The Muzzled Muse

Literature and censorship in South Africa

 | University of Utrecht
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ISBN 9789027222206 (Eur) | EUR 99.00
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“The long history of censorship is a parallel and equally powerful history of literature. Censors bear witness to the power of the word even more forcefully than the writers and the readers they consider dangerous.” (Index on Censorship 6/1996)
A critical assessment of literature produced under censorship needs to take into account that the stategies of the censors are answered by strategies of the writers and the readers. To recognize self-censoring strategies in writing, it is necessary to know the specific restrictions of the censorship regime in question. In South Africa under apartheid all writers were confronted with the question of how to respond to the pressure of censorship. This confrontation took a different form however, depending on what group the writer belonged to and what language he/she used. By looking at white writers writing in Afrikaans and white and black writers writing in English, this book gives the impact of censorship on South African literature a comparative examination which it has not received before. The book considers works by J.M. Coetzee, Nadine Gordimer, André Brink, and others less known to readers outside South Africa like Karel Schoeman, Louis Krüger, Christopher Hope, Miriam Tlali and Mtutuzeli Matshoba. It treats the censorship laws of the apartheid regime as well as, in the final chapter, the new law of the Mandela government which shows some surprising similarities to its predecessor.
Margreet de Lange teaches Comparative Literature at Utrecht University and coordinates the University’s interdisciplinary program of South African Studies. She received her Ph.D. from the Graduate Center of the City University of New York.
“De Lange expertly sketches in the historical and literary backgrounds as she goes, taking us right up to the recent (unsatisfactory) revision of the censorship laws, making The Muzzled Muse a vitally important summary of literary censorship in South Africa, and a handbook of what to guard against in the future.”
Shaun de Waal, Mail & Guardian Sept. 26 to October 1, 1997
Publishing status: Available
Published online on 21 October 2008
Table of Contents
Cited by (11)

