Article published In:
Scientific Study of Literature
Vol. 9:2 (2019) ► pp.195229
Alcock, T.
(1963) The Rorschach in Practice. London: Tavistock Publications.Google Scholar
Arnheim, R.
(1967) Art and Visual Perception. London: Faber.Google Scholar
Arnold, M. B., & Gasson, J. A.
(1968) Feelings and Emotions as Dynamic Factors in Personality Integration. In M. B. Arnold (Ed.), The Nature of Emotion (pp. 203–221). Harmondsworth: Penguin.Google Scholar
Aryani, A., Conrad, M., Schmidtke, D., & Jacobs, A.
(2018) Why “piss” is ruder than “pee”? The role of sound in affective meaning making. Plos One, 13(6). DOI logoGoogle Scholar
Aryani, A., Kraxenberger, M., Ullrich, S., Jacobs, A. M., & Conrad, M.
(2016) Measuring the basic affective tone of poems via phonological saliency and iconicity. Psychology of Aesthetics, Creativity, and the Arts, 10(2), 191–204. DOI logoGoogle Scholar
Auracher, J., Albers, S., Zhai, Y., Gareeva, G., & Stavniychuk, T.
(2011) P is for happiness, N Is for sadness: Universals in sound iconicity to detect emotions in poetry. Discourse Processes, 48(1), 1–25. DOI logoGoogle Scholar
Burnshaw, S.
(1964) The Poem Itself. Harmondsworth: Pelican.Google Scholar
Crowder, R. G.
(1982a) A common basis for auditory sensory storage in perception and immediate memory. Perception & Psychophysics, 31(5), 477–483. DOI logoGoogle Scholar
(1982b) Disinhibition of masking in auditory sensory memory. Memory & Cognition, 10(5), 424–433. DOI logoGoogle Scholar
D’Andrade, R. G.
(1981) The cultural part of cognition. Cognitive Science, 5(3), 179–195. DOI logoGoogle Scholar
De Saussure, F.
(1916) Course in General Linguistics. London: Duckworth.Google Scholar
Dewey, G.
(1923) Relativ frequency of English speech sounds. Cambridge: Harvard University Press. Retrieved from [URL]. DOI logo
Ehrenzweig, A.
(1965) The Psychoanalysis of Artistic Vision and Hearing. New York: Braziller.Google Scholar
(1970) The Hidden Order of Art. London: Paladin.Google Scholar
Fitzgerald, E.
(2008) Rubaiyat of Omar Khayyam. Retrieved December 19, 2018, from [URL]
Fodor, J. A., & Bever, T. G.
(1965) The psychological reality of linguistic segments. Journal of Verbal Learning and Verbal Behavior, 41, 414–420. DOI logoGoogle Scholar
Fónagy, I.
(1961) Communication in poetry. Word – Journal of the International Linguistic Association, 17(2), 194–218.Google Scholar
Fónagy, I., & Magdics, K.
(1960) Speed of utterance in phrases of different lengths. Language and Speech, 3(4), 179–192. DOI logoGoogle Scholar
Gafni, C.
(2015) Child Phonology Analyzer: processing and analyzing transcribed speech. In The Scottish Consortium for ICPhS 2015 (Ed.), Proceedings of the 18th International Congress of Phonetic Sciences. (pp. 1–5, paper number 531). Glasgow, UK: the University of Glasgow. ISBN 978-0-85261-941-4Google Scholar
Gafni, Chen and Reuven Tsur
(2019) Some Experimental Evidence for Sound-Emotion Interaction. Scientific Study of Literature 9:1. 53–71. DOI logoGoogle Scholar
Granville-Barker, H.
(1957) Preface to Hamlet. New York: Hill and Wang Inc.Google Scholar
Hrushovski, B.
(1980) The Meaning of Sound Patterns in Poetry: An Interaction Theory. Poetics Today, 2(1a), 39–56. DOI logoGoogle Scholar
Jakobson, R., & Waugh, L. R.
(2002) The sound shape of language. Berlin: De Gruyter. DOI logoGoogle Scholar
Johnson-Laird, P. N., & Oatley, K.
(1989) The language of emotions: An analysis of a semantic field. Cognition & Emotion, 3(2), 81–123. DOI logoGoogle Scholar
Kraxenberger, M.
(2017) On Sound-Emotion Associations in Poetry. Unpublished Doctoral dissertation, Freie Universität Berlin.Google Scholar
Kraxenberger, M., & Menninghaus, W.
(2016) Mimological reveries? Disconfirming the hypothesis of phono-emotional iconicity in poetry. Frontiers in Psychology, 71, 1–9. DOI logoGoogle Scholar
Kuhn, T. S.
(1977) A function for thought experiments. In T. S. Kuhn, The Essential Tension: Selected Studies in Scientific Tradition and Change (pp. 240–265). Chicago: The University of Chicago press. DOI logoGoogle Scholar
Lazarus, R. S.
(1968) Emotion as Coping Process. In M. B. Arnold (Ed.), The Nature of Emotion (pp. 249–260). Harmondsworth: Penguin.Google Scholar
Lockwood, G., & Dingemanse, M.
(2015) Iconicity in the lab: A review of behavioral, developmental, and neuroimaging research into sound-symbolism. Frontiers in Psychology, 61, 1–14. DOI logoGoogle Scholar
Meier, H. H.
