List of tables
Table 1.1Number of text files and word tokens in the music criticism corpus44
Table 3.1Correspondences of the love is a journey conceptual metaphor51
Table 3.2Conceptual metaphors for time60
Table 5.1Metaphor frequency in the music criticism sample105
Table 5.2Metaphor frequency in the music criticism sample and the BNC-Baby105
Table 5.3Metaphor frequency in the music criticism sample across register105
Table 5.4Frequency of metaphor types across register106
Table 5.5Frequency of selected music-theoretic terms108
Table 5.6Source domains for music in the music criticism sample114
Table 5.7Metaphoric spaces for different target domain aspects of music115
Table 5.8Conceptual motivations for motion expressions119
Table 5.9Potential conceptual motivations for musical motion expression121
Table 5.10Conceptual metaphor basis for musico-temporal motion mappings124
Table 5.11The sonata form is a path metaphor127
Table 6.1Motion verbs in temporal motion expressions3
Table 6.2Path and manner motion verbs for temporal motion in the BNC and COHA138
Table 6.3The most frequent motion verb lemmas in the music criticism corpus140
Table 6.4Frequency distribution of the lemma ascend144
Table 6.5Key motion verbs in the music criticism corpus145
Table 6.6Type and token frequency of manner and path verbs in both corpora146
Table 6.7Temporal motion verbs that are negative keywords in the music criticism corpus147
Table 6.8Motion verbs selected for the concordance analysis149
Table 7.1Distribution of highest level of education among all 83 participants180
Table 7.2Degree of knowledge of (classical) music among participants (N = 82)180
Table 7.3Thresholds of an ordinal logistic regression model184
Table 7.4Results of the regression analysis for the literalness ratings187
Table 7.5Number of participants in relation to edu and music.edu194
Table 7.6Results of the regression analysis for the actual motion ratings195