The Power of Satire
Satire is clearly one of today’s most controversial socio-cultural topics. In this edited volume, The Power of Satire, it is studied for the first time as a dynamic, discursive mode of performance with the power of crossing and contesting cultural boundaries. The collected essays reflect the fundamental shift from literary satire or straightforward literary rhetoric with a relatively limited societal impact, to satire’s multi-mediality in the transnational public space where it can cause intercultural clashes and negotiations on a large scale. An appropriate set of heuristic themes – space, target, rhetoric, media, time – serves as the analytical framework for the investigations and determines the organization of the book as a whole. The contributions, written by an international group of experts with diverse disciplinary backgrounds, manifest academic standards with a balance between theoretical analyses and evaluations on the one hand, and in-depth case studies on the other.
[Topics in Humor Research, 2] 2015. xiii, 277 pp.
Publishing status: Available
Published online on 9 October 2015
Published online on 9 October 2015
© John Benjamins
Table of Contents
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Acknowledgments | pp. vii–viii
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About the contributors | pp. ix–xiv
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IntroductionMarijke Meijer Drees and Sonja de Leeuw | pp. 1–16
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Mapping the Field
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Satire and dignityGiselinde Kuipers | pp. 19–32
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The Authenticity of Play: Satiric Television's Challenge to Authorative DiscoursesJeffrey P. Jones | pp. 33–46
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Cultural Flow: Intermedial Satire in Moroccan and Tunisian Rap VideosMohamed Mifdal | pp. 47–58
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Space
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Reshaping the Border Zone. An Approach to Satirical SpaceSonja de Leeuw | pp. 61–70
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Mediating satire: Italian Adaptation and Dubbing of US SitcomsLuca Barra | pp. 71–80
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Arab Sitcom Animations as Platforms for SatireOmar Adam Sayfo | pp. 81–90
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Target
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Contesting Political Boundaries in Contemporary Moroccan SatireAbdelghani el Khairat | pp. 95–104
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How to Burlesque a Burlesquer: Paul Sandby's A New Dunciad against William HogarthKathryn Desplanque | pp. 105–134
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Who is the ape, who the human? Reize door het Aapenland (1788) and Die Affenkönige oder die Reformation des Affenlandes (1789) consideredPeter Altena | pp. 135–146
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Rhetoric
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Looking backward. The rhetoric of the back in visual satireFrans Grijzenhout | pp. 147–174
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"A bull is a ludicrous jest": fable and the satiric bite in Arbuthnot's John Bull pamphletsJo Poppleton | pp. 175–184
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Bas Jan Ader's Ludic Conceptualism: Performing a Transnational IdentityJanna Schoenberger | pp. 185–196
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Media
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Absolutely Fabulous: Satire, the Body, and the Female GrotesqueKiene Brillenburg Wurth | pp. 197–206
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TV Satire and its Targets: Have I got News for You, The Thick of It and Brass EyeLaura Basu | pp. 207–216
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Enlightenment Subverted: Parody as Social Criticism in Pieter van Woensel's LantaarnIvo Nieuwenhuis | pp. 217–234
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Time
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On the power of Money and the King of Spain's son-in- law: Spanish Golden Age satire models on the internetYolanda Rodríguez Pérez | pp. 235–246
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Who are the Frogs? The Transmigration of a Symbol of NationalityDavid Bindman | pp. 247–258
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Hydropathe Caricature: Satirical Portraits in France's Early Third RepublicAlex Trott | pp. 259–268
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ConclusionsSonja de Leeuw and Marijke Meijer Drees | pp. 269–274
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Index | pp. 275–277
Cited by (3)
Cited by three other publications
Sylvanus, Emaeyak Peter
This list is based on CrossRef data as of 24 july 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.
Subjects
Communication Studies
Literature & Literary Studies
Main BIC Subject
CFG: Semantics, Pragmatics, Discourse Analysis
Main BISAC Subject
LAN015000: LANGUAGE ARTS & DISCIPLINES / Rhetoric