Optimality Theory. Constraints in Generative Phonology. Technical Report #2 of the Rutgers Center for Cognitive Science. Rutgers University.Google Scholar
Selkirk, Elisabeth O. 1986. Phonology and Syntax; the Relation between Sound and Structure. Cambridge, Massachusetts. London, England: The MIT Press.Google Scholar
Schuyler, Philip. 1974. Al-Milħun: The Fusion of Folk and Art Traditions in a Moroccan Song Form. Ph.D. dissertation. University of Washington. Seattle.Google Scholar
Souhoum, Ahmed. 2002. “muna” (A poem). In fiʕr al-malħuun bayna taqaafatayn, al-ʕaalimat wa al-faʕbiyat, ed. by Jamʕiyat Huwaat al-Malhuun, 207–212. Ministry of Cultural Affairs Publications Marrakech, Morocco.Google Scholar
Tahar, Ahmed. 1975. La poésie populaire algérienne (malhûn); rythme, mètre et formes. Alger: Société National d’Edition et de Diffusion.Google Scholar