In this experiment, we investigated whether book covers can signal sub-genre information to knowledgeable readers. Self-identified science-fiction fans and mystery fans sorted 80 randomly selected book covers from each of those genres into groups of their own devising. The sorts were used to identify similarity among books, and that similarity structure was used to measure similarity among subjects. Cluster analysis was then used to find groups of subjects who sorted similarly. Linear models were demonstrated that group membership was related to the knowledge subjects reported about the genres. This pattern of results supports the view that book covers constitute an implicit signaling system between publishers and experienced readers of a fictional genre.
Akaike, H. (1973). Information theory and an extension of the maximum likelihood principle. In B.N. Petrov & F. Csaki (Eds.), 2nd International symposium on information theory (pp. 267–281). Budapest: Akademia Kiado.
Anders, C.J., & Dobbs, M.A. (2010). Did all these fantasy stories really rip off harry potter?Io9: We come from the future [Web page]. Retrieved from: [URL].
Barthelmess, T. (2014). What makes a good book cover?The Horn book [Web page]. Retrieved from: [URL].
Bazerman, C., Bonini, A., & de Figueiredo, D.C. (2009). Genre in a changing world. West Lafayette, IN: Parlor Press.
Bortolussi, M. (2003). Introduction: Why we need another study of magic realism. Canadian Review of Comparative Literature/Revue Canadienne De Littérature Comparée, 30(2), 279–293.
Bortolussi, M., & Dixon, P. (1996). The effects of formal training on literary reception. Poetics, 23(6), 471–487.
Bowker. (2013). Online retailers gained, while brick-and-mortar lost in wake of borders exit. Bowker [Web page]. Retrieved from: [URL].
Caple, H. (2009). Communication in an Australian broadsheet: A new news story genre. In C. Bazerman, A. Bonini, & D. Figueriredo (Eds.), Genre in a changing world (pp. 243–254). West Lafayette, IN: Parlor Press.
Chanady, A. (1985). Magic realism and the fantastic: Resolved versus unresolved antimony. New York: Garland.
Crawley, J. (2013). Writing tips: Should your book cover make your story’s theme plain?Yahoo! Voices [Web page]. Retrieved from: [URL].
d’Astous, A., Colbert, F., & Mbarek, I. (2006). Factors influencing readers interest in new book releases: An experimental study. Poetics, 34(2), 134–147.
Dessauer, J.P. (1989). Book publishing: The basic introduction. New York: Continuum.
Dixon, P., & Bortolussi, M. (2005). Approach and selection of popular narrative genre. Empirical Studies of the Arts, 23(1), 3–17.
Dixon, P., Faries, J., & Gabrys, G. (1988). The role of explicit action statements in understanding and using written directions. Journal of Memory and Language, 27(6), 649–667.
Feather, J. (2011). Book publishing. New York, NY : Routledge.
Fishelov, D. (1993). Metaphors of genre: The role of analogies in genre theory. State College, PA: Pennsylvania State University.
Fishelov, D. (1995). The structure of generic categories: Some cognitive aspects. Journal of Literary Semantics, 24(2), 117–126.
Fowler, A. (1982). Kinds of literature: An introduction to theory of genres and modes. Cambridge, MA: Harvard University.
Genette, G. (1997). Paratexts: Thresholds of interpretation. Cambridge, UK: Cambridge University.
Grannis, C.B. (1957). What happens in book publishing. Columbia University Press.
Greco, A.N. (2004). The book publishing industry. Taylor & Francis. (Original work published 1997)
Hyon, S. (2002). Genre and ESL reading: A classroom study. In A. Johns (Ed.), Genre in the classroom: Multiple perspectives (pp. 121–141). Lawrence Erlbaum Mahwah, NJ.
Jaccard, P. (1912). The distribution of the flora in the alpine zone. New Phytologist, 11(2), 37–50.
Kamphuis, J. (1991). Satisfaction with books: Some empirical findings. Poetics, 20(5), 471–485.
Kress, G., & Van Leeuwen, T. (1996). Reading images the grammar of visual design. London: Routledge.