Cited by 11 other publications

Cornish, René
2024. Textual and Non-verbal Expressions of Cyberhate in South African Social Media Misconduct Dismissals. In Handbook on Cyber Hate [Law and Visual Jurisprudence, 13],  pp. 461 ff. DOI logo
Englund, Lena
2021. Struggling for Space in Christopher Hope’s The Café de Move-on Blues, Sisonke Msimang’s Always Another Country, and Tumi Morake’s And Then Mama Said…: Words That Set My Life Alight. In South African Autobiography as Subjective History [African Histories and Modernities, ],  pp. 45 ff. DOI logo
le Roux, Elizabeth
2020. Publishing against Apartheid South Africa, DOI logo
Inggs, Judith
2016. Turmoil and Unrest. In Transition and Transgression [SpringerBriefs in Education, ],  pp. 9 ff. DOI logo
Kruger, Alet
2012. Translation, self-translation andapartheid-imposed conflict. Journal of Language and Politics 11:2  pp. 273 ff. DOI logo
von Veh, Karen
2012. The intersection of Christianity and politics in South African art: A comparative analysis of selected images since 1960, with emphasis on the post-apartheid era. de arte 47:85  pp. 5 ff. DOI logo
Merrett, Christopher
2010. Organised forgetting in South Africa: Peter d McDonald'sthe literature police: Apartheid censorship and its cultural consequences. Current Writing 22:2  pp. 166 ff. DOI logo
Sanders, Mark
2010. Memories of Censorship. Safundi 11:1-2  pp. 133 ff. DOI logo
van der Vlies, Andrew
2007. Reading Banned Books. Wasafiri 22:3  pp. 55 ff. DOI logo
Schümer, Cordula, Bruno Jacobs, Eckhart Baum, Ulrich Kleinewillinghöfer, Erdmute Alber, Rolf Hofmeier, Gerd-Rüdiger Hoffmann, Werner Huβ, Gabriele Sommer, Ampie Coetzee, Gerd-Rüdiger Hoffmann, Eike W. Schamp, Rudolf Leger, Oliver Seibt, Dymitr Ibriszimow, Roland Herrmann, Susanne Gärtner, Eckhard Baum, Fouad Ibrahim, Ursula Verhoeven, Jan Assmann, Johannes Triebel, Damien Rwegera, Leonhard Harding, Ayse Caglar, Georges Ngal, Klaus-Jürgen Müller, Simon Heap, Hans-Rudolf Singer, Karl Jansen-Winkeln, Rainer Voigt, Karola Elwert-Kretschmer, Thomas Zitelmann, Rüdiger Krause, Frank Schulze-Engler, Hein Möllers, Jacob E. Mabe, Peter Meyns, Klaus Hock, Jonathan Owens, Frank Bliss, Wiebke Walther, Annemarie Fiedermutz-Laun, Benson Osarhieme Osadolor, Karlheinz Schüssler, Anne Storch, Hans H. Bass, János Riesz, Hans F. Illy, Helmut Ziegert, Raimund Kastenholz, Reinhard Klein-Arendt, Georg Elwert, Stefan Eisenhofer, Kamal Naït-Zerrad, Philippe Essomba, Ernst-Ulrich Reuther, Ute Ritz-Müller, Karl Vorlaufer, Peter Beyerhaus, Wolfgang Küper, Tobias Debiel, Samir Amin, Astrid Meier, Fred Krüger, Klaus-Dieter Osswald, Katja Werthmann, Gesine Krüger, Ute Röschenthaler, Thomas Krings, Albert Mbonerane, Otto Honke, Florian Carl, Ulrich Braukämper, Thomas Geider, Till Förster, Antonie Nord, Rainer Voβen, Hanns Brennecke, Raimund Vogels, Achim v. Oppen, Samir Amin, Axel Klein, Jörg Janzen, Peter Körner, Robert Kappel, Karl Wohlmuth, Roland Hermann, Gerhard Grohs, Axel Harneit-Sievers, Jean-Godefroy Bidima, Rainer Tetzlaff, Carola Lentz, Heinz Halm, Ulrich Bauer, Theo Sundermeier, Roland Richter, Karl Wolfgang Menck, Henriette Mbollé, Elisabeth Arend, Elke Richter, Anne-Barbara Ischinger, Gabriele Zdunnek, Flora Veit-Wild, Dieter Neubert, Toyin Falola, Ralf Elger, Adam Jones, John Thornton, Ute Luig, Klaus Hüser, Franz Ansprenger, Ulf Vierke, Peter Spahn, Boubacar Barry, Johannes Augel, Michael Broβ, Meinrad Hebga, Stephan F. Miescher, Henning Melber, Markus Wauschkuhn, Eli Bar-Chen, Sofolo Randrianja, Gerhard Böhm, Jürgen Martini, Marie-Hélène Gutberlet, Klaus Fiedler, Gunther Schlee, Kerstin Bauer, Erhard Gabriel, Jobst-Michael Schröder, Mechthild Reh, Peter Probst, Bernhard Streck, Ogbu Kalu, Anja Pauls, Roland Kieβling, Gerd Grupe, Heiko Meinhardt, Said A. M. Khamis, Russell H. Kashuela, Oyeniyi Okunoye, Patrice Nganang, Stefanie Hoehn, Wunyabari O. Maloba, Wolfgang Benedek, Giancarlo Collet, Cord Jakobeit, Lothar Berger, Regina Wegemund, Günther Schlee, Stephan Johannes Seidlmayer, Albrecht Berger, Marianne Bechhaus-Gerst, Heinz Kimmerle, Ingeborg Grau, Imanuel Geiss, Christoph Emminghaus, Wolfgang Wickler, Uta Seibt, Hans P. Hahn, Bernth Lindfors, Akosua Adomako Ampofo, Kerstin Klenke, Harald Sippel, Ulrike Wanitzek, Doris Lohr, Gerhard Seibert, Birgit Martin, Line Göttke, Richard Kuba, Amady Aly Dieng, Ulf Engel, Joseph E. Inikori, Lorenz Homberger, Jorg Janzen, Steffen Fleβa, Ulrich Ammon, Andreas Eckert, Walter Peters, Andrea Engel, Juliet Leeb-du Toit, Kurt Beck, Karlheinz Schussler, Ulrich Rebstock, Ulrike Groβ, Eckhard Breitinger, Stefan Porembski, Kerstin Winkelmann, Iris Rödiger, Pathé Diagne, Like W. Schamp, Jean-Marie Molassoko, Dymitr Ibriszimow, Heidi Wilier, Editha Platte, Gudrun Honke, Walter Thomi, Eugène Désiré Eloundou, Günter Bräuer, Geoffrey V. Davis, Steve Robert Renombo Ogoula, Renombo Ogoula, Steve Robert, Doris Löhr & Babacar Fall
2004. Artikel A–Z. In Das Afrika-Lexikon,  pp. 1 ff. DOI logo
Ndiaye, Serigne
2003. Dictatorship and the Emptiness of the Rhetoric of Totalitarian Discourse in Sony Labou Tansi'sLa vie et demie. Research in African Literatures 34:2  pp. 112 ff. DOI logo

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Subjects

Main BIC Subject

DSB: Literary studies: general

Main BISAC Subject

LIT000000: LITERARY CRITICISM / General
ONIX Metadata
ONIX 2.1
ONIX 3.0
U.S. Library of Congress Control Number:  97006145 | Marc record