(1999) Imagination by ideophones. In M. Nänny & O. Fischer (Eds.), Form Miming Meaning: Iconicity in Language and Literature (pp. 135–154). Amsterdam & Philadelphia: John Benjamins. DOI logoGoogle Scholar
Meyer, L. B.
(1956) Emotion and Meaning in Music. Chicago, Illinois, USA: The University of Chicago press.Google Scholar
Miall, D. S.
(2001) Sounds of contrast: An empirical approach to phonemic iconicity. Poetics, 29(1), 55–70. DOI logoGoogle Scholar
Ohala, J. J.
(1994) The frequency code underlies the sound-symbolic use of voice pitch. In L. Hinton, J. Nichols, & J. J. Ohala (Eds.), Sound symbolism (pp. 325–347). Cambridge, United Kingdom: Cambridge University Press.Google Scholar
Rorschach, H.
(1951) Psychodiagnostics. Bern: Huber.Google Scholar
Rosch, E., Mervis, C. B., Gray, W. D., Johnson, D. M., & Boyes-Braem, P.
(1976) Basic objects in natural categories. Cognitive Psychology, 8(3), 382–439. DOI logoGoogle Scholar
Russell, J. A.
(1980) A circumplex model of affect. Journal of Personality and Social Psychology, 39(6), 1161–1178. DOI logoGoogle Scholar
Smith, C. A.
(2016) Tracking semantic change in fl- monomorphemes in the OED. Journal of Historical Linguistics, 6(2), 165–200. DOI logoGoogle Scholar
Tartakovsky, R.
(2014) Towards a theory of sporadic rhyming. Language and Literature, 23(2), 101–117. DOI logoGoogle Scholar
Tsur, R.
(1972) Articulateness and Requiredness in Iambic Verse. Style, 61, 123–148.Google Scholar
(1987) On Metaphoring. Jerusalem: Israel Science Publishers.Google Scholar
(1992) What Makes Sound Patterns Expressive: The Poetic Mode of Speech-Perception. Durham, UK: Duke University Press. DOI logoGoogle Scholar
(2003) On The Shore of Nothingness: Space, Rhythm, and Semantic Structure in Religious Poetry and its Mystic-Secular Counterpart – A Study in Cognitive Poetics. Exeter: Imprint Academic.Google Scholar
(2006) Size-sound symbolism revisited. Journal of Pragmatics, 381, 905–924. DOI logoGoogle Scholar
(2008) Toward a Theory of Cognitive Poetics (Second). Brighton and Portland: Sussex Academic Press.Google Scholar
(2012) Playing by ear and the tip of the tongue: Precategorial information in poetry. Amsterdam, The Netherlands: John Benjamins. DOI logoGoogle Scholar
(2017a) Metre, rhythm and emotion in poetry A cognitive Approach. Studia Metrica et Poetica, 41, 7–40. DOI logoGoogle Scholar
(2017b) Poetic Conventions as Cognitive Fossils. Oxford: Oxford University Press.Google Scholar
(2018) The Numinous as Aesthetic Quality. Style, 52(4), 361–384.Google Scholar
Ullrich, S., Aryani, A., Kraxenberger, M., Jacobs, A. M., & Conrad, M.
(2017) On the relation between the general affective meaning and the basic sublexical, lexical, and inter-lexical features of poetic texts-a case study using 57 Poems of H. M. Enzensberger. Frontiers in Psychology, 71, 1–19. DOI logoGoogle Scholar
Weinreich, U.
(1966) Explorations in Semantic Theory. In T. A. Sebeok (Ed.), Current Trends in Linguistics III. The Hague: Mouton.Google Scholar
Weitz, M.
(1956) The Role of Theory in Aesthetics. The Journal of Aesthetics and Art Criticism, 15(1), 27–35. DOI logoGoogle Scholar
Whissell, C.
(1999) Phonosymbolism and the Emotional Nature of Sounds: Evidence of the Preferential Use of Particular Phonemes in Texts of Differing Emotional Tone. Perceptual and Motor Skills, 89(5), 19. DOI logoGoogle Scholar
(2004) “The sound must seem an echo to the sense”: Pope’s use of sound to convey meaning in his Translation of Homer’s Iliad. Perceptual and Motor Skills, 981, 859–864. DOI logoGoogle Scholar
Wiseman, M., & van Peer, W.
(2002) The sound of meaning: An empirical study. In S. Csábi & J. Zerkowitz (Eds.), Textual secrets: The message of the medium (pp. 379–383). Budapest, Hungary: Akadémiai Nyomda Martonvásár.Google Scholar
Wittgenstein, L.
(1976) Philosophical Investigations. (G. E. M. Anscombe, Trans.). Oxford: Blackwell.Google Scholar
Cited by

Cited by 2 other publications

Auracher, Jan, Winfried Menninghaus & Mathias Scharinger
2020. Sound Predicts Meaning: Cross‐Modal Associations Between Formant Frequency and Emotional Tone in Stanzas. Cognitive Science 44:10 DOI logo
Gafni, Chen & Reuven Tsur
2021. Studying Emotive Effects in Poetry by Quantifying Open-Ended Impressions. Empirical Studies of the Arts  pp. 027623742098471 ff. DOI logo

This list is based on CrossRef data as of 27 april 2021. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.