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Article published In:
Translation and Interpreting Studies
Vol. 16:1 (2021) ► pp.61–79

The translator

Literary or performance artist?

ORCID logo | University of Birmingham

This article proposes that in order to understand the nature of literary translation as an art form, we need to complement existing approaches drawing on literary, linguistic and sociological theories with insights derived from performance studies. As a way of exploring what the theorization of translation as performance art could contribute to our understanding of literary translation, I map four basic tenets of performance as restored behavior (Schechner 1985) to two translators’ (Margaret Jull Costa and Peter Bush) accounts of their practice. The mapping is illustrated with writings by and interviews with the translators, focusing on four points of contact: the unresolved dialectal tension between self and other, the deliberate, rehearsed nature of decisions, the need for distance between original and performance/translation, and the role of the audience.

Keywords: literary translation, style, performance, restored behavior, Margaret Jull Costa, Peter Bush
Article outline
  • Introduction
  • Style as fingerprints
  • Translator style from the perspective of literary stylistics
  • Translator style from the perspective of cognitive stylistics and sociology
  • Translation, performativity, performance
  • In the translators’ words
  • Conclusion
  • Notes
  • References
Published online: 19 June 2020
DOI logo
https://doi.org/10.1075/tis.19067.sal
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