Leemans, H., & Stokmans, M. (1991). Attributes used in choosing books. Poetics, 20(5), 487–505.
Legat, M. (1998). An author’s guide to publishing (3rd ed.). London: Hale.
Margolis, E., & Pauwels, L. (2011). The Sage handbook of visual research methods. Sage.
Matthews, N., & Moody, N. (2007). Judging a book by its cover. Aldershot, NH: Ashgate.
Obeso, D. (2013). The art of the future. Publisher’s Weekly, 40–44.
Piters, R., & Stokmans, M.J.W. (1997). The influence of typicality of book covers on preferences. In G. Guzman, A. Jose, & S. Sanz (Eds.), The XXII international colloquium of economic psychology (Vol. 11, p. 41). Valencia.
Radway, J. (1991). Reading the romance: Women, patriarchy, and popular literature. Chapel Hill, NC: University of North Carolina.
R Core Team. (2014). R: A language and environment for statistical computing. R foundation for statistical computing [Web page]. Retrieved from: [URL].
Robinson, S. (2001). Pilots choice; readers delight. Romantic science fiction & fantasy [Web page]. Retrieved from: [URL].
Rosch, E., Mervis, C.B., Gray, W.D., Johnson, D.M., & Boyes-Braem, P. (1976). Basic objects in natural categories. Cognitive Psychology, 8(3), 382–439.
Rousseeuw, P.J. (1987). Silhouettes: A graphical aid to the interpretation and validation of cluster analysis. Journal of Computational and Applied Mathematics, 201, 53–65.
Ryan, M. -L. (1981). Introduction: On the why, what and how of generic taxonomy. Poetics, 10(2), 109–126.
Spilich, G.J., Vesonder, G.T., Chiesi, H.L., & Voss, J.F. (1979). Text processing of domain-related information for individuals with high and low domain knowledge. Journal of Verbal Learning and Verbal Behavior, 18(3), 275–290.
Squires, C. (2007). Marketing literature : The making of contemporary writing in Britain. New York: Palgrave Macmillan.
Stanovich, K.E., & West, R.F. (1989). Exposure to print and orthographic processing. Reading Research Quarterly, 241, 402–433.
Stokmans, M., & Hendrickx, M. (1994). The attention paid to new book releases on a display table. Poetics, 22(3), 185–197.
Swales, J.M. (1990). Genre analysis: English in academic and research settings. Cambridge [England]; New York: Cambridge University Press.
Swales, J.M. (2009). Worlds of genre-metaphors of genre. In C. Bazerman, A. Bonini, & D. Figueriredo (Eds.), Genre in a changing world (pp. 3–16). West Lafayette, IN : Parlor Press.
Tanaka, J.W., & Taylor, M. (1991). Object categories and expertise: Is the basic level in the eye of the beholder?Cognitive Psychology, 23(3), 457–482.
Van Rees, K., & Vermunt, J. (1996). Event history analysis of authors’ reputation: Effects of critics’ attention on debutants’ careers. Poetics, 23(5), 317–333.
Wilkens, M. (2009). How many new novels are published each year?Work product [Web page]. Retrieved from: [URL].
Cited by (4)
Cited by four other publications
Park, Jin Yong, Changju Kim, Soohyun Park & Kevin Dio
2023. Do you judge a book by its cover? Online book purchases between Japan and France. Asia Pacific Journal of Marketing and Logistics 35:10 ► pp. 2345 ff.
van Cranenburgh, Andreas, Karina van Dalen-Oskam & Joris van Zundert
2019. Vector space explorations of literary language. Language Resources and Evaluation 53:4 ► pp. 625 ff.
Gudinavičius, Arūnas & Andrius Šuminas
2018. Choosing a book by its cover: analysis of a reader’s choice. Journal of Documentation 74:2 ► pp. 430 ff.
Montoro, Rocío
2016. The year’s work in stylistics 2015. Language and Literature: International Journal of Stylistics 25:4 ► pp. 376 ff.
This list is based on CrossRef data as of 5 november 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.