Article published In:
Pragmatics & Cognition
Vol. 11:2 (2003) ► pp.297326
Cited by

Cited by 36 other publications

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2012. Neurocognitive control in dance perception and performance. Acta Psychologica 139:2  pp. 300 ff. DOI logo
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2017. Unfurling the wings of flight: clarifying ‘the what’ and ‘the why’ of mental imagery use in dance. Research in Dance Education 18:3  pp. 252 ff. DOI logo
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2021. Decision‐Making In A Choreographic Creative Process: A Quantitative Approach. The Journal of Creative Behavior 55:2  pp. 433 ff. DOI logo
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Kirsh, David, Catherine J. Stevens & Daniel W. Piepers
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2024. The Influence of the Observer’s Expertise on the Aesthetic Evaluation of Dance. Transactions of Japan Society of Kansei Engineering 23:1  pp. 27 ff. DOI logo
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Stevens, Catherine J., Jane Ginsborg & Garry Lester
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Stevens, Catherine J. & James Leach
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Welch, Shay
2019. Native Epistemology and Dancing. In The Phenomenology of a Performative Knowledge System,  pp. 91 ff. DOI logo
Welch, Shay
2022. Embodied Critical Inquiry: A Theory. In Choreography as Embodied Critical Inquiry,  pp. 95 ff. DOI logo
Williamson, Kellie & Rochelle Cox
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[no author supplied]
2017. References. In Creativity and the Performing Artist,  pp. 375 ff. DOI logo

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