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Part of
The Vindel Parchment and Martin Codax / O Pergamiño Vindel e Martin Codax: The Golden Age of Medieval Galician Poetry / O esplendor da poesía galega medieval
Edited by Alexandre Rodríguez Guerra and Xosé Bieito Arias Freixedo
[Not in series 218] 2018
► pp. 258–270

Chapter 14
Martim Codax, Dom Dinis, e a democracia burguesa capitalista

Aspectos da prática interpretativa

| Músico e musicólogo
The performance of Galician troubadour lyrical poetry poses many problematic issues, some of which have already been addressed by modern musicology. In this paper, we proceed to a rethinking of some of them with the idea of focusing on performance practice. We emphasize the need to question the conditions under which this specific repertoire is produced and reproduced in bourgeois societies with a market economy.
Keywords: troubadour lyrical poetry, Martim Codax, D. Dinis, performance practice, gnosis, instruments
Article outline
  • 1.A musicologia e a interpretação
  • 2.O repertório trovadoresco como problema
  • 3.A participação dos instrumentos
  • 4.A notação musical
  • Notas
  • Bibliografia
Published online: 1 November 2018
DOI logo
https://doi.org/10.1075/z.218.14gon
References (6)
Bibliografia
Arlettaz, Vincent. 2000. Musica Ficta, Une Histoire des Sensibles du XIIIe au XVIe Siècle. Sprimont, Belgique: Mardaga.Google Scholar
Bowles, Edmund A. 1954. “ Haut and bas. The Grouping of Musical Instruments in the Middle Ages.” Musica Disciplina 8. 115–140.Google Scholar
Ferreira, Manuel Pedro. 2005. Cantus Coronatus. 7 Cantigas d’El-Rei Dom Dinis. Kassel: Reichenberger.Google Scholar
Page, Christopher. 1987. Voices and Instruments of the Middle Ages. London: Dent & Sons Ltd.Google Scholar
Perotin, ca. 1250. Alleluia posui aduitorium. No Manuscrito Florença, Pluteo 29.1 da Biblioteca Mediceo Laurenziana de Firenze.Google Scholar
Perotin. 1260–1280. Alleluia posui aduitorium. No Codex Montpellier, H 196 da Bibliothèque Inter-Universitaire de Montpellier.Google Scholar