Chapter 2
Amari/anmari/anma and totemo/tottemo in history and discourse
Interaction of negative polarity and positive polarity
This chapter first presents the distributional patterns of totemo and amari as positive polarity items (PPIs) and negative polarity items (NPIs) in a present-day spoken corpus, by paying due attention to their morphophonological variants, tottemo and anmari/anma. It also analyzes ‘prefabs’ (Bybee 2006) they form as PPI and NPI. Second, it delineates the diachronic development of totemo from NPI to PPI and that of amari from PPI to NPI, and offers an explanatory account incorporating three concepts: counter-expectation (Traugott 1999), structural reanalysis and bifurcation/divergence (Bolinger 1968). In a theoretical context of polarity studies, the paper supports Hoeksema’s (2012) stance that comprehensive accounts need both a syntagmatic relationship (licenser-licensee) as well as a paradigmatic relationship with other similar items in competition.
Keywords:
totemo
,
amari
, positive polarity item (PPI), negative polarity item (NPI), corpus-analysis, diachronic change, counter-expectation, bifurcation, Hoeksema, Japanese, pragmatics
Article outline
- 1.Introduction
- 2.
Corpus-based studies of totemo/tottemo and amari/anmari/anma
- 2.1
Totemo/tottemo
- 2.1.1Distributional patterns: PPI vs. NPI
- 2.1.2
Collocations/prefabs
- 2.1.3
Summary
- 2.2
Amari/anmari/anma
- 2.2.1Distributional patterns: PPI vs. NPI
- 2.2.2Collocations and syntactic environment
- 2.2.3
Summary
- 3.Diachronic development of totemo/tottemo
- 3.1Outline of the diachronic development with examples
- 3.2An explanatory account
- 3.2.1Counter-expectation factor
- 3.2.2Structural reanalysis of scope
- 3.2.3Bifurcation / divergence
- 4.Diachronic development of amari /anmari/anma
- 4.1Outline of development with examples
- 4.2An explanatory account
- 4.2.1Counter-expectation factor and mitigating effect
- 4.2.2Structural reanalysis of scope
- 4.2.3
Bifurcation / divergence
- 5.Conclusion
-
Acknowledgement
-
Notes
-
References